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| SELECTED BIOGRAPHY | ||||||||
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| INDIVIDUAL EXHIBITIONS: | ||||||||
| 2010 | Baldwin Gallery, Aspen, Colorado; “Work in Progress" (July) | |||||||
| 2009 | Galerie Tanit, Munich, Germany; Selected Work 1978-2009 (September 11 – October) | |||||||
| Susan Inglett Gallery, New York, NY; Work in Progress (May 7-June 13) | ||||||||
| 2007 | Baldwin Gallery, Aspen, Concrete Color (November - December) | |||||||
| 2006 | Margo Leavin Gallery, Los Angeles, CA; Concrete Color (28 October - 25 November) | |||||||
| 2005 | Baldwin Gallery, Aspen, Simple Text (November-December) | |||||||
| 2003 | Baldwin Gallery, Aspen, CO; 0 + 1 (11 February - 10 March) | |||||||
| 2002 | Gorney Bravin + Lee, New York; Neverland (22 November - 22 December) | |||||||
| 2000 | Gorney Bravin + Lee, New York, NY; 0 + 1 | |||||||
| Margo Leavin Gallery, Los Angeles, CA; 0 + 1 | ||||||||
| 1998 | Camera Obscura, S. Casciano dei Bagni, Italy | |||||||
| Fay Gold Gallery, Atlanta, GA; Doubleworld | ||||||||
| 1997-1999 | Cleveland Center for Contemporary Art, Cleveland, OH; Rose Art Museum, Brandeis University, Waltham, MA | |||||||
| Sarah Charlesworth,- A Retrospective, curated by Louis Grachos and Susan Fisher Sterling (cat.) | ||||||||
| Site, Santa Fe, NM; Museum of Contemporary Art, San Diego, CA; National Museum of Women in the Arts, Washington, DC | ||||||||
| 1996 | Margo Leavin Gallery, Los Angeles, CA; Doubleworld | |||||||
| 1995 | Jay Gorney Modern Art, New York, NY; Doubleworld | |||||||
| S. L. Simpson Gallery, Toronto, Canada; Doubleworld | ||||||||
| 1993 | Galerie Rizzo, Paris, France; Natural Magic | |||||||
| Jay Gorney Modern Art, New York, NY; Natural Magic | ||||||||
| S. L. Simpson Gallery, Toronto, Canada; Natural Magic | ||||||||
| 1992 | Galerie Carola Mosch, Berlin, Germany; Objects of Desire (mixed) | |||||||
| Rena Bransten Gallery, San Francisco, CA; Renaissance Paintings (with Judith Barry) | ||||||||
| The Queens Museum of Art, Queens, NY; Herald Tribune: November, 1977 and Herald Tribune: January 18 - February 28, 1991 (special project - brochure) | ||||||||
| 1991 | Galerie Xavier Hufkens, Brussels, Belgium; Renaissance Paintings | |||||||
| Jay Gorney Modern Art, New York, NY; Renaissance Paintings & Drawings | ||||||||
| Paley Wright Gallery, London, England; Renaissance Paintings | ||||||||
| 1990 | S. L. Simpson Gallery, Toronto, Canada; Academy of Secrets | |||||||
| 1989 | Interim Art, London, England; Objects of Desire (mixed) | |||||||
| Jay Gorney Modern Art, New York, NY; Academy of Secrets | ||||||||
| 1988 | Galerie Hufkens Noirhomme, Brussels, Belgium; Objects of Desire (mixed) | |||||||
| 1987 | International with Monument, New York, NY; Objects of Desire IV | |||||||
| Margo Leavin Gallery, Los Angeles, CA; Objects of Desire IV | ||||||||
| Tyler Gallery, Tyler School of Art, Temple University, Elkins Park, PA; Objects of Desire | ||||||||
| 1986 | International with Monument, New York, NY; Objects of Desire III | |||||||
| S.L. Simpson Gallery, Toronto, Canada; Objects of Desire III | ||||||||
| 1985 | International with Monument, New York, NY; Objects of Desire III | |||||||
| 1984 | California Museum of Photography, Riverside, CA ; Modern History (cat.) | |||||||
| Light Work, Syracuse, NY; In-Photography | ||||||||
| The Clocktower, New York, NY; Objects of Desire I, In-Photography, Tabula Rasa (1) | ||||||||
| 1982 | CEPA Gallery, Buffalo, NY; In-Photography, (cat.) | |||||||
| Larry Gagosian, New York, NY; Tabula Rasa | ||||||||
| Tony Shafrazi Gallery, New York, NY; In-Photography | ||||||||
| 1981 | Galerie Micheline Scwajcer, Antwerp, Belgium; The White Lady | |||||||
| Tony Shafrazi Gallery, New York, NY; Stills | ||||||||
| 1980 | New 57 Gallery, Edinburgh, Scotland; Modern History: April 21, 1978 and The Arc of Total Eclipse, February 26, 1979 (cat.) | |||||||
| 1978 | C Space, New York, NY; Modern History: Herald Tribune, September, 1977 | |||||||
| Centre d'Art Contemporain, Geneva, Switzerland; Modern History: Herald Tribune, September, 1977 and April 21, 1978 | ||||||||
| Galerie Eric Fabre, Paris, France; Modern History: April 21, 1978 | ||||||||
| Pio Monte Gallery, Rome, Italy; Modern History: April 21, 1978 | ||||||||
| Zona, Florence, Italy; Modern History: April 20, 1978 | ||||||||
| 1977 | MTL Gallery, Brussels, Belgium; 14 Days (cat.) | |||||||
| GROUP EXHIBITIONS: | ||||||||
| 2010 | Museum for Photography, Braunschweig, Germany; "Rhetorik der Bilder" ("Rhetoric of Images"), curated by Florian Ebner (March 11-April 25) | |||||||
| Solomon R. Guggenheim Museum, New York, NY; “Haunted: Contemporary Photography/Video/Performance”, curated by Jennifer Blessing & Nat Trotman (March 26) | ||||||||
| The Corcoran,Washington, D.C.; in conjunction with “Helios: Eadweard Muybridge in a Time of Change”, curated by Philip Brookman, Interpretation Gallery Exhibition, curated by Linda Powell, (April 10-July 18) | ||||||||
| 2009 | APF Lab & The American Standard Gallery, New York, NY; "Small Packages" (September 15 - Oct 10) | |||||||
| Fotomuseum, Winterthur, Switzerland; “Printed Matter” (Feb 28 – Oct 11) | ||||||||
| Guilde and Greyshkul, New York, NY; “On From Here” (Feb) | ||||||||
| Harris Lieberman, New York, NY; “A Twilight Art” (January 17 - February 28) | ||||||||
| Le Magasin, Centre National d’Art Contemporain, Grenoble, France; “Images et (Re)Presentations”, curated by Yves Aupetitallot (May 25 – September 6) (cat.) | ||||||||
| Lehmann Maupin, New York, NY; “The Glamour Project” (February 23 – March 21) | ||||||||
| Sue Scott Gallery, New York, NY; “We’re All Gonna Die”, curated by Ron Keyson (June 25 – July 31) | ||||||||
| Susan Inglett Gallery, New York, NY; The Armory Show (March) | ||||||||
| The American Standard Gallery, New York, NY; “Better History” (March 12 – May 9) (cat.) | ||||||||
| The Metropolitan Museum of Art, New York, NY; “The Pictures Generation, 1974 -1984”, curated by Doug Eklund (April 21 – August 2) (cat.) | ||||||||
| 2008 | Fotomuseum Winterthur, Switzerland; “Jedermann Collection- Set 5 from the Fotomuseum Winterthur Collection”(1 March- 12 Oct) (cat.) | |||||||
| Guild & Greyshkul, New York, NY; "The Human Face is a Monument" (30 March- 3 May) | ||||||||
| Margo Leavin Gallery, Los Angeles, CA "Summer 2008" (31 May- 9 Aug) | ||||||||
| Metropolitan Museum of Art, New York, NY; “Photography on Photography: Reflections on the Medium Since 1960” (8 April- 19 Oct) | ||||||||
| Sue Scott Gallery, New York, NY; “Legerdemain” (November 14 - December 20) | ||||||||
| The American Standard Gallery, Miami, FL; (Dec) | ||||||||
| 2007 | Jane Voorhees Zimmerli Art Museum, Rutgers. The State University of New Jersey,New Brunswick, NJ, "A New Reality: Black-and-White Photography in Contemporary Art." (01 September - 25 November) (cat.) | |||||||
| The Foundation To-Life Exhibition Space, Mount Kisco, NY, "Making and Finding" 2006Aspen Art Museum, Aspen, CO; "Belief and Doubt" (4 August - 1 October) | ||||||||
| The Rose Art Museum, Brandeis University, Waltham, MA "RoseArt: Works from the Permanent Collection" (25 January - 1 April) | ||||||||
| 2006 | Addison Gallery of American Art, Andover, MA; "75 Years of Collecting American Photography" (28 April - 31 July) | |||||||
| Aspen Art Museum, Aspen, CO; "Belief and Doubt" (4 August -1 October) | ||||||||
| Grey Art Gallery, New York, NY (10 January - 1 April) | ||||||||
| Metropolitan Museum of Art, New York, NY; "Recent Acquisitions in Contemporary Photography" (4 April- 15 October) | ||||||||
| The Andy Warhol Museum, Pittsburgh, PA (27 May - 3 September) | ||||||||
| "The Downtown Show: The New York Art Scene, 1974 -1984", curated by Carlo McCormick in consultation with Lynne Gumpert and Marvin J. Taylor (cat.) | ||||||||
| Tony Shafrazi Gallery, New York, NY; "The Other Side" (5 May - 30 June) | ||||||||
| 2005-2004 | New Britain Museum of American Art, New Britain, CT; Contemporary Photography in the Age of Mechanical Reproduction (15 Jan - 13 March) | |||||||
| 2005 | Kunstmuseum Basel, Switzerland; "Covering the Real" (01 May- 21 August) (cat.) | |||||||
| Princeton University Art Museum, Princeton, NJ; "For Presentation and Display: Some Art of the 80s" curated by Johanna Burton and Hal Foster; (19 March - 12 June) | ||||||||
| Von Lintel Gallery, New York, NY; "The Photograph in Question" (9 June - 29 July) | ||||||||
| 2004 | Guggengheim Museum Bilbao, Bilbao, Spain (25 November, 2005 - 22 March, 2006); "Speaking with Hands, Photographs from the Buhl Collection" (cat.) | |||||||
| The Solomon R. Guggenheim Museum, New York, NY (June - 8 September) | ||||||||
| The Wexner Center for the Arts, Columbus, OH; Visions from America (July - August) | ||||||||
| "Unframed" edition produced for ACRIA: Aids Community Research Initiative, held at Charles Cowles Gallery, New York, NY; April | ||||||||
| 2003 | Margo Leavin Gallery, Los Angeles, CA; Raid the Icebox (22 March - 26 April) | |||||||
| Margo Leavin Gallery, Los Angeles, CA; Sarah Charlesworth, Louise Lawler and Laurie Simmons: Designs for Living (6 September - 4 October) | ||||||||
| Memphis College of Art, Memphis, TN; Cold Comfort (13 January - 13 February) | ||||||||
| Orlando Museum of Art, Orlando, FL; Constructed Realities: Contemporary Photography (8 March - 18 May) (cat.) | ||||||||
| Southeast Museum of Photography, Daytona Beach, FL; Off the Press: Recontextualizing the Newspaper in Contemporary Art (cat.) | ||||||||
| 2002 | National Museum of Women in the Arts, Washington DC; Feminism and Art: Selections from the Permanent Collection (Jun.- Aug.) | |||||||
| Tang Museum, Saratoga Springs, NY; Still Photography, curated by Charles Stainback (16 June - 26 June) | ||||||||
| The Site Gallery, Sheffield, England; Con Art: Magic/Object/Action, curated by Helen & PierGiorgio Varola (Feb.) | ||||||||
| The Victoria and Albert Museum, London; "Seeing Things: Photographing Objects, 1850-2001," 21 Feb - 18 August (cat.) | ||||||||
| The Whitney Museum of American Art, New York, NY; Visions from America: Photographs from the Whitney Museum of American Art, 1940-2001, Curated by Sylvia Wolfe (27 June - 22 September) | ||||||||
| 2001 | Gallery Camino Real, Boca Raton, FL; Photo-Synthesis, curated by Douglas Maxwell (11 Jan. - 3 Feb.) | |||||||
| Kunsthalle Wien, Vienna, Austria; Tele[visions], curated by Joshua Decter (18 Oct. - 6 Jan. 2002) | ||||||||
| Skidmore College, Saragota Springs, NY; Still Photography (16 June - 26 August) | ||||||||
| 2000 | Avignon, France; La Collection Yvon Lambert (6 June - ) | |||||||
| Contemporary Arts Center, New Orleans, LA; Photography Now, curated by David Rubin (15 July -24 Sept.) | ||||||||
| De Saisset Museum, CA; Brauer Museum, IN; The One Chosen (Aug. 2000 - Nov. 2001) | ||||||||
| Museum of New Mexico, Museum of Fine Arts, Sante Fe, NM; 20/20 Twentieth Century Photography Acquisitions, (4 February - 20 August) | ||||||||
| 1999 | Nexus Contemporary Art Center, Atlanta, GA; Double Vision, curated by Michael Pittari | |||||||
| The Whitney Museum of American Art, New York, NY; The American Century: Art & Culture 1950-2000 (cat.) | ||||||||
| 1998 | Art Museum of South Texas, Corpus Chriati, TX; From The Heart: The Power of | |||||||
| Dorfman Projects, New York, NY; The Tip of the Iceberg- A Response to New York Museums | ||||||||
| Museo Santa Maria Della Scala, Siena, Italy; Civic Art In Sienese Villages: Three Contemporary Artists Create Publis Works, curated by Cornelia Lauf | ||||||||
| Photography- A Collector's Choice, curated by Adam D. Weinberg | ||||||||
| 1997 | California Center for the Arts Museum, Escondido, CA; Table Tops: Morandi's Still Lifes to Mapplethorpe's Flower Studies | |||||||
| International Center of Photography, New York, NY; Eye of the Beholder: Photographs from the Avon Collection Milwaukee Art Museum, Milwaukee, WI; Identity Crisis: Self Portraiture at the End of theCentury, curated by Dean Sobol (cat.) | ||||||||
| Thomas J. Walsh Art Gallery, Quick Center for the Arts at Fairfield University, Fairfield, CT; TheOne Chosen: Images of Christ in Recent New York Art (cat.) | ||||||||
| 1996 | Museum of Contemporary Art, Los Angeles, CA; Just Past: The Contemporary in M.o.C.A.'s Permanent Collection, 1975-96 | |||||||
| Nicole Klagsbrun Gallery, New York, NY; Bernard Toale Gallery, Boston, MA; MakingPictures: Women and Photography, 1975-Now, curated by Nicole Klagsbrun | ||||||||
| S. L. Simpson Gallery, Toronto, Canada; Sarah Charlesworth, Louise Lawler, Ian WallaceLos Angeles County Museum of Art, Los Angeles, CA; Some Grids, organized by Carol S. Eliel and Lynn Zelevansky | ||||||||
| S.L. Simpson Gallery, Toronto, Canada; Sarah Charlesworth, Hannah Collins, GeneralIdea, Laurie Simmons, Carolyn White | ||||||||
| The Clocktower Gallery, Institute of Contemporary Art, New York, NY; Model Home,organized by Alanna Heiss and Sabina Streeter (cat.) | ||||||||
| 1995 | Christinerose Gallery, New York, NY; Chasing Angels (cat.) | |||||||
| 1994 | Musée d’art moderne et contemporain (MAMCO), Genève, Switzerland; Rudiments d'un Musée Possible | |||||||
| The InterArt Center, New York, NY; Gift, organized by Gideon Ponte, Birgit Spears & Neville Wakefield The Art Museum, Florida International University, Miami, FL; American Art Today: HeadsOnly, curated by Dahlia Morgan (cat.) | ||||||||
| The School of the Art Institute of Chicago, Chicago, IL; Transmitting Truth: Refor-mulating News Media Information | ||||||||
| The Whitney Museum of American Art, New York, NY; From the Collection: Photo-graphy, Sculpture, PaintingOffshore Gallery, East Hampton, NY; Seasights, curated by Nessia Pope | ||||||||
| Thread Waxing Space, New York, NY; Don't Look Now, curated by Josh Decter (cat.) Carl Solway Gallery, Cincinnati, OH; Desire & Loss | ||||||||
| 1993-1996 | Neuberger Museum, Purchase, NY; Virginia Beach Center for the Arts, Virginia Beach, VA; University Gallery, Univ. of North Texas, Denton, TX; Art Gallery, Sir Wilfred Grenfell College, Univ. of Newfoundland, Newfoundland, NS, Canada; Mackenzie Art Gallery, Regina, Sas.,Canada; The Gallery/Stratford, Stratford, Ont., Canada; California Center for the Arts, Escondido, CA; SelbyGallery Ringling School of the Arts, Sarasota, FL; The Rubelle & Norman Schafler Gallery, Pratt Institute, Brooklyn, NY; Empty Dress: Clothing as Surrogate in Recent Art, curated by Nina Felshin for IndependentCurators Inc. (cat.) | |||||||
| 1993-1994 | Center for the Fine Arts, Miami, FL; Museo Amparo, Puebla, Mexico; Centro Cultural Consolidado, Nacional de Bellas Artes, Buenos Aires, Argentina; Museo Nacional de Bellas Artes, Santiago, Chile; Photoplay: Works from the Chase Manhattan Collection, organized byLisa Phillips in association with Manuel E. Gonzalez (cat.) International Center of Photography, New York, NY; Institute of Contemporary Art,Boston, MA; Laguna Art Museum, Laguna Beach, CA; Commodity Image (cat.) | |||||||
| 1993 | Donna Beam Fine Art Gallery, University of Nevada, Las Vegas, NV; From New York:Recent Thinking in Contemporary Photography | |||||||
| L'Espace Lyonnais d'Art Contemporain, Lyon, France; Here's Looking At Me / A MesBeaux Yeux: Autoportraits Contemporains, curated by Bernard P. Brunon (cat.) | ||||||||
| Nassau County Museum of Art, Roslyn Harbor, NY; Image Makers, curated by Franklin Hill Perrell and Constance Schwartz (cat.) | ||||||||
| The Drawing Center, New York, NY; The Return of the Cadavre Exquis (cat.) | ||||||||
| The Herbert F. Johnson Museum of Art, Cornell University, NY; Up Close: Chemistry Imagined Photogenics: Contemporary Art from the Mallin Collection | ||||||||
| The New Jersey Center for Visual Arts, Summit, NJ; New Jersey Collects: Photography Raab Galerie, Berlin, Germany; Galleria Gian Ferrari Arte Contemporanea, Milano, Italy;Vivid: Intense Images by American Photographers, curated by Victoria Espy-Burns (cat.) | ||||||||
| 1992-1993 | Art Gallery of New South Wales, Sydney, Australia (sponsor, & various local sites); The Boundary Rider: 9th Biennale of Sydney, curated by Anthony Bond (cat.) | |||||||
| 1992 | Centro Cultural Arte Contemporaneo, Polanco, Mexico; The Disasters of WarTony Shafrazi Gallery, New York, NY; A Passion for Art: Watercolors and Works on Paper International Center of Photography / Midtown, New York, NY; The Photographic Order from Popto Now | |||||||
| The Aldrich Museum of Contemporary Art, Ridgefield, CT; Quotations: The Second History of Art, organized by Barry Rosenberg (cat.) | ||||||||
| University Art Museum, Santa Barbara, CA; The Santa Monica Museum of Art, SantaMonica, CA; The North Carolina Museum of Art, Raleigh, NC; Knowledge: Aspects of Conceptual Art, curated by Frances Colpitt and Phyllis Plous (cat.) | ||||||||
| 1991 | Barbara Mathes Gallery, New York, NY; The Conceptual Eye - Setagaya Art Museum, Tokyo; The National Museum of Art, Osaka; Fukuoka Art Museum, Fukuoka, Japan; Beyond the Frame: American Art 1960-1990, curatedby Lynn Gumpert (cat.) | |||||||
| Cleveland Center for Contemporary Art, Cleveland, OH; Cruciformed: Images of the Cross Since1980 (cat.) | ||||||||
| Museum of Contemporary Art, Los Angeles, CA; Recent Work / Recent Acquisitions | ||||||||
| Museum of Contemporary Art, Los Angeles, CA; Selections from the Permanent Collection: 1975-1991 | ||||||||
| National Museum of American Art, Smithsonian Institution, Washington, DC; Motion and Document - Sequence and Time: Eadweard Muybridge and ContemporaryAmerican Photography, curated by James Sheldon and Jock Reynolds (cat. - travelling show) | ||||||||
| New Museum of Contemporary Art, New York, NY; The Interrupted Life, curated by France Morin (cat.) | ||||||||
| Norton Gallery of Art, West Palm Beach, FL and Samuel P. Harn Museum of Art at theUniv. of Florida, Gainesville, FL; Southeast Bank Collects: A Corporation Views Contemporary Art, curated by Lisa Liebmann (cat.) | ||||||||
| Palazzo delle Albere, Museo d'Arte Moderna e Contemporanea di Trento e Rovereto,Trento, Italy; American Art of the 80's, curated by Gabriella Belli and Jerry Saltz (cat.) | ||||||||
| Robert Miller Gallery, New York, NY; Lorence Monk Gallery, New York, NY; In a Dream...(portfolio published by Photographers and Friends Against AIDS) | ||||||||
| Samuel P. Harn Museum of Art, University of Florida, Gainesville, FL; Images from the EightiesPart 1, American Paintings and Drawings from the Samuel P. Harn Museum of Art's Skowhegan Collection | ||||||||
| Victoria and Albert Museum, London, England | ||||||||
| 1990 | Feigen Gallery, Chicago, IL; Sarah Charlesworth, Jeanne Dunning, Annette Messager, AdrianPiper, Laurie Simmons (cat.) | |||||||
| Foto e.V. München and Barbara Gross Galerie, München, Germany; Das Sibyllinische Auge: Fotokünstlerinnen aus dem Anglo-Amerikanischen Raum, curated by Isabelle Graw andPia Lanzinger (cat.) | ||||||||
| Galleri Nordanstad-Skarstedt, Stockholm, Sweden; Disconnections | ||||||||
| Hallwalls Contemporary Arts Center, Buffalo, NY; Insect Politics: Body Horror / Social Order (cat.) | ||||||||
| International Center of Photography Midtown, New York, NY; Los Angeles Municipal Art Gallery, Los Angeles, CA; The Indomitable Spirit (cat.) - Galerie Samia Saouma, Paris, France; Figures et Lectures | ||||||||
| Krygier/Landau Contemporary Art, Santa Monica, CA; Prints and Multiples | ||||||||
| Leo Castelli Gallery, New York, NY; Gallery, Milan, Italy; Taking the Picture: Photography and Appropriation, curated by Manuela Gandini | ||||||||
| Museum of Fine Arts, Boston, MA; Figuring the Body, curated by Trevor Fairbrother and Kathy Halbreich | ||||||||
| Nicola Jacobs Gallery, London, England; Third Eye Center, Glasgow, Scotland; Reorienting:Looking East, curated by Lynne Cooke (cat.) | ||||||||
| White Columns, New York, NY; Fragments, Parts, Wholes; The Body & Culture | ||||||||
| XPO Galerie, Hamburg, West Germany; The Point of View | ||||||||
| 1989-1990 | Cambridge Darkroom, Cambridge; City Museum and Art Gallery, Stroke-on-Trent; Newport Museum and Art Gallery; Harris Museum and Art Gallery, Preston (all England); ShiftingFocus: An International Exhibition of Contemporary Women's Photography, curated by Susan Butler for The Arnolfini Gallery, Bristol and The Serpentine Gallery, London (cat.) | |||||||
| 1989 | Aldrich Museum of Contemporary Art, Ridgefield, CT; Selections from the Collection of Marc and Livia Straus (cat.) | |||||||
| Art Center College of Design, Pasadena, CA; Fauxtography, curated by Nora Halpern Brougher | ||||||||
| Carleton Art Gallery, Carleton College, Northfield, MN; Women's Art Registry ofMinnesota, Minneapolis, MN; What Does She Want?: Current Feminist Art from the First Bank Collection, curated by Lynne Sowder and Nathan Braulick (cat.) | ||||||||
| Editions Ilene Kurtz, New York, NY; Sarah Charlesworth and Laurie Simmons: Prints & Photo-graphs | ||||||||
| Emerson Gallery, Hamilton College, Clinton, NY; Anderson Gallery, Virginia Common-wealth University, Richmond, VA; Abstraction in Contemporary Photography,curated by Jimmy De Sana (cat.) | ||||||||
| Frac Rhône-Alpes, Lyon, France; Avant 1989, curated by Haim Steinbach (cat.) | ||||||||
| Grita Insam Gallery, Vienna, Austria; Museum voor Hedendaagse Kunst Het Kruithuis,Hertogenbosch, The Netherlands; Vis-A-Vis: Aspects of Contemporary Portrait Photography | ||||||||
| Hirschl & Adler Modern, New York, NY; Departures: Photography 1924-1989 | ||||||||
| International Center of Photography, New York, NY; Culture Medium: A Notion of Truth,curated by Charles Stainback (cat.) | ||||||||
| Josh Baer Gallery, New York, NY; Natura-Naturata (An Argument for Still-Life), curated by Cornelia Lauf National Museum of American Art, Smithsonian Institution, Washington, DC; TheMuseum of Contemporary Art, Chicago, IL and Walker Art Center, Minneapolis,MN; The Photography of Invention: American Pictures of the 1980s, curated by Joshua P. Smith and Merry A. Foresta (book) | ||||||||
| Messepalast, Vienna, Austria; Moskau - Wien - New York: Kunst zur Zeit, curated by ViktorMisiano and Oliver Wassow (cat.) | ||||||||
| Museum of Contemporary Art, Los Angeles, CA; A Forest of Signs: Art in the Crisis of Representation, curated by Mary Jane Jacob and Ann Goldstein (cat.) | ||||||||
| Nicola Jacobs Gallery, London, England; Subject: Object (cat.) | ||||||||
| S. L. Simpson Gallery, Toronto, Canada; Sarah Charlesworth, Christine Davis, Judith Schwarz | ||||||||
| Salama-Caro Gallery, London, England; International Camera | ||||||||
| The John and Mable Ringling Museum of Art, Sarasota, FL; Center for the Fine Arts,Miami, FL; Contemporary Perspective I: Abstraction in Question, curated by Bruce Ferguson, Joan Simon and Roberta Smith (cat.) | ||||||||
| The Squibb Gallery, Princeton, NJ.; Fictive Strategies; Actuality and Originality in Contemporary Photography, curated by Joseph Rauch (cat.) | ||||||||
| Thomas Segal Gallery, Boston, MA; Camera Culture, curated by Brent Sikkema | ||||||||
| Tony Shafrazi Gallery, New York, NY; Don't Bungle the Jungle! A benefit exhibition for the rainforest | ||||||||
| Vienna Secession, Vienna, Austria; The Play of the Unsayable-Wittgenstein and the Art of theXXth Century, curated by Joseph Kosuth (cat.) | ||||||||
| Whitney Museum of American Art, New York, NY; Image World: Art and Media Culture, curatedby Marvin Heiferman and Lisa Phillips (cat.) | ||||||||
| Wight Art Gallery, University of California, Los Angeles, CA; Joslyn Museum of Art,Omaha, NE; Neuberger Museum, Purchase, NY; Akron Art Museum, Akron, OH; Selected Works from the Frederick R. Weisman Foundation (cat.) | ||||||||
| 1988 | Artculture Resource Center, Toronto, Canada; The Discursive Field of Recent Photography, curated by Tom Folland | |||||||
| Burden Gallery / Aperture Foundation, New York, NY; The Return of the Hero, curated by KarenMartaWhite Columns, New York, NY; Female (Re)production, curated by Marilu Knode | ||||||||
| Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA; Fabrications, curated by Anne Hoy (book) | ||||||||
| Gallery, Santa Fe, NM; Hybrid Neutral: Modes of Abstraction and the Social, curated by Tricia Collins & Richard Milazzo for Independent Curators Inc. (cat.) | ||||||||
| Greenville County Museum of Art, Greenville, SC; Just like a Woman | ||||||||
| Jay Gorney Modern Art, New York, NY; Gallery Artists | ||||||||
| Robert Koch Gallery, San Francisco, CA; Photography in Art Today | ||||||||
| Rooseum, Malmö, Sweden; Art at the End of the Social, curated by Collins & Milazzo (cat.)Haggerty Museum of Art, Marquette University, Milwaukee, WI; Photography on the Edge (cat.) | ||||||||
| Scott Hanson Gallery, New York, NY; Media / Post Media, curated by Collins and Milazzo (cat.) | ||||||||
| The University of North Texas Art Gallery, Denton, TX; The J. B. Speed Art Museum, Louisville, LA; Alberta College Gallery of Art, Alberta, Canada; The Cincinnati Contemporary ArtCenter, Cincinnati, OH, Richard F. Brush Art Gallery, Santa Fe Community College Art | ||||||||
| Wallach Art Gallery, Columbia University, New York, NY; Sexual Difference: Both Sides of theCamera, curated by Abigail Solomon-Godeau (cat.) | ||||||||
| 1987-1988 | Sala de Exposiciones de la Fundacion Caja de Pensiones, Madrid, Spain; Fundacio Caixa de Pensions, Barcelona, Spain; Art and Its Double: A New York Perspective, curated by Dan Cameron (cat.) | |||||||
| 1987 | Alternative Museum, New York, NY; The Surrealist Legacy in Post Modern Photography, curatedby Roger Denson | |||||||
| Barbara Toll Fine Arts, New York, NY: Monsters: The Phenomena of Dispassion, curated byDennis Kardon and Maria Reidelbach | ||||||||
| Musee St. Pierre, Espace Lyonnais d'Art Contemporain, Lyon, France; Contemporary Photographic Portraiture, curated by Bernard Brunon (cat.) | ||||||||
| Sidney Janis Gallery, New York, NY; Recent Tendencies in Black and White, curated byJerry Saltz (cat.) | ||||||||
| The John and Mable Ringling Museum of Art, Sarasota, FL; Akron Art Museum, Akron, OH;Chrysler Museum, Norfolk, VA: This is not a Photograph: Twenty Years of Large ScalePhotography; 1966-1986, curated by Joseph Jacobs (cat.) | ||||||||
| University Art Gallery, San Diego State University, San Diego, CA; Industrial Icons | ||||||||
| Whitney Museum of American Art at Champion Plaza, Stamford, CT; Whitney Museum ofAmerican Art at Equitable Center, New York, NY; Contemporary Diptychs: The NewShape of Content, curated by Roni Feinstein (cat.) | ||||||||
| 1986 | 303 Gallery, New York, NY; Photography Bard College, Annandale-on Hudson, NY; AlteredStates, curated by Vikky Alexander | |||||||
| Brooke Alexander Gallery, New York, NY, Benefit for The Kitchen, curated by Brooke Alexanderand Paula Cooper | ||||||||
| CEPA Gallery, Buffalo, NY; Spiritual America, curated by Collins and Milazzo (cat.) | ||||||||
| CO; Vanguard Gallery, Philadelphia, PA; Infotainment, curated by Peter Nagy (cat.) | ||||||||
| Editions Ilene Kurtz, New York, NY; Sarah Charlesworth, Jeff Koons, Laurie Simmons (Tartan Sets portfolio) | ||||||||
| Institute of Contemporary Art, Boston, MA; As Found, part III of Dissent: The Issue of Modern Art in Boston (cat.) | ||||||||
| Margo Leavin Gallery, Los Angeles, CA; Paravision, curated by Collins and Milazzo | ||||||||
| Michael Kohn Gallery, Los Angeles, CA; Post Pop Art | ||||||||
| S.L. Simpson Gallery, Toronto, Canada; Ultrasurd, curated by Collins and Milazzo (cat.) | ||||||||
| The Queens Museum of Art, New York, NY; The Big Picture, curated by Marvin Heiferman (cat.)Lightsong Gallery, University of Arizona, Tucson, AZ | ||||||||
| Venice Biennale, Venice, Italy; Aperto, (cat.) | ||||||||
| 1985-1986 | Rhona Hoffman Gallery, Chicago, IL; Texas Gallery, Houston, TX; Aspen Art Museum, Aspen, CO; Vanguard Gallery, Philadelphia, PA; Infotainment, curated by Peter Nagy (cat.) | |||||||
| 1985 | 55 Mercer Street Gallery, New York, NY; Smart Art Too, curated by Joe Masheck | |||||||
| Cable Gallery, New York, NY | ||||||||
| Feature Gallery, Chicago, IL | ||||||||
| Holly Solomon Gallery, New York, NY; Selected Artists from The East Village | ||||||||
| International with Monument, New York, NY | ||||||||
| Laguna Gloria Art Museum, Austin, TX; Figure it Out | ||||||||
| New Museum of Contemporary Art, New York, NY; The Art of Memory, The Loss of History,curated by Bill Olander (cat.) | ||||||||
| Nexus Contemporary Art Center, Atlanta, GA; C. W. Woods Gallery, Hattiesburg, MS; CarolinaProgram Union, Columbia, SC; Austin Peay State University, Clarksville, TN; ValenciaCommunity College, Orlando, FL; North Carolina Museum of Art, Raleigh, NC; University of the South, Sewanee, TN; Public Art, organized by Nexus Contemporary Art Center,Atlanta (cat.) | ||||||||
| Postmasters Gallery, New York, NY; Photo Object | ||||||||
| The Institute for Contemporary Arts, Santa Fe, NM; Playing It Again, Strategies of Appropriation (traveling show), curated by Sam Samore | ||||||||
| Tibor de Nagy Gallery, New York, NY; Cult and Decorum, curated by Collins and Milazzo (cat.) | ||||||||
| Tony Birckhead Gallery, Cincinnati, OH | ||||||||
| White Columns, New York, NY; Seduction Working Photographs, curated by Marvin Heiferman | ||||||||
| Whitney Museum of American Art, New York, NY; 1985 Biennial Exhibition (cat.) | ||||||||
| 1984-1985 | Riverside Studios, London; Kettle's Yard, Cambridge; Midland Group Gallery, Nottingham, England; Between Here and Nowhere, curated by Rosetta Brooks (cat.) | |||||||
| 1984 | Blum Helman Warehouse, New York, NY; Bomb Magazine Show | |||||||
| Cable Gallery, New York, NY; Sex Show | ||||||||
| Dart Gallery, Chicago, IL; Large Scale Photographs | ||||||||
| Fine Arts Gallery, Florida State University, Tallahassee, FL; Natural Genres, curated by Collinsand Milazzo | ||||||||
| Galerie Jurka, Amsterdam, Holland; International with Monument, New York, NY; Still Life with Transaction, curated by Collins and Milazzo | ||||||||
| Museum of Modern Art / Art Advisory Service, New York, NY; Ten Years of Contemporary Art | ||||||||
| Nature Morte Gallery, New York, NY | ||||||||
| School of the Art Institute of Chicago Gallery, Chicago, IL; Sex Specific: PhotographicInvestigations of Contemporary Sexuality (cat.) | ||||||||
| Spiritual America, New York, NY; Pop | ||||||||
| Washington Project for the Arts, Washington, DC; The Magazine Store, curated by Jock Reynolds | ||||||||
| White Columns, New York, NY; The New Capital, curated by Collins and Milazzo | ||||||||
| 1983 | Allen Memorial Art Museum, Oberlin College, Oberlin, OH; Art and Social Change U.S.A., curated by Bill Olander (cat.) | |||||||
| American Graffiti Gallery, Amsterdam, The Netherlands | ||||||||
| Barbara Gladstone Gallery, New York, NY; State of the Art, The New Social Commentary | ||||||||
| Brooklyn Army Terminal, New York, NY; Terminal New York Marlborough Gallery, New York, NY; In Plato's Cave, curated by Abigail Solomon-Godeau (cat.) | ||||||||
| Castelli Graphics, New York, NY; 3-D Photos | ||||||||
| Marianne Deson Gallery, Chicago, IL; Artists Use PhotographsPalais de Beaux Arts, Brussels,Belgium | ||||||||
| Olsen Gallery, New York, NY; Eight Women Artists | ||||||||
| 1982 | Olsen Gallery, New York, NY | |||||||
| Proctor Art Center, Bard College, Annandale-On-Hudson, NY; Resource Material: Appropriation In Current Photography, curated by Steven Frailey | ||||||||
| The Renaissance Society, University of Chicago, Chicago, IL; Art and the Media: A Fatal Attraction, curated by Tom Lawson (cat.) | ||||||||
| 1981 | Metro Pictures, New York, NY; Photo | |||||||
| P. S. 1, Long Island City, NY; New York, New Wave, curated by Diego Cortez | ||||||||
| Tony Shafrazi Gallery, New York, NY | ||||||||
| 1980 | Carmen Lamanna Gallery, Toronto, Canada | |||||||
| Times Square Show, New York, NY | ||||||||
| 1979 | PS 1, Long Island City, NY; The Altered Photograph | |||||||
| 1978-1979 | Galerie Yvon Lambert, Paris, France; Paula Cooper Gallery, New York, NY; Artemisia, curated byYvon Lambert (cat.) | |||||||
| 1978 | Bibliotheque National, Paris, France | |||||||
| Gallery 76, Toronto, Canada | ||||||||
| 1977 | Art Net, London, England | |||||||
| Carmen Lamanna Gallery, Toronto, Canada | ||||||||
| 1976 | Galerie Durand-Desert, Paris, France; MTL Gallery, Brussels, Belgium; PMJ Self Gallery, London, England; Face / Surface, collaborative project with Joseph Kosuth | |||||||
| CURATORIAL PROJECTS: | ||||||||
| 1995 | Artists Space, New York, NY; Somatogenies, group show co-curated with Cindy Sherman andLaurie Simmons. | |||||||
| BOOKS & CATALOGUES ABOUT THE ARTIST: | ||||||||
| 1997 | Fisher-Sterling, Susan Hickey, Dave Phillips, Lisa | Sarah Charlesworth, exhibition catalogue published by Site, Santa Fe, NM and National Museum of Women in the Arts, Washington, DC | ||||||
| 1992 | Grachos, Louis | Contemporary Currents: Sarah Charlesworth, Special Project: Herald Tribune: Nov., 1977 / Herald Tribune: Jan. 18 - Feb. 28, 1991, exhibition brochure published by The Queens Museum of Art, Queens, NY (no ISBN) | ||||||
| 1984 | unsigned | Sarah Charlesworth: April 21, 1978, special issue of C. M. P. Bulletin published as exhibition brochure by California Museum of Photography, University of California, Riverside, CA, Vol.3 No.5 (ISSN: 0731-2377) | ||||||
| 1983 | Charlesworth, Sarah | A Lover's Tale, special issue of Wedge Magazine, Summer/Fall (a visual text pamphlet by Sarah Charlesworth) | ||||||
| 1982 | Charlesworth, Sarah Simmons, Laurie | Sarah Charlesworth: In - Photography, exhibition catalogue published by CEPA Gallery, Buffalo, NY (ISBN: 0-939784-03-3) (includes artist statement: In-Photography) | ||||||
| 1979 | Charlesworth, Sarah | Sarah Charlesworth: Modern History (Second Reading), exhibition catalogue published by The New 57 Gallery, Edinburgh, Scotland (no ISBN, edition: 500) (includes artist statement: Unwriting: Notes on Modern History) | ||||||
| 1977 | unsigned | Sarah Charlesworth: 14 Days, exhibition catalogue published by MTL Galerie, Brussels, Belgium | ||||||
| PUBLISHED WRITINGS BY THE ARTIST: | ||||||||
| 1999 | Charlesworth, Sarah | Interview Magazine, Oct.; Full page photo | ||||||
| 1995 | Charlesworth, Sarah | College Art Association Journal, Sarah Charlesworth, Spring, p.78, illus. (statement) | ||||||
| Charlesworth, Sarah Simmons, Laurie | Laurie Simmons, A.R.T. Press, Pasadena (interview) | |||||||
| Charlesworth, Sarah | October, Questions of Feminism: 25 Responses, #71, Winter | |||||||
| 1994 | Charlesworth, Sarah | Tema Celeste, La Differenza Tra I Sessi Nell'Arte, Jan. (editorial) | ||||||
| 1992 | Charlesworth, Sarah | Tema Celeste, The Role of Gender in Art: Sarah Charlesworth, Autumn (editorial) | ||||||
| 1983 | Charlesworth, Sarah | Bomb Magazine, Glossolalia, Spring (collaborative article and special section with Barbara Kruger) | ||||||
| 1982 | Charlesworth, Sarah | Artforum, Books: Camera Lucida: Reflections on Photography' by Roland Barthes, April, pgs.72-73 (review) | ||||||
| 1979 | Charlesworth, Sarah | Art in America, China: Visiting Socialism, March-April | ||||||
| 1977 | Charlesworth, Sarah | The Anti-Catalog (collaborative project) | ||||||
| 1976 | Charlesworth, Sarah | The Fox, For Artists Meeting, vol. I, #3 | ||||||
| 1975 | Charlesworth, Sarah | The Fox, Declaration of Dependence, vol. I, #1 | ||||||
| Charlesworth, Sarah | The Fox, Memo for the Fox, vol. I, #2 | |||||||
| SELECTED BIBLIOGRAPHY: PERIODICALS: | ||||||||
| 2009 | Hafner, Hans-Jurgen | artnet Magazine. “Sarah Charlesworth bei Galerie Tanit, Munich: The Colour of Conceptual Criticism” (review) Oct 13 | ||||||
| Barnes, Steve | ARTnews. “Sarah Charlesworth: Review (review), Summer pp 128 | |||||||
| Tikhonova, Julia | FLASH ART. "Sarah Charlesworth at Susan Inglett" (review) July-Sep 2009, Vol XLII, pp 98 | |||||||
| 2008 | ARTnews, "Concrete Color" (review) March 2008 | |||||||
| Smith, Roberta | The New York Times, "The Human Face is a Monument" April 25, 2008 | |||||||
| 2007 | Fitzpatrick, Andrea D. | Art Journal, "The Movement of Vulnerability: Images of Falling and September 11" Winter 2007. col 66. no 4. pp. 85-102 | ||||||
| North Drive Press, "Sarah Charlesworth and Sara Vanderbeek: An Interview" #4, Fall | ||||||||
| 2006 | BOMB Magazine (cover), Summer, Number 96 | |||||||
| 2005 | O'Brien, Glenn | GQ, "How to Collect Photography," Sept, pp 302 | ||||||
| 2004 | Deitcher, David | Artforum, "Spiritual America: David Deitcher on pre-teen spirit," Oct, p. | ||||||
| Spicer, Jakki | artUS, "The Last Picture Show," January and February; pp. 36-37 | |||||||
| 2003 | Hainley, Bruce | Artforum, "Designs for Living," December; p. 151 | ||||||
| Hamilton, Jeanne | Artforum, One Year Under the Mast, Alexander Alberro on The Fox, Summer 2003 ; pp. 162 - 164, p. 206 | |||||||
| (Eds.) O'Brien, Glenn and Max Blagg | Bald Ego; Fall 2003, Vol. 1 and Vol. 2 (ill. cover and reproductions) | |||||||
| Hamilton, Jeanne | The Commercial Appeal, 'Cold Comfort' clutches a warm and fuzzy void, 21 January;p. C4 | |||||||
| 2002 | Johnson, Ken | The New York Times, Art Guide: Sarah Charlesworth, 13 Dec.; p.E45 | ||||||
| unsigned | The New Yorker, Photography: Sarah Charlesworth, 16 Dec.; p.20 | |||||||
| 2001 | Marschall, Laurence A. | The Sciences, Book in Brief: The Story of P (illustr.), Jan.-Feb.; p.44 | ||||||
| 2000 | Cohen, Michael | Flash Art, Review: Sarah Charlesworth at Gorney Bravin + Lee, May - June; p. 116 | ||||||
| Pagel, David | Los Angeles Times, Sarah Charlesworth - Magical Forms, 28 January | |||||||
| Cotter, Holland | The New York Times, Surging Into Chelsea, 21 Jan.; pp. E37, E41 | |||||||
| Saltz, Jerry | The Village Voice, The I-Don't-Get-It-Aesthetic, 25 January; p.57 | |||||||
| Aletti, Vince | The Village Voice, Voice Choice: Photo: Sarah Charlesworth, 25 Jan.; p.79 | |||||||
| Schwendener, Martha | Time Out New York, Art reviews: Sarah Charlesworth at Gorney Bravin + Lee, 27 Jan-3 Feb., p. 58 | |||||||
| 1999 | Temin, Christine | The Boston Globe, Photo Synthesis: in a 20 year retrospective at the Rose Art Museum, Sarah Charlesworth transforms the medium and themessage of photography, 7 May. | ||||||
| unsigned | The Chronicle of Higher Education, A Poetry of Metaphor and Magic, 7 May. | |||||||
| 1998 | unsigned | Antiques and the Arts Weekly, First Retrospective of Sarah Charlesworth's Photo-Objects, 28 Aug. (review: Nat'l. Museum...) | ||||||
| Domandi, Marie-Charlotte | Aperture, Sarah Charlesworth: retrospective at SITE Santa Fe, June,p.76-7, illus. (review: Site) | |||||||
| Linker, Kate | Art in America, Sarah Charlesworth: Artifacts of Artifice, July, p.74-79, 106 + cover (feature) | |||||||
| Morgan, Anne | Art Papers, Peering through History: an interview with Sarah Charlesworth, May-June, p.17-21, illus. (feature) | |||||||
| Charlesworth, Sarah | Camera Austria International (Graz), Sarah Charlesworth - A Retrospective, Vol.64, illus. (review) | |||||||
| Green, Frank | Cleveland Free Press, Master Juggler: The Restless Experiments of Sarah Charlesworth, 16-22 Dec. | |||||||
| unsigned | Flash Art, Sarah Charlesworth Retrospective, Jan.-Feb, p.46, illus. (newssection) | |||||||
| Baldridge, Charlene | La Jolla Village News, Artists offer resonant juxtapositions, 23 April | |||||||
| Bolger, Michael | La Jolla Village News, Charlesworth tests sense, sensibilities in "Retrospective" 28 May | |||||||
| Buckley, Patricia Morris | North County Times, Artist Explores philosophies in retrospective photoexhibit, 20 March (review: LaJolla) | |||||||
| Pincus, Robert | San Diego Union Tribune, Pool of images, pearles of truth, 5 April(review: LaJolla) | |||||||
| Shaw-Eagle, Joanna | Sunday Times, Exhibition of Shifting Realities, 12 July | |||||||
| Forrest, Jason A | The Atlanta Journal Constitution, Look twice, then again, at thesecomplex photos, Fri., 27 Nov., p.Q8, illus. (review: Fay Gold) | |||||||
| Knight, Christopher | The Los Angeles Times, An Artist Taking Pictures (Literally), 22 April,p.F-1,4, illus. (review: LaJolla) | |||||||
| Smith, Roberta | The New York Times, Art Review: Evocative Cells: Uptown, Downtown,All Around, 27 Nov. | |||||||
| Goldberg, Vicki | The New York Times, Messages in the media: varied perceptions offactuality, 31 July, p.B33 (review: Nat'l. Museum...) | |||||||
| Litt, Steven | The Plain Dealer (Cleveland), Photography as a form of Contemplation:Charlesworth's Artistic Images a Rich and Compelling Presence, Sun.,22 Nov., p.4-I (review: CCA) | |||||||
| O'Sullivan, Michael | The Washington Post, Charlesworth's truth in pictures, 17 July (review: Nat'l. Museum...) | |||||||
| Lewis, JoAnn | The Washington Post, Slight of Lens" Sarah Charlesworth, deconstruc-ting 'Truth' frame-by-frame, 10 August (review: Nat'l. Museum...) | |||||||
| Swarski, Lindsey | UCSD Guardian, Cutting-edge photography is candy for the mind, 2 April (review: LaJolla) | |||||||
| unsigned | Vision Magazine, Recycling Culture: an interview with SarahCharlesworth, 28 May | |||||||
| 1997 | MacNeil, William A. | Albuquerque Journal, Celebrated Photographer Blurs Line between Fact,Fiction, 4 Nov., pp.1&3 (review: Site) | ||||||
| Walker, Hollis | Pasatempo, The New Mexican, A Landscape of Images, 31 Oct.-6 Nov.,pp.32-33 (review: Site) | |||||||
| Clemmer, David | Santa Fe Reporter, Context, Content and the Vessel of the Miraculous, 12-18 Nov., p.27 (review: Site) | |||||||
| 1996 | unsigned | At The Museum (Los Angeles County Museum of Art), Some Grids, p.9 | ||||||
| Johnson, Paul | Cover, Sarah Charlesworth, March , p.53, illus. (review: J.G.M.A.) | |||||||
| Goldstein, Laurence | Michigan Quarterly Review, Introduction, Vol. XXXV, No.4, Fall, p.574, illus. | |||||||
| unsigned | New Observations, Sarah Charlesworth: Text, Jan/ Feb, pg. 22, illus. | |||||||
| unsigned | The Sciences, Sept/ Oct, pg. 28, illus. | |||||||
| 1995 | unsigned | Canadian Art, Fast Forward, Fall, illus. (preview: S. L. Simpson) | ||||||
| Hagen, Charles | The New York Times, Sarah Charlesworth,17 Nov., p. C-30, (review: J.G.M.A.) | |||||||
| Aletti, Vince | The Village Voice, Choices: Sarah Charlesworth, 7 Nov.; supplementp. 8, illus. (review: J.G.M.A.) | |||||||
| Yablonsky, Linda | Time Out / New York, Sarah Charlesworth: Doubleworld, 15-22 Nov.,p.25, illus. (review: J.G.M.A.) | |||||||
| 1994 | Hickey, Dave | Parkett, A Matter of Time: On Flatness, Magic, Illusion, and Mortality,#40/41, Summer, (feature) | ||||||
| unsigned | The New Theater Review, fall, #11,pg. 8, illus. + cover | |||||||
| 1993 | Heartney, Eleanor | Artnews, Sarah Charlesworth, Summer, illus. (review: J.G.M.A.) | ||||||
| Mifflin, Margot | Artnews, What do Artists Dream?, Oct. (editorial) | |||||||
| Hess, Elizabeth | The Village Voice, Body Triple, 30 Nov., illus. (review: Drawing Center) | |||||||
| Hess, Elizabeth | The Village Voice, Materialized Girls: Nancy Rubins, Lisa Hoke, MeganWilliams, Sarah Charlesworth, 20 April (review: J.G.M.A.) | |||||||
| Romano, Gianni | Zoom (Milan), Sarah Charlesworth, Nov.-Dec., illus. (feature) | |||||||
| 1992 | Campitelli, Maria | Juliet (Trieste), Sarah Charlesworth, Feb.-March (review: J.G.M.A.) | ||||||
| 1991 | unsigned | Art and Man, Sept/ Oct, pg. 16, (feature) | ||||||
| Lewis, James | Artforum, Sarah Charlesworth, Summer, (review: J.G.M.A.) | |||||||
| Weily, Susan | Artnews, Sarah Charlesworth's Abracadabra, March, pgs. 116-121, illus. + cover (feature) | |||||||
| Gardner, Paul | Artnews, What Artists Like About the Art They Like When They Didn't Know Why, Oct., illus. (questionnaire interview) | |||||||
| O'Rourke, Meg | Arts Magazine, Sarah Charlesworth, Summer, illus. (review: J.G.M.A.) | |||||||
| Denson, G. Roger | Bijutsu Techo, (Tokyo) Traces of Feminity: Sarah Charlesworth, JanGroover & Ida Applebroog, reprint / translation of What's in a Word, pgs.28-43, illus. + cover (feature) | |||||||
| Stiwer, Pierre & Di Felice, Paul. | Cafe-Creme, (Luxembourg), Sarah Charlesworth: L'immaculée conception, #15-Summer, pgs. 38-43, illus. + cover (interview) | |||||||
| Van der Ploeg, Kees | Flash Art, Sarah Charlesworth, Summer, illus. (review: J.G.M.A.) | |||||||
| Meuris, Jacques | La Libre Belgique, (Brussels) Au temps de l'image: l'artiste américaine Sarah Charlesworth entend révéler ... froid les passions contemporaines...travers une imagerie omni-présente, 15 May, illus. (review:Hufkens) | |||||||
| Dennis, Melvin | Puchong Folios, Sarah Charlesworth, Spring (review: J.G.M.A.) | |||||||
| Thompson, Elspeth | The Guardian (London), Portrait of a Friendship, 4 Dec., illus. (review:Interim Art) | |||||||
| Brenson, Michael | The New York Times, Sarah Charlesworth: Shifted Images of theRenaissance, 22 March, illus. (review: JGMA) | |||||||
| Litt, Steven | The Plain Dealer, (Cleveland) Using or Abusing a Powerful Symbol?, 8 Sept. | |||||||
| 1990 | Durand, Regis | Art Press (Paris), Fragments d'un Paysage d'images, #153, Dec.(feature) | ||||||
| Charlesworth, Sarah | Artforum, A Grammar of Essence: A Project for Artforum by Sarah Charlesworth, Feb., pp.123-125, illus. (project) | |||||||
| Denson, G. Roger | Contemporanea, Sarah Charlesworth: What's in a Word, Oct., pgs.70-75, illus. (feature) | |||||||
| unsigned | Interview Magazine, full page reproduction, Feb. | |||||||
| Denson, G. Roger | Tema Celeste, The New Metaphysical Art and It's Legacy, July-Oct., No. 25, p.37-42, illus. (editorial) | |||||||
| unsigned | The New Yorker, Goings On About Town: Art, July 23, (review: J.G.M.A.) | |||||||
| 1989 | Phillipi, Desa | Artforum, Shifting Focus, Nov., p.168 (review: Serpentine Gallery) | ||||||
| Silko, Leslie M. | Artforum, The Fourth World, Summer, pgs.124-127, illus.: Madonna and Child, special project by Sarah Charlesworth (in special section designedby Robert Barry, pgs.124-135) | |||||||
| Heartney, Eleanor | Artnews, Sarah Charlesworth, Sept., illus. (review: J.G.M.A.) | |||||||
| Jones, Bill | Arts Magazine, Born Again: Seeing the End of Photography, Oct.,pgs. 72- 77, illus. + cover (editorial) | |||||||
| Princenthal, Nancy | Barron's, More Positives Than Negatives: Collectors Bids Up ArtisticPhotographs, May 22, illus. (editorial) | |||||||
| Sussler, Betsy | Bomb Magazine, Profile / Art: Sarah Charlesworth, Winter, pgs.30-33, illus. (feature) | |||||||
| Faber, Monika | Camera Austria, (Graz) Vis a Vis der Kamera, #30, (review: Grita Insam) | |||||||
| Scheuer, Daniel | Center Quarterly: A Journal of Photography and Related Arts, 150th at f2Snapshots of Contemporary Art Photography, Vol. 11, #1 | |||||||
| unsigned | Corriere della Serra (Roma/Milano), Sarah Charlesworth, Aug 18 | |||||||
| Mueller, Cookie | Details Magazine, Art and About, Sept., illus. (review: B.A.M.) | |||||||
| Caley, Shaun | Flash Art, A Forest of Signs: One is Ushered into a Wonderland of Banality, Nov/Dec, (review: M.o.C.A.) | |||||||
| Zampaglione, Arturo | La Repubblica, Il Venerdi (Rome), p.92, Sept 8, (interview) | |||||||
| Wise, Kelly | The Boston Globe, Redefining the Language of Photography, Oct.17(review: Segal) | |||||||
| Kimmelman, Michael | The New York Times, At the Whitney, 100 Works From the Last 30Years, Nov 10, (editorial) | |||||||
| Smith, Roberta | The New York Times, Charting Traditions of Non-traditional Photography, June 11, (review: National Museum) | |||||||
| Grundberg, Andy | The New York Times, Two Shows: One Works the Other Bogs Down,Sunday, Aug 13, illus., (review: I.C.P. & Metropolitan) | |||||||
| Levin, Kim | The Village Voice, April 25, (review:J.G.M.A.) | |||||||
| Kent, Sarah | Time Out / London, Sarah Charlesworth, May 10-17, illus. (review: Interim Art) | |||||||
| 1988 | Saltz, Jerry | Arts Magazine, The Implacable Distance: Sarah Charlesworth's "Unidentified Woman, Hotel Corona, Madrid (1979-1985)", March, pgs.24-25, illus. (feature) | ||||||
| unsigned | Flash Art News, Supplement # 143, Nov/Dec | |||||||
| Glanzman, Judith | Journal of Contemporary Art, Sarah Charlesworth, Spring, pg. 56 (interview) | |||||||
| Kramer, Hilton | New York Observer, Sexual Difference:, April 18, p.1&11 (review: Wallach Art Gallery) | |||||||
| Smith, Roberta | The New York Times, Galleries Paint a Brighter Picture for Women,April 14 (editorial w/review: J.G. M.A.) | |||||||
| Sischy, Ingrid | The New Yorker, Photography: Sarah Charlesworth, April 24, (review: J.G.M.A.) | |||||||
| multiple authors | The Print Collector's Newsletter, Photographs and ProfessionalsIV , Vol.XIX, No.3, July/Aug, pgs.81-91+cover illus. (panel discussion) | |||||||
| 1987 | Stretch, Bonnie Barrett | Art and Auction, Contemporary Photography, May, pgs.140-147, illus. | ||||||
| Gilbert-Rolfe, Jeremy | Arts Magazine, Where Do Pictures Come From? Sarah Charlesworth and the Development of the Sign, Dec., pgs.58-60, illus. (feature) | |||||||
| unsigned | Bomb, (Toronto), Issue CCI, Fall, cover | |||||||
| Shottenkirk, Dena | C Magazine, (Toronto) Sarah Charlesworth: Imaging the Other, Spring,pgs. 18- 23 + cover (feature) | |||||||
| Cameron, Dan | Flash Art, Art and Its Double, Summer | |||||||
| Selwyn, Marc | L.A. Weekly, Sarah Charlesworth, May 8- 14, pg.44 (review: Leavin) | |||||||
| Wilson, William | Los Angeles Times, The Art Galleries: Joel Otterson / Sarah Charles-worth, May 1, (review: Margo Leavin) | |||||||
| Collins, Tricia & Milazzo, Richard | New Observations, Oct. | |||||||
| Clarkson, David | Parachute, (Montreal) Sarah Charlesworth: An Interview, Dec., pgs.12-15 (interview) | |||||||
| Cohen, Ronny H | The Print Collectors Newsletter, New Abstraction V, Mar/Apr., p.9-13, illus. | |||||||
| Turner, Dot | Vanguard (Toronto), Sarah Charlesworth, Feb./Mar., illus. (review:S.L. Simpson) | |||||||
| 1986 | unsigned | Effects Magazine, Winter 1986 (cover) | ||||||
| Cameron, Dan | Flash Art, Post-Feminism, Feb/Mar, pgs.80-83, illus. (editorial) | |||||||
| Jones, Alan | Galleries Magazine (Paris), Paravision: Une Interview avec TriciaCollins et Richard Milazzo, Aug./Sept., (interview) | |||||||
| Collins, Tricia and Milazzo, Richard | Kunstforum (Köln), New York: Tropical Codes, April/May, p.308 | |||||||
| Collins, Tricia | Kunstforum (Köln), Sarah Charlesworth: Natural Signs From Milazzo,Richard Structural Reformation to Iconic Abstraction, April/May, p.314-315 | |||||||
| Brenson, Michael | The New York Times, Sunday July 13, (review: Venice Biennale) | |||||||
| Brody, Jacky | The Print Collectors Newsletter, (review: print portfolio by Sarah Charlesworth) | |||||||
| Indiana, Gary | Village Voice, Liquid Memory, Solid Objects, April 1, illus. (review: Int'l with Monument) | |||||||
| 1985 | unsigned | Aperture, Sarah Charlesworth, No. 100, Fall | ||||||
| Linker, Kate | Artforum, Sarah Charlesworth, Summer, pg.105, illus. (review: Int'l with Monument) | |||||||
| Warren, Ron | Arts, Sarah Charlesworth, May, (review: Int'l with Monument) | |||||||
| Kohn, Michael | Flash Art, Sarah Charlesworth, April/May, illus. (review: Int'l with Monument) | |||||||
| 1984 | Deitcher, David | After-Image, Questioning Authority: Sarah Charlesworth's Photographs,Summer, pgs. 14-17, illus. (feature) | ||||||
| Indiana, Gary | Art in America, Sarah Charlesworth, Sept., illus. (review: Clocktower) | |||||||
| Linker, Kate | Artforum, Eluding Definition | |||||||
| unsigned | Contact Sheet #41, published by Light Work, Syracuse, NY | |||||||
| unsigned | Esquire, Openings: Sarah Charlesworth, Feb., p.100 (preview: Clocktower) | |||||||
| Hathaway, Jane | New York Beat, Photography: Sarah Charlesworth, 2 May, p.15,illus. (review: Clocktower) | |||||||
| Bob, Paul | The East Village Eye, Cutting Up Culture: Photo Artist Sarah Charlesworth is Pointing to..., June, pgs. 15 & 17, illus. (feature) | |||||||
| Smith, Roberta | The Village Voice, Chrysler's Wings of Fashion, April (review:Clocktower / Feldman / Castelli) | |||||||
| 1983 | unsigned | Afterimage, May | ||||||
| Samore, Sam | Exposure (pub. by the Society for Photographic Education), Playing it Again, Winter | |||||||
| Grundberg, Andy | The New York Times, Post-Modernists in the Mainstream, Nov. 20 | |||||||
| 1982 | unsigned | Art in America Guide to Museums, Galleries, and Artists, TabulaRasa, by Sarah Charlesworth, listed as an Outstanding Solo Show of1982) | ||||||
| Owens, Craig | Art in America, Sarah Charlesworth, May, (review: Gagosian) | |||||||
| Hagen, Charles | Artforum, Sarah Charlesworth, Dec., p.80, illus. (review: Gagosian) | |||||||
| unsigned | Artistes, Fall (review) | |||||||
| Scully, Julia | Modern Photography, Seeing Pictures, June | |||||||
| 1981 | Sussler, Betty | Cover Magazine, Interview with Sarah Charlesworth, Spring / Summer (feature) | ||||||
| Castle, Ted | Flash Art, Verbal Art, Nov. | |||||||
| 1980 | Frank, Elizabeth | Art in America, Sarah Charlesworth, April, illus. (review: Shafrazi) | ||||||
| GROUP EXHIBITION CATALOGUES AND BOOKS: | ||||||||
| 2010 | Blessing, Jennifer, Trotman, Nat | Haunted: Contemporary photography, video, performance. (Guggenheim Museum, New York) | ||||||
| Modrak, Rebekah, Anthes, Bill | Reframing Photography: Theory & Practice. (Routledge, London) | |||||||
| 2009 | Aupetitallot, Yves | Images & (re)presentations: Les Annee 1980s, (Centre d'Art Contemporain, Grenoble, France) | ||||||
| Eklund, Douglas | The Pictures Generation, 1974 – 1984. (The Metropolitan Museum of Art, NY) | |||||||
| Klein, Alex | Words Without Pictures, Discussion Series curated by Charlotte Cotton and Alex Klein (LA County Museum, LA, CA) | |||||||
| 2008 | Jedermann Collection- Set 5 from the Fotomuseum Winterthur Collection, (Fotomuseum Winterthur, Switzerland) | |||||||
| Congdon, Kristin G. Hallmark, Kara Kelley | Twentieth Century United States Photographers: A Student’s Guide, (Greenwood Press, Westport, CT) | |||||||
| 2007 | A New Reality: Black-and-White Photography in Contemporary Art. Jane Voorhees Zimmerli Art Museum, Rutgers. The State University of NewJersey, New Brunswick, NJ | |||||||
| 2006 | Traub, Charles H. Heller, Stephen Bell, Adam B. | The Education of a Photographer, "Objects of Desire: An interview with Sarah Charlesworth" (Allworth Press and School of Visual Arts, NY) | ||||||
| 2005 | Foster, Hal Krauss, Rosalind Bois, Yve-Alain Buchloh, Benjamin | Art Since 1900: Modernism, Antimodernism, Postmodernism (Thames & Hudson, New York, NY) | ||||||
| 2004 | Speaking with Hands: Photographs from the Bohl Collection, (TheSolomon R. Guggenheim Museum, New York, NY)The Last Picture Show: Artists Using Photography 1960-1982; (Walker Art Center, Minneapolis, MN) curated by Douglas Fogel | |||||||
| 2003 | Scott, Sue | Constructed Realities: Contemporary Photography, (Orlando Museum,Orlando, FL) | ||||||
| Off the Press: Recontextualizing the Newspaper in Contemporary Art,(Southwest Museum of Photography, Daytona, FL) | ||||||||
| 2002 | Warner, Mariana | Seeing Things: Photographing Objects, 1850-2001, (The Victoria and Albert Museum) Edited by Mark Haworth-Booth | ||||||
| Decter, Josh | Televisions, (Kunsthalle, Vienna) | |||||||
| Wolfe, Sylvia | Visions from America: Photographs from the Whitney Museum of American Art, 1940-2001, (The Whitney Museum of American Art, NewYork, NY) | |||||||
| 2000 | (various) | Post Modernism, (Tate Gallery, London) | ||||||
| 1999 | Phillips, Lisa | The American Century: Art & Culture 1950-2000, (The Whitney Museumof American Art & Norton Publishers, New York, NY) | ||||||
| 1998 | Bunnell, Peter C. | Photography at Princeton, (Princeton University, Princeton, NJ) | ||||||
| 1997 | Sobel, Dean. | Identity Crisis: Self Portraiture at the End of the Century, (Milwaukee ArtMuseum, Milwaukee, WI) | ||||||
| Blaettler, James Nieboer, Jan willem Steensma, Regnerus | The One Chosen: Images of Christ in Recent New York Art, (ThomasWalsh Gallery, NY) | |||||||
| 1996 | Pierce Rosenberg, J. | A Question of Balance: Artists and Writers on Motherhood, (PapierMache, Watsonville, CA) | ||||||
| Heiss, Alana Streeter, Sabina | Model Home, (The Clocktower Gallery, Institute of Contemporary Art,New York, NY) | |||||||
| Tallman, Susan | The Contemporary Print: From Pre-Pop to Postmodern (book) | |||||||
| 1995 | Denson, G. Roger | Chasing Angels, (Christinerose Gallery, NY) | ||||||
| Grigoteit, Ariane, et al. | Tradition and Zeitgeist: Works from the Collection of Deutsche BankNorth America, (DuMont Verlag, Köln) | |||||||
| 1994 | Morgan, Dahlia | American Art Today: Heads Only, (The Art Museum, Florida Int'l. University, Miami, FL) | ||||||
| Decter, Joshua | Don't Look Now, (Thread Waxing Space, N.Y.) | |||||||
| Felshin, Nina | Empty Dress: Clothing as Surrogate in Recent Art, (Independent | |||||||
| 1993 | Jacobson, Marjory | Art for Work: The New Renaissance in Corporate Collecting, (HarvardBusiness School Press, Boston, MA) | ||||||
| Brunon, Bernard P. | Autoportraits Contemporains: Here's Looking at Me, (Espace Lyonnais d'Art Contemporain, Lyon, France) | |||||||
| Hill-Perrell, Franklin | Image Makers, (Nassau County Museum of Art, Roslyn Harbor, NY) | |||||||
| Phillips, Lisa | Photoplay: Works from the Chase Manhattan Collection, (The ChaseManhattan Corporation, New York, NY) | |||||||
| anonymous | Sex Quake- Art After the Apocalypse, (1st Art- Genes Portable Museum) | |||||||
| The Return of the Cadavre Exquis, (The Drawing Center, New York, NY) | ||||||||
| Espy-Burns, Victoria | Vivid: Intense Images by American Photographers, (Raab Galerie,Berlin, Germany) | |||||||
| 1992 | Bond, Anthony, et. al.th | 9th Biennale of Sydney: The Boundary Rider, (Art Gallery of New SouthWales, Sydney, Australia) | ||||||
| Colpitt, Frances & Plous, Phyllis | Knowledge: Aspects of Conceptual Art, (University Art Museum, SantaBarbara, CA) | |||||||
| Rosenberg, Barry A. Leigh, Christian Straus, Marc J. | Quotations: The Second History of Art, (The Aldrich Museum ofContemporary Art, Ridgefield, CT) | |||||||
| 1991 | Belli, Gabriella & Saltz, Jerry | American Art of the 80's, (Electa, Milan) | ||||||
| Gumpert, Lynn &Wallis, Brian | Beyond the Frame: American Art 1960-1990, (Institute of Contemporary Art, Tokyo) | |||||||
| Rubin, David S. | Cruciformed: Images of the Cross Since 1980, (Cleveland Center forContemporary Art, Cleveland, OH) | |||||||
| Reynolds, Jock &Sheldon, James | Motion and Document - Sequence and Time: Eadweard Muybridge and Contemporary American Photography, (National Museum of AmericanArt, Smithsonian Institution, Washington, DC) | |||||||
| Liebmann, Lisa | Southeast Bank Collects: A Corporation Views Contemporary Art,(Southeast Bank)(cat.) | |||||||
| Morin, France, et al. | The Interrupted Life, (New Museum of Contemporary Art, New York, NY) | |||||||
| 1990 | Graw, Isabella Lanzinger, Pia | Das Sibyllinische Auge: Fotokünstlerinnen aus dem Anglo-Amerika-nischen Raum, (Foto e.V. München and Barbara Gross Gallery, München) | ||||||
| Derrickson, Stephen | Insect Politics, Body Horror/ Social Order, (Hallwalls Contemporary Art Center, Buffalo, NY) | |||||||
| Cooke, Lynne | Reorienting: Looking East, (Third Eye Centre, Glasgow and NicolaJacobs, London) | |||||||
| Gandini, Manuela | Taking the Picture: Photography and Appropriation, (Castelli, NY andGallery, Milan) | |||||||
| 1989 | Foresta, Merry A. | |||||||
| Goldstein, Ann Jacob, Mary Jane | A Forest of Signs: Art in the Crisis of Representation, (Museum ofContemporary Art, Los Angeles and M.I.T. Press, Cambridge) | |||||||
| Grundberg, Andy Saltz, Jerry | Abstraction in Contemporary Photography, (Emerson Gallery, HamiltonCollege and Anderson Gallery, Virginia Commonwealth University) | |||||||
| Jones, Ronald Steinbach, Haim | Avant 1989: Exposition con‡ue par Haim Steinbach, (Fonds Régional d'Art Contemporain, Rhônes-Alpes) | |||||||
| Butler, Susan | Bristol and Serpentine Gallery, London) | |||||||
| Ferguson, Bruce Simon, Joan Smith, Roberta | Contemporary Perspective I: Abstraction in Question, (The John andMable Ringling Museum of Art, Sarasota, FL) | |||||||
| Stainback, Charles | Culture Medium, (International Center of Photography, New York, NY) | |||||||
| Hoy, Anne | Fabrications, Staged, Altered and Appropriated Photographs, (Abbeville Press, NY) | |||||||
| Rauch, Joseph B. | Fictive Strategies: Actuality and Originality in Contemporary Photography, (The Squibb Gallery, Princeton, N.J.) | |||||||
| Hanhardt, John G. Heiferman, Marvin Phillips, Lisa | Image World: Art and Media Culture, (Whitney Museum of American Art, New York, NY) | |||||||
| Misiano, Viktor Wassow, Oliver, et al. | Moskau - Wien - New York, (Wiener Fastwochen, Vienna) | |||||||
| Halpern-Brougher Nora, Hopkins Henry T. Stein, Donna. | Selected Works from the Frederick R. Weisman Foundation, (Wight Art Gallery, U.C.L.A.) | |||||||
| Rosenberg, Barry Straus, Marc | Selections from the Collection of Marc and Livia Straus (Aldrich Museumof Contemporary Art, Ridgefield, CT) | |||||||
| Subject:Object, (Nicola Jacobs Gallery, London) | ||||||||
| Smith, Joshua P. | The Photography of Invention: American Pictures of the 1980's, (M. I. T.Press, Cambridge, MA) | |||||||
| Kosuth, Joseph | The Play of the Unsayable-Wittgenstein and the Art of the XXth Century,(Wiener Secession, Vienna) | |||||||
| Braulick, Nathan Haworth, Dale K. Sowder, Lynne. | What Does She Want: Current Feminist Art from the First BankCollection, (First Bank System Division of Visual Arts) | |||||||
| 1988 | Collins, Tricia | |||||||
| Collins, Tricia Milazzo, Richard | Art at the End of the Social, (Rooseum, Malm, Sweden) | |||||||
| Liebmann, Lisa Monforton, Mary-Ann | Contemporary Art Auction to Benefit El Bohio | |||||||
| Milazzo, Richard Indiana, Gary | Hybrid Neutral: Modes of Abstraction and the Social, (Independent Curators Inc., New York) | |||||||
| Collins, Tricia Milazzo, Richard | Just Like a Woman, (Greenville County Museum of Art) | |||||||
| Collins, Tricia Milazzo, Richard | Media Post Media, (Scott Hanson Gallery, N.Y.) | |||||||
| Carter, Curtis L. | Photography On the Edge, (Haggerty Museum of Art, MarquetteUniversity, Milwaukee, WI) | |||||||
| Godeau, Abigail Sol. | Sexual Difference: Both Sides of the Camera, (Wallach Art Gallery, Columbia University, New York, NY) | |||||||
| 1987 | Cameron, Dan | Art and Its Double: A New York Perspective, (Centre Cultural de la Fundacio Caixa de Pensions, Barcelona, Spain) | ||||||
| Halley, Peter Saltz, Jerry Smith, Roberta | Beyond Boundaries: New York's New Art, (Alfred van der Marck Editions, New York) | |||||||
| Feinstein, Roni | Contemporary Diptychs: The New Shape of Content, (Whitney Museum of American Art, New York) | |||||||
| Brunon, Bernard | Contemporary Photographic Portraiture, (Musee St. Pierre, Lyon,France) | |||||||
| Denson, G. Roger | Poetic Injury: The Surrealist Legacy in Postmodern Photography,(Alternative Museum, N.Y.) | |||||||
| Saltz, Jerry | Recent Tendencies in Black and White, (Sidney Janis Gallery, NewYork) | |||||||
| Jacobs, Joseph | This is not a Photograph: Twenty Years of Large Scale Photography;1966-1986, (The John and Mable Ringling Museum of Art, Sarasota, FL) | |||||||
| 1986 | Collins, Tricia Milazzo, Richard | Spiritual America, (CEPA Gallery, Buffalo, NY) | ||||||
| Heiferman, Marvin | The Big Picture, (The Queens Museum of Art, New York) | |||||||
| Heiferman, Marvin | The Issue of Modern Art in Boston, (Institute of Contemporary Art, Boston, MA) | |||||||
| Collins, Tricia Milazzo, Richard | Ultrasurd, (S. L. Simpson Gallery, Toronto) | |||||||
| 1985 | various | 1985 Biennial Exhibition, (Whitney Museum of American Art, New York,NY) | ||||||
| Collins, Tricia Milazzo, Richard | Cult and Decorum, (Tibor de Nagy Gallery, New York) | |||||||
| Lawson, Thomas Nagy, Richard Robbins, David Trow, George W.S. | Infotainment: 18 Artists from New York, (J. Berg Press, New York) | |||||||
| Jones, Richard | Public Art, (Nexus Contemporary Art Center, Atlanta) | |||||||
| Olander, Bill | The Art of Memory, The Loss of History, (New Museum of ContemporaryArt, New York) | |||||||
| 1984 | Wallis, Brian | Art After Modernism, Rethinking Representation, (The New Museum of Contemporary Art, New York) | ||||||
| Brooks, Rosetta | Between Here and Nowhere: 9 New York Artists, (Riverside Studios, London) | |||||||
| 1983 | Olander, Bill | Art and Social Change U.S.A., (Allen Memorial Art Museum, Oberlin College, Oberlin, OH) | ||||||
| Solomon-Godeau, A. | In Plato's Cave, (Marlborough Gallery, New York) | |||||||
| 1982 | Lawson, Tom | Art and the Media: A Fatal Attraction, (The Renaissance Society,University of Chicago) | ||||||
| 1979 | Lambert, Yvon | Artemisia, (Paula Cooper Gallery, New York) | ||||||
| GRANTS: | ||||||||
| 1995 | John Simon Guggenheim Fellowship Award, Visual Art | |||||||
| 1983 | National Endowment for the Arts | |||||||
| 1980 | National Endowment for the Arts | |||||||
| 1977 | New York State Creative Artists Public Service | |||||||
| 1976 | National Endowment for the Arts | |||||||
| TEACHING: | ||||||||
| 2000 - Present | Rhode Island School of Design, Providence, RI; Graduate Tutorial Masters in Photography (Spring/Fall) | |||||||
| 1994 | Hartford University, Hartford Art School, Hartford, CT; adjunct faculty, Graduate Seminar and Critique, (Fall) | |||||||
| 1993 | New York University, Department of Art and Art Education, New York, NY; graduate photography critique | |||||||
| 1992 - Present | School of Visual Arts, New York, NY; Masters Program in Photography and Related Media, graduate faculty member, Masters Critique Seminar (1992-96) | |||||||
| 1983- 1985 | New York University, Department of Art and Art Education, New York, NY; graduate faculty instructor, Advanced Photography: Critical Seminar and Workshop (1983-1984, 1984-1985) | |||||||
| VISITING ARTIST / LECTURES / SEMINARS / RESIDENCIES: | ||||||||
| 2009 | Art Institute of Boston, Boston, MA, Visting artist/lecturer, Masters program in Fine Arts, June 23 – June 24 | |||||||
| 2008 | LACMA, Los Angeles, "Remembering and Forgetting Conceptual Art" 15 April | |||||||
| School of Visual Arts, New York, Visiting Artist, Masters program in Fine Arts | ||||||||
| 2007 | Parsons, The New School for Design, New York, Visiting Artist, Masters program in Photography | |||||||
| The Kitchen, New York, "Re-Take: A Panel on Art and Appropriation" Organized by Afterall. 27 Nov | ||||||||
| 2005 | Bard College, Annandale-on-Hudson, NY, Visiting artist / lecturer, Masters program in Fine Arts.June | |||||||
| Bard College, Annandale-on-Hudson, NY, Visiting lecturer, Masters program in curatorial studies,15 March | ||||||||
| Maine College of Art, Portland, ME, visiting artist and guest lecturer, 24 March | ||||||||
| Princeton University, Panel curated by Johanna Burton in conjunction with "For Presentation andDisplay: Some Art of the 80s" curated by Johanna Burton and Hal Foster; 14 April | ||||||||
| 2004 | Columbia University School of the Arts; Sarah Charlesworth: The Philosophical and Political Role of the Artist, New York, NY; 15 June | |||||||
| Rhode Island School of Design; TC Colley Visiting Artist and Lecturer, April | ||||||||
| 2003 | Maine College of Art, Portland, ME; lecturer, March | |||||||
| Orlando Museum of Art, Orlando, FL; A Conversation with Sarah Charlesworth, April 9 | ||||||||
| 2002 | Bard College, Annandale-on-Hudson, NY; lecturer, March | |||||||
| 2000 | Brandeis University, Waltham, MA; Public lecture / interdisciplinary seminar, April | |||||||
| New York University, American Photography Institute, Guest Lecturer. | ||||||||
| Rhode Island School of Design, Providence, RI; Public lecture & visiting artist / critic, May | ||||||||
| 1998-1999 | The Cleveland Center for Contemporary Art, Cleveland, OH; The Photography of Sarah Charlesworth: A Psychoanalytic Perspective (series of five thematic discussions) | |||||||
| 1998 | Museo Santa Maria della Scala, Siena, Italy; Visiting Artist in Residence, Aug. | |||||||
| Yale University, New Haven, CT; Masters Program in Photography, Oct. | ||||||||
| 1997 | Bard College, Annandale-on-Hudson, NY; Lecturer, Visiting Artists and Masters program in theArts, July | |||||||
| New York University, New York, NY; American Photography Institute, lecturer | ||||||||
| 1995 | Independent Curators Incorporated, New York, NY; artist / lecturer , March | |||||||
| New York University, Tisch School of the Arts, New York, NY; artist / lecturer, Nov. | ||||||||
| Rutgers University, New Brunswick, N.J.; artist / lecturer , Oct. | ||||||||
| 1994 | Camera Obscura School of Art, Tel Aviv, Israel; artist / lecturer - symposium Art andTechnology: 2009, Oct. | |||||||
| Tel Aviv Museum of Art, Tel Aviv, Israel; artist / lecturer , Oct. | ||||||||
| 1993 | Culture Lab, University of Toronto, Toronto, Canada; guest lecturer | |||||||
| Museo de Arte Contemporaneo de Monterrey, Monterrey, Mexico; guest lecturer, panelist: Photoplay | ||||||||
| University of Las Vegas, Las Vegas, NV; guest lecturer, March | ||||||||
| 1990 | Art Center College of Design, Pasadena, CA; visiting artist, March | |||||||
| California State University, Fullerton, CA; guest lecturer, May | ||||||||
| La Jolla Museum of Contemporary Art, La Jolla, CA; guest lecturer, March | ||||||||
| New York University / International Center of Photography, New York, NY; graduateprogram visiting artist / critic, May | ||||||||
| New York University, New York, NY; panel/symposium with Jean Baudrillard, May | ||||||||
| School of Visual Arts, New York, NY; panel Uses & Abuses of History, Peter Halley, moderator, March | ||||||||
| University of California, San Diego, CA; visiting artist / lecturer, March | ||||||||
| 1989 | Carleton College, Northfield, MN; symposium, What does she want? | |||||||
| National Gallery of American Art, Washington, DC; panel discussion in conjunction with the exhibition Photography of Invention, April | ||||||||
| S.U.N.Y. Purchase, Purchase, NY; guest lecturer, The Politics of Representation, Oct. | ||||||||
| The Whitney Museum of American Art, panel discussion, Image World: Art and Media Culture, Nov. | ||||||||
| 1988 | Nova Scotia College Art and Design, Halifax, Nova Scotia, Canada; visiting artist / lecturer, March | |||||||
| 1987 | Tyler Gallery, Tyler School of Art, Temple University, Elkins Park, PA; guest lecturer, International Center of Photography, New York, NY; guest lecturer, May | |||||||
| Public Collections: | ||||||||
|
Addison Gallery of American Art, Phillips Academy, Andover, MA Allen Memorial Art Museum, Oberlin College, Oberlin, OH Art Gallery of Ontario, Toronto, Canada Baruch College, New York, NY Berkeley Art Museum, University of California, Berkeley, CA Birmingham Museum of Art, Birmingham, AL Cleveland Museum of Art, Cleveland, OH Fotomuseum Winterthur, Switzerland Harvard Business School, Boston, MA High Museum of Art, Atlanta, GA International Center of Photography, New York, NY Israel Museum, Jerusalem, Israel Los Angeles County Museum of Art, Los Angeles, CA Metropolitan Museum of Art, New York, NY Montclair Museum, Montclair, NJ Museum of Contemporary Art, Los Angeles, CA Museum of Contemporary Art, San Diego, CA Museum of Fine Arts, Boston, MA Museum of Modern Art, New York, NY Museum of New Mexico, Santa Fe, NM New Britain Museum of American Art, New Britain, CT New York Public Library, New York, NY Orlando Museum of Art, Orlando, FL Princeton University Museum, Princeton, NJ Rose Art Museum, Brandeis University, Waltham, MA Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, NE Smith College Art Museum, Northampton, MA Smithsonian Institute, National Museum of American Art, Washington, DC Solomon R. Guggenheim Museum, New York, NY Stedelijk Van Abbemuseum, Eindhoven, Holland Tang Museum, Saratoga Springs, NY The National Museum of Women in the Arts, Washington DC Vancouver Art Gallery, Vancouver, BC, Canada Victoria and Albert Museum, London, England Walker Art Center, Minneapolis, MN Whitney Museum of American Art, New York, NY Winterthur Museum, Winterthur, Switzerland Yale University Art Gallery, New Haven, CT |
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