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SELECTED BIOGRAPHY
Born: 1947; East Orange, NJ Education: 1969; Bachelor of Arts, Barnard College, New York, NY Lives: New York City
INDIVIDUAL EXHIBITIONS:
2007	Baldwin Gallery, Aspen, Concrete Color (November - December)
2006	Margo Leavin Gallery, Los Angeles, CA; Concrete Color (28 October - 25 November)
2005	Baldwin Gallery, Aspen, Simple Text (November-December)
2003	Baldwin Gallery, Aspen, CO; 0 + 1 (11 February - 10 March)
2002	Gorney Bravin + Lee, New York; Neverland (22 November - 22 December)
2000	Gorney Bravin + Lee, New York, NY; 0 + 1
	Margo Leavin Gallery, Los Angeles, CA; 0 + 1
1998	Camera Obscura, S. Casciano dei Bagni, Italy
	Fay Gold Gallery, Atlanta, GA; Doubleworld
1997-1999	Cleveland Center for Contemporary Art, Cleveland, OH; Rose Art Museum, Brandeis University, Waltham, MA
	Sarah Charlesworth,- A Retrospective, curated by Louis Grachos and Susan Fisher Sterling (cat.)
	Site, Santa Fe, NM; Museum of Contemporary Art, San Diego, CA; National Museum of Women in the Arts, Washington, DC
1996	Margo Leavin Gallery, Los Angeles, CA; Doubleworld
1995	Jay Gorney Modern Art, New York, NY; Doubleworld
	S. L. Simpson Gallery, Toronto, Canada; Doubleworld
1993	Galerie Rizzo, Paris, France; Natural Magic
	Jay Gorney Modern Art, New York, NY; Natural Magic
	S. L. Simpson Gallery, Toronto, Canada; Natural Magic
1992	Galerie Carola Mosch, Berlin, Germany; Objects of Desire (mixed)
	Rena Bransten Gallery, San Francisco, CA; Renaissance Paintings (with Judith Barry)
	The Queens Museum of Art, Queens, NY; Herald Tribune: November, 1977 and Herald Tribune: January 18 - February 28, 1991 (special project - brochure)
1991	Galerie Xavier Hufkens, Brussels, Belgium; Renaissance Paintings
	Jay Gorney Modern Art, New York, NY; Renaissance Paintings & Drawings
	Paley Wright Gallery, London, England; Renaissance Paintings
1990	S. L. Simpson Gallery, Toronto, Canada; Academy of Secrets
1989	Interim Art, London, England; Objects of Desire (mixed)
	Jay Gorney Modern Art, New York, NY; Academy of Secrets
1988	Galerie Hufkens Noirhomme, Brussels, Belgium; Objects of Desire (mixed)
1987	International with Monument, New York, NY; Objects of Desire IV
	Margo Leavin Gallery, Los Angeles, CA; Objects of Desire IV
	Tyler Gallery, Tyler School of Art, Temple University, Elkins Park, PA; Objects of Desire
1986	International with Monument, New York, NY; Objects of Desire III
	S.L. Simpson Gallery, Toronto, Canada; Objects of Desire III
1985	International with Monument, New York, NY; Objects of Desire III
1984	California Museum of Photography, Riverside, CA ; Modern History (cat.)
	Light Work, Syracuse, NY; In-Photography
	The Clocktower, New York, NY; Objects of Desire I, In-Photography, Tabula Rasa (1)
1982	CEPA Gallery, Buffalo, NY; In-Photography, (cat.)
	Larry Gagosian, New York, NY; Tabula Rasa
	Tony Shafrazi Gallery, New York, NY; In-Photography
1981	Galerie Micheline Scwajcer, Antwerp, Belgium; The White Lady
	Tony Shafrazi Gallery, New York, NY; Stills
1980	New 57 Gallery, Edinburgh, Scotland; Modern History: April 21, 1978 and The Arc of Total Eclipse, February 26, 1979 (cat.)
1978	C Space, New York, NY; Modern History: Herald Tribune, September, 1977
	Centre d'Art Contemporain, Geneva, Switzerland; Modern History: Herald Tribune, September, 1977 and April 21, 1978
	Galerie Eric Fabre, Paris, France; Modern History: April 21, 1978
	Pio Monte Gallery, Rome, Italy; Modern History: April 21, 1978
	Zona, Florence, Italy; Modern History: April 20, 1978
1977	MTL Gallery, Brussels, Belgium; 14 Days (cat.)
GROUP EXHIBITIONS:
2008	Fotomuseum Winterthur, Switzerland; “Jedermann Collection- Set 5 from the Fotomuseum Winterthur Collection”(1 March- 12 Oct) (cat.)
	Guild & Greyshkul, New York, NY; "The Human Face is a Monument" (30 March- 3 May)
	Margo Leavin Gallery, Los Angeles, CA "Summer 2008" (31 May- 9 Aug)
	Metropolitan Museum of Art, New York, NY; “Photography on Photography: Reflections on the Medium Since 1960” (8 April- 19 Oct)
2007	Jane Voorhees Zimmerli Art Museum, Rutgers. The State University of New Jersey,New Brunswick, NJ, "A New Reality: Black-and-White Photography in Contemporary Art." (01 September - 25 November) (cat.)
	The Foundation To-Life Exhibition Space, Mount Kisco, NY, "Making and Finding" 2006Aspen Art Museum, Aspen, CO; "Belief and Doubt" (4 August - 1 October)
	The Rose Art Museum, Brandeis University, Waltham, MA "RoseArt: Works from the Permanent Collection" (25 January - 1 April)
2006	Addison Gallery of American Art, Andover, MA; "75 Years of Collecting American Photography" (28 April - 31 July)
	Aspen Art Museum, Aspen, CO; "Belief and Doubt" (4 August -1 October)
	Grey Art Gallery, New York, NY (10 January - 1 April)
	Metropolitan Museum of Art, New York, NY; "Recent Acquisitions in Contemporary Photography" (4 April- 15 October)
	The Andy Warhol Museum, Pittsburgh, PA (27 May - 3 September)
	"The Downtown Show: The New York Art Scene, 1974 -1984", curated by Carlo McCormick in consultation with Lynne Gumpert and Marvin J. Taylor (cat.)
	Tony Shafrazi Gallery, New York, NY; "The Other Side" (5 May - 30 June)
2005-2004	New Britain Museum of American Art, New Britain, CT; Contemporary Photography in the Age of Mechanical Reproduction (15 Jan - 13 March)
2005	Kunstmuseum Basel, Switzerland; "Covering the Real" (01 May- 21 August) (cat.)
	Princeton University Art Museum, Princeton, NJ; "For Presentation and Display: Some Art of the 80s" curated by Johanna Burton and Hal Foster; (19 March - 12 June)
	Von Lintel Gallery, New York, NY; "The Photograph in Question" (9 June - 29 July)
2004	Guggengheim Museum Bilbao, Bilbao, Spain (25 November, 2005 - 22 March, 2006); "Speaking with Hands, Photographs from the Buhl Collection" (cat.)
	The Solomon R. Guggenheim Museum, New York, NY(June - 8 September)
	The Wexner Center for the Arts, Columbus, OH; Visions from America (July - August)
	"Unframed" edition produced for ACRIA: Aids Community Research Initiative, held at Charles Cowles Gallery, New York, NY; April
2003	Margo Leavin Gallery, Los Angeles, CA; Raid the Icebox (22 March - 26 April)
	Margo Leavin Gallery, Los Angeles, CA; Sarah Charlesworth, Louise Lawler and Laurie Simmons: Designs for Living (6 September - 4 October)
	Memphis College of Art, Memphis, TN; Cold Comfort (13 January - 13 February)
	Orlando Museum of Art, Orlando, FL; Constructed Realities: Contemporary Photography (8 March - 18 May) (cat.)
	Southeast Museum of Photography, Daytona Beach, FL; Off the Press: Recontextualizing the Newspaper in Contemporary Art (cat.)
2002	National Museum of Women in the Arts, Washington DC; Feminism and Art: Selections from the Permanent Collection (Jun.- Aug.)
	Tang Museum, Saratoga Springs, NY; Still Photography, curated by Charles Stainback (16 June - 26 June)
	The Site Gallery, Sheffield, England; Con Art: Magic/Object/Action, curated by Helen & PierGiorgio Varola (Feb.)
	The Victoria and Albert Museum, London; "Seeing Things: Photographing Objects, 1850-2001," 21 Feb - 18 August (cat.)
	The Whitney Museum of American Art, New York, NY; Visions from America: Photographs from the Whitney Museum of American Art, 1940-2001, Curated by Sylvia Wolfe (27 June - 22 September)
2001	Gallery Camino Real, Boca Raton, FL; Photo-Synthesis, curated by Douglas Maxwell (11 Jan. - 3 Feb.)
	Kunsthalle Wien, Vienna, Austria; Tele[visions], curated by Joshua Decter (18 Oct. - 6 Jan. 2002)
	Skidmore College, Saragota Springs, NY; Still Photography (16 June - 26 August)
2000	Avignon, France; La Collection Yvon Lambert (6 June - )
	Contemporary Arts Center, New Orleans, LA; Photography Now, curated by David Rubin (15 July -24 Sept.)
	De Saisset Museum, CA; Brauer Museum, IN; The One Chosen (Aug. 2000 - Nov. 2001)
	Museum of New Mexico, Museum of Fine Arts, Sante Fe, NM; 20/20 Twentieth Century Photography Acquisitions, (4 February - 20 August)
1999	Nexus Contemporary Art Center, Atlanta, GA; Double Vision, curated by Michael Pittari
	The Whitney Museum of American Art, New York, NY; The American Century: Art & Culture 1950-2000 (cat.)
1998	Art Museum of South Texas, Corpus Chriati, TX; From The Heart: The Power of
	Dorfman Projects, New York, NY; The Tip of the Iceberg- A Response to New York Museums
	Museo Santa Maria Della Scala, Siena, Italy; Civic Art In Sienese Villages: Three Contemporary Artists Create Publis Works, curated by Cornelia Lauf
	Photography- A Collector's Choice, curated by Adam D. Weinberg
1997	California Center for the Arts Museum, Escondido, CA; Table Tops: Morandi's Still Lifes to Mapplethorpe's Flower Studies
	International Center of Photography, New York, NY; Eye of the Beholder: Photographs from the Avon Collection Milwaukee Art Museum, Milwaukee, WI; Identity Crisis: Self Portraiture at the End of theCentury, curated by Dean Sobol (cat.)
	Thomas J. Walsh Art Gallery, Quick Center for the Arts at Fairfield University, Fairfield, CT; TheOne Chosen: Images of Christ in Recent New York Art (cat.)
1996	Museum of Contemporary Art, Los Angeles, CA; Just Past: The Contemporary in M.o.C.A.'s Permanent Collection, 1975-96
	Nicole Klagsbrun Gallery, New York, NY; Bernard Toale Gallery, Boston, MA; MakingPictures: Women and Photography, 1975-Now, curated by Nicole Klagsbrun
	S. L. Simpson Gallery, Toronto, Canada; Sarah Charlesworth, Louise Lawler, Ian WallaceLos Angeles County Museum of Art, Los Angeles, CA; Some Grids, organized by Carol S. Eliel and Lynn Zelevansky
	S.L. Simpson Gallery, Toronto, Canada; Sarah Charlesworth, Hannah Collins, GeneralIdea, Laurie Simmons, Carolyn White
	The Clocktower Gallery, Institute of Contemporary Art, New York, NY; Model Home,organized by Alanna Heiss and Sabina Streeter (cat.)
1995	Christinerose Gallery, New York, NY; Chasing Angels (cat.)
1994	Musée d’art moderne et contemporain (MAMCO), Genève, Switzerland; Rudiments d'un Musée Possible
	The InterArt Center, New York, NY; Gift, organized by Gideon Ponte, Birgit Spears & Neville Wakefield The Art Museum, Florida International University, Miami, FL; American Art Today: HeadsOnly, curated by Dahlia Morgan (cat.)
	The School of the Art Institute of Chicago, Chicago, IL; Transmitting Truth: Refor-mulating News Media Information
	The Whitney Museum of American Art, New York, NY; From the Collection: Photo-graphy, Sculpture, PaintingOffshore Gallery, East Hampton, NY; Seasights, curated by Nessia Pope
	Thread Waxing Space, New York, NY; Don't Look Now, curated by Josh Decter (cat.) Carl Solway Gallery, Cincinnati, OH; Desire & Loss
1993-1996	Neuberger Museum, Purchase, NY; Virginia Beach Center for the Arts, Virginia Beach, VA; University Gallery, Univ. of North Texas, Denton, TX; Art Gallery, Sir Wilfred Grenfell College, Univ. of Newfoundland, Newfoundland, NS, Canada; Mackenzie Art Gallery, Regina, Sas.,Canada; The Gallery/Stratford, Stratford, Ont., Canada; California Center for the Arts, Escondido, CA; SelbyGallery Ringling School of the Arts, Sarasota, FL; The Rubelle & Norman Schafler Gallery, Pratt Institute, Brooklyn, NY; Empty Dress: Clothing as Surrogate in Recent Art, curated by Nina Felshin for IndependentCurators Inc. (cat.)
1993-1994	Center for the Fine Arts, Miami, FL; Museo Amparo, Puebla, Mexico; Centro Cultural Consolidado, Nacional de Bellas Artes, Buenos Aires, Argentina; Museo Nacional de Bellas Artes, Santiago, Chile; Photoplay: Works from the Chase Manhattan Collection, organized byLisa Phillips in association with Manuel E. Gonzalez (cat.) International Center of Photography, New York, NY; Institute of Contemporary Art,Boston, MA; Laguna Art Museum, Laguna Beach, CA; Commodity Image (cat.)
1993	Donna Beam Fine Art Gallery, University of Nevada, Las Vegas, NV; From New York:Recent Thinking in Contemporary Photography
	L'Espace Lyonnais d'Art Contemporain, Lyon, France; Here's Looking At Me / A MesBeaux Yeux: Autoportraits Contemporains, curated by Bernard P. Brunon (cat.)
	Nassau County Museum of Art, Roslyn Harbor, NY; Image Makers, curated by Franklin Hill Perrell and Constance Schwartz (cat.)
	The Drawing Center, New York, NY; The Return of the Cadavre Exquis (cat.)
	The Herbert F. Johnson Museum of Art, Cornell University, NY; Up Close: Chemistry Imagined Photogenics: Contemporary Art from the Mallin Collection
	The New Jersey Center for Visual Arts, Summit, NJ; New Jersey Collects: Photography Raab Galerie, Berlin, Germany; Galleria Gian Ferrari Arte Contemporanea, Milano, Italy;Vivid: Intense Images by American Photographers, curated by Victoria Espy-Burns (cat.)
1992-1993	Art Gallery of New South Wales, Sydney, Australia (sponsor, & various local sites); The Boundary Rider: 9th Biennale of Sydney, curated by Anthony Bond (cat.)
1992	Centro Cultural Arte Contemporaneo, Polanco, Mexico; The Disasters of WarTony Shafrazi Gallery, New York, NY; A Passion for Art: Watercolors and Works on Paper International Center of Photography / Midtown, New York, NY; The Photographic Order from Popto Now
	The Aldrich Museum of Contemporary Art, Ridgefield, CT; Quotations: The Second History of Art, organized by Barry Rosenberg (cat.)
	University Art Museum, Santa Barbara, CA; The Santa Monica Museum of Art, SantaMonica, CA; The North Carolina Museum of Art, Raleigh, NC; Knowledge: Aspects of Conceptual Art, curated by Frances Colpitt and Phyllis Plous (cat.)
1991	Barbara Mathes Gallery, New York, NY; The Conceptual Eye - Setagaya Art Museum, Tokyo; The National Museum of Art, Osaka; Fukuoka Art Museum, Fukuoka, Japan; Beyond the Frame: American Art 1960-1990, curatedby Lynn Gumpert (cat.)
	Cleveland Center for Contemporary Art, Cleveland, OH; Cruciformed: Images of the Cross Since1980 (cat.)
	Museum of Contemporary Art, Los Angeles, CA; Recent Work / Recent Acquisitions
	Museum of Contemporary Art, Los Angeles, CA; Selections from the Permanent Collection: 1975-1991
	National Museum of American Art, Smithsonian Institution, Washington, DC; Motion and Document - Sequence and Time: Eadweard Muybridge and ContemporaryAmerican Photography, curated by James Sheldon and Jock Reynolds (cat. - travelling show)
	New Museum of Contemporary Art, New York, NY; The Interrupted Life, curated by France Morin (cat.)
	Norton Gallery of Art, West Palm Beach, FL and Samuel P. Harn Museum of Art at theUniv. of Florida, Gainesville, FL; Southeast Bank Collects: A Corporation Views Contemporary Art, curated by Lisa Liebmann (cat.)
	Palazzo delle Albere, Museo d'Arte Moderna e Contemporanea di Trento e Rovereto,Trento, Italy; American Art of the 80's, curated by Gabriella Belli and Jerry Saltz (cat.)
	Robert Miller Gallery, New York, NY; Lorence Monk Gallery, New York, NY; In a Dream...(portfolio published by Photographers and Friends Against AIDS)
	Samuel P. Harn Museum of Art, University of Florida, Gainesville, FL; Images from the EightiesPart 1, American Paintings and Drawings from the Samuel P. Harn Museum of Art's Skowhegan Collection
	Victoria and Albert Museum, London, England
1990	Feigen Gallery, Chicago, IL; Sarah Charlesworth, Jeanne Dunning, Annette Messager, AdrianPiper, Laurie Simmons (cat.)
	Foto e.V. München and Barbara Gross Galerie, München, Germany; Das Sibyllinische Auge: Fotokünstlerinnen aus dem Anglo-Amerikanischen Raum, curated by Isabelle Graw andPia Lanzinger (cat.)
	Galleri Nordanstad-Skarstedt, Stockholm, Sweden; Disconnections
	Hallwalls Contemporary Arts Center, Buffalo, NY; Insect Politics: Body Horror / Social Order (cat.)
	International Center of Photography Midtown, New York, NY; Los Angeles Municipal Art Gallery, Los Angeles, CA; The Indomitable Spirit (cat.) - Galerie Samia Saouma, Paris, France; Figures et Lectures
	Krygier/Landau Contemporary Art, Santa Monica, CA; Prints and Multiples
	Leo Castelli Gallery, New York, NY; Gallery, Milan, Italy; Taking the Picture: Photography and Appropriation, curated by Manuela Gandini
	Museum of Fine Arts, Boston, MA; Figuring the Body, curated by Trevor Fairbrother and Kathy Halbreich
	Nicola Jacobs Gallery, London, England; Third Eye Center, Glasgow, Scotland; Reorienting:Looking East, curated by Lynne Cooke (cat.)
	White Columns, New York, NY; Fragments, Parts, Wholes; The Body & Culture
	XPO Galerie, Hamburg, West Germany; The Point of View
1989-1990	Cambridge Darkroom, Cambridge; City Museum and Art Gallery, Stroke-on-Trent; Newport Museum and Art Gallery; Harris Museum and Art Gallery, Preston (all England); ShiftingFocus: An International Exhibition of Contemporary Women's Photography, curated by Susan Butler for The Arnolfini Gallery, Bristol and The Serpentine Gallery, London (cat.)
1989	Aldrich Museum of Contemporary Art, Ridgefield, CT; Selections from the Collection of Marc and Livia Straus (cat.)
	Art Center College of Design, Pasadena, CA; Fauxtography, curated by Nora Halpern Brougher
	Carleton Art Gallery, Carleton College, Northfield, MN; Women's Art Registry ofMinnesota, Minneapolis, MN; What Does She Want?: Current Feminist Art from the First Bank Collection, curated by Lynne Sowder and Nathan Braulick (cat.)
	Editions Ilene Kurtz, New York, NY; Sarah Charlesworth and Laurie Simmons: Prints & Photo-graphs
	Emerson Gallery, Hamilton College, Clinton, NY; Anderson Gallery, Virginia Common-wealth University, Richmond, VA; Abstraction in Contemporary Photography,curated by Jimmy De Sana (cat.)
	Frac Rhône-Alpes, Lyon, France; Avant 1989, curated by Haim Steinbach (cat.)
	Grita Insam Gallery, Vienna, Austria; Museum voor Hedendaagse Kunst Het Kruithuis,Hertogenbosch, The Netherlands; Vis-A-Vis: Aspects of Contemporary Portrait Photography
	Hirschl & Adler Modern, New York, NY; Departures: Photography 1924-1989
	International Center of Photography, New York, NY; Culture Medium: A Notion of Truth,curated by Charles Stainback (cat.)
	Josh Baer Gallery, New York, NY; Natura-Naturata (An Argument for Still-Life), curated by Cornelia Lauf National Museum of American Art, Smithsonian Institution, Washington, DC; TheMuseum of Contemporary Art, Chicago, IL and Walker Art Center, Minneapolis,MN; The Photography of Invention: American Pictures of the 1980s, curated by Joshua P. Smith and Merry A. Foresta (book)
	Messepalast, Vienna, Austria; Moskau - Wien - New York: Kunst zur Zeit, curated by ViktorMisiano and Oliver Wassow (cat.)
	Museum of Contemporary Art, Los Angeles, CA; A Forest of Signs: Art in the Crisis of Representation, curated by Mary Jane Jacob and Ann Goldstein (cat.)
	Nicola Jacobs Gallery, London, England; Subject: Object (cat.)
	S. L. Simpson Gallery, Toronto, Canada; Sarah Charlesworth, Christine Davis, Judith Schwarz
	Salama-Caro Gallery, London, England; International Camera
	The John and Mable Ringling Museum of Art, Sarasota, FL; Center for the Fine Arts,Miami, FL; Contemporary Perspective I: Abstraction in Question, curated by Bruce Ferguson, Joan Simon and Roberta Smith (cat.)
	The Squibb Gallery, Princeton, NJ.; Fictive Strategies; Actuality and Originality in Contemporary Photography, curated by Joseph Rauch (cat.)
	Thomas Segal Gallery, Boston, MA; Camera Culture, curated by Brent Sikkema
	Tony Shafrazi Gallery, New York, NY; Don't Bungle the Jungle! A benefit exhibition for the rainforest
	Vienna Secession, Vienna, Austria; The Play of the Unsayable-Wittgenstein and the Art of theXXth Century, curated by Joseph Kosuth (cat.)
	Whitney Museum of American Art, New York, NY; Image World: Art and Media Culture, curatedby Marvin Heiferman and Lisa Phillips (cat.)
	Wight Art Gallery, University of California, Los Angeles, CA; Joslyn Museum of Art,Omaha, NE; Neuberger Museum, Purchase, NY; Akron Art Museum, Akron, OH; Selected Works from the Frederick R. Weisman Foundation (cat.)
1988	Artculture Resource Center, Toronto, Canada; The Discursive Field of Recent Photography, curated by Tom Folland
	Burden Gallery / Aperture Foundation, New York, NY; The Return of the Hero, curated by KarenMartaWhite Columns, New York, NY; Female (Re)production, curated by Marilu Knode
	Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA; Fabrications, curated by Anne Hoy (book)
	Gallery, Santa Fe, NM; Hybrid Neutral: Modes of Abstraction and the Social, curated by Tricia Collins & Richard Milazzo for Independent Curators Inc. (cat.)
	Greenville County Museum of Art, Greenville, SC; Just like a Woman
	Jay Gorney Modern Art, New York, NY; Gallery Artists
	Robert Koch Gallery, San Francisco, CA; Photography in Art Today
	Rooseum, Malmö, Sweden; Art at the End of the Social, curated by Collins & Milazzo (cat.)Haggerty Museum of Art, Marquette University, Milwaukee, WI; Photography on the Edge (cat.)
	Scott Hanson Gallery, New York, NY; Media / Post Media, curated by Collins and Milazzo (cat.)
	The University of North Texas Art Gallery, Denton, TX; The J. B. Speed Art Museum, Louisville, LA; Alberta College Gallery of Art, Alberta, Canada; The Cincinnati Contemporary ArtCenter, Cincinnati, OH, Richard F. Brush Art Gallery, Santa Fe Community College Art
	Wallach Art Gallery, Columbia University, New York, NY; Sexual Difference: Both Sides of theCamera, curated by Abigail Solomon-Godeau (cat.)
1987-1988	Sala de Exposiciones de la Fundacion Caja de Pensiones, Madrid, Spain; Fundacio Caixa de Pensions, Barcelona, Spain; Art and Its Double: A New York Perspective, curated by Dan Cameron (cat.)
1987	Alternative Museum, New York, NY; The Surrealist Legacy in Post Modern Photography, curatedby Roger Denson
	Barbara Toll Fine Arts, New York, NY: Monsters: The Phenomena of Dispassion, curated byDennis Kardon and Maria Reidelbach
	Musee St. Pierre, Espace Lyonnais d'Art Contemporain, Lyon, France; Contemporary Photographic Portraiture, curated by Bernard Brunon (cat.)
	Sidney Janis Gallery, New York, NY; Recent Tendencies in Black and White, curated byJerry Saltz (cat.)
	The John and Mable Ringling Museum of Art, Sarasota, FL; Akron Art Museum, Akron, OH;Chrysler Museum, Norfolk, VA: This is not a Photograph: Twenty Years of Large ScalePhotography; 1966-1986, curated by Joseph Jacobs (cat.)
	University Art Gallery, San Diego State University, San Diego, CA; Industrial Icons
	Whitney Museum of American Art at Champion Plaza, Stamford, CT; Whitney Museum ofAmerican Art at Equitable Center, New York, NY; Contemporary Diptychs: The NewShape of Content, curated by Roni Feinstein (cat.)
1986	303 Gallery, New York, NY; Photography Bard College, Annandale-on Hudson, NY; AlteredStates, curated by Vikky Alexander
	Brooke Alexander Gallery, New York, NY, Benefit for The Kitchen, curated by Brooke Alexanderand Paula Cooper
	CEPA Gallery, Buffalo, NY; Spiritual America, curated by Collins and Milazzo (cat.)
	CO; Vanguard Gallery, Philadelphia, PA; Infotainment, curated by Peter Nagy (cat.)
	Editions Ilene Kurtz, New York, NY; Sarah Charlesworth, Jeff Koons, Laurie Simmons (Tartan Sets portfolio)
	Institute of Contemporary Art, Boston, MA; As Found, part III of Dissent: The Issue of Modern Art in Boston (cat.)
	Margo Leavin Gallery, Los Angeles, CA; Paravision, curated by Collins and Milazzo
	Michael Kohn Gallery, Los Angeles, CA; Post Pop Art
	S.L. Simpson Gallery, Toronto, Canada; Ultrasurd, curated by Collins and Milazzo (cat.)
	The Queens Museum of Art, New York, NY; The Big Picture, curated by Marvin Heiferman (cat.)Lightsong Gallery, University of Arizona, Tucson, AZ
	Venice Biennale, Venice, Italy; Aperto, (cat.)
1985-1986	Rhona Hoffman Gallery, Chicago, IL; Texas Gallery, Houston, TX; Aspen Art Museum, Aspen, CO; Vanguard Gallery, Philadelphia, PA; Infotainment, curated by Peter Nagy (cat.)
1985	55 Mercer Street Gallery, New York, NY; Smart Art Too, curated by Joe Masheck
	Cable Gallery, New York, NY
	Feature Gallery, Chicago, IL
	Holly Solomon Gallery, New York, NY; Selected Artists from The East Village
	International with Monument, New York, NY
	Laguna Gloria Art Museum, Austin, TX; Figure it Out
	New Museum of Contemporary Art, New York, NY; The Art of Memory, The Loss of History,curated by Bill Olander (cat.)
	Nexus Contemporary Art Center, Atlanta, GA; C. W. Woods Gallery, Hattiesburg, MS; CarolinaProgram Union, Columbia, SC; Austin Peay State University, Clarksville, TN; ValenciaCommunity College, Orlando, FL; North Carolina Museum of Art, Raleigh, NC; University of the South, Sewanee, TN; Public Art, organized by Nexus Contemporary Art Center,Atlanta (cat.)
	Postmasters Gallery, New York, NY; Photo Object
	The Institute for Contemporary Arts, Santa Fe, NM; Playing It Again, Strategies of Appropriation (traveling show), curated by Sam Samore
	Tibor de Nagy Gallery, New York, NY; Cult and Decorum, curated by Collins and Milazzo (cat.)
	Tony Birckhead Gallery, Cincinnati, OH
	White Columns, New York, NY; Seduction Working Photographs, curated by Marvin Heiferman
	Whitney Museum of American Art, New York, NY; 1985 Biennial Exhibition (cat.)
1984-1985	Riverside Studios, London; Kettle's Yard, Cambridge; Midland Group Gallery, Nottingham, England; Between Here and Nowhere, curated by Rosetta Brooks (cat.)
1984	Blum Helman Warehouse, New York, NY; Bomb Magazine Show
	Cable Gallery, New York, NY; Sex Show
	Dart Gallery, Chicago, IL; Large Scale Photographs
	Fine Arts Gallery, Florida State University, Tallahassee, FL; Natural Genres, curated by Collinsand Milazzo
	Galerie Jurka, Amsterdam, Holland; International with Monument, New York, NY; Still Life with Transaction, curated by Collins and Milazzo
	Museum of Modern Art / Art Advisory Service, New York, NY; Ten Years of Contemporary Art
	Nature Morte Gallery, New York, NY
	School of the Art Institute of Chicago Gallery, Chicago, IL; Sex Specific: PhotographicInvestigations of Contemporary Sexuality (cat.)
	Spiritual America, New York, NY; Pop
	Washington Project for the Arts, Washington, DC; The Magazine Store, curated by Jock Reynolds
	White Columns, New York, NY; The New Capital, curated by Collins and Milazzo
1983	Allen Memorial Art Museum, Oberlin College, Oberlin, OH; Art and Social Change U.S.A., curated by Bill Olander (cat.)
	American Graffiti Gallery, Amsterdam, The Netherlands
	Barbara Gladstone Gallery, New York, NY; State of the Art, The New Social Commentary
	Brooklyn Army Terminal, New York, NY; Terminal New York Marlborough Gallery, New York, NY; In Plato's Cave, curated by Abigail Solomon-Godeau (cat.)
	Castelli Graphics, New York, NY; 3-D Photos
	Marianne Deson Gallery, Chicago, IL; Artists Use PhotographsPalais de Beaux Arts, Brussels,Belgium
	Olsen Gallery, New York, NY; Eight Women Artists
1982	Olsen Gallery, New York, NY
	Proctor Art Center, Bard College, Annandale-On-Hudson, NY; Resource Material: Appropriation In Current Photography, curated by Steven Frailey
	The Renaissance Society, University of Chicago, Chicago, IL; Art and the Media: A Fatal Attraction, curated by Tom Lawson (cat.)
1981	Metro Pictures, New York, NY; Photo
	P. S. 1, Long Island City, NY; New York, New Wave, curated by Diego Cortez
	Tony Shafrazi Gallery, New York, NY
1980	Carmen Lamanna Gallery, Toronto, Canada
	Times Square Show, New York, NY
1979	PS 1, Long Island City, NY; The Altered Photograph
1978-1979	Galerie Yvon Lambert, Paris, France; Paula Cooper Gallery, New York, NY; Artemisia, curated byYvon Lambert (cat.)
1978	Bibliotheque National, Paris, France
	Gallery 76, Toronto, Canada
1977	Art Net, London, England
	Carmen Lamanna Gallery, Toronto, Canada
1976	Galerie Durand-Desert, Paris, France; MTL Gallery, Brussels, Belgium; PMJ Self Gallery, London, England; Face / Surface, collaborative project with Joseph Kosuth
CURATORIAL PROJECTS:
1995	Artists Space, New York, NY; Somatogenies, group show co-curated with Cindy Sherman andLaurie Simmons.
BOOKS & CATALOGUES ABOUT THE ARTIST:
1997	Fisher-Sterling, Susan Hickey, Dave Phillips, Lisa	Sarah Charlesworth, exhibition catalogue published by Site, Santa Fe, NM and National Museum of Women in the Arts, Washington, DC
1992	Grachos, Louis	Contemporary Currents: Sarah Charlesworth, Special Project: Herald Tribune: Nov., 1977 / Herald Tribune: Jan. 18 - Feb. 28, 1991, exhibition brochure published by The Queens Museum of Art, Queens, NY (no ISBN)
1984	unsigned	Sarah Charlesworth: April 21, 1978, special issue of C. M. P. Bulletin published as exhibition brochure by California Museum of Photography, University of California, Riverside, CA, Vol.3 No.5 (ISSN: 0731-2377)
1983	Charlesworth, Sarah	A Lover's Tale, special issue of Wedge Magazine, Summer/Fall (a visual text pamphlet by Sarah Charlesworth)
1982	Charlesworth, Sarah Simmons, Laurie	Sarah Charlesworth: In - Photography, exhibition catalogue published by CEPA Gallery, Buffalo, NY (ISBN: 0-939784-03-3) (includes artist statement: In-Photography)
1979	Charlesworth, Sarah	Sarah Charlesworth: Modern History (Second Reading), exhibition catalogue published by The New 57 Gallery, Edinburgh, Scotland (no ISBN, edition: 500) (includes artist statement: Unwriting: Notes on Modern History)
1977	unsigned	Sarah Charlesworth: 14 Days, exhibition catalogue published by MTL Galerie, Brussels, Belgium
PUBLISHED WRITINGS BY THE ARTIST:
1999	Charlesworth, Sarah	Interview Magazine, Oct.; Full page photo
1995	Charlesworth, Sarah	College Art Association Journal, Sarah Charlesworth, Spring, p.78, illus. (statement)
	Charlesworth, Sarah Simmons, Laurie	Laurie Simmons, A.R.T. Press, Pasadena (interview)
	Charlesworth, Sarah	October, Questions of Feminism: 25 Responses, #71, Winter
1994	Charlesworth, Sarah	Tema Celeste, La Differenza Tra I Sessi Nell'Arte, Jan. (editorial)
1992	Charlesworth, Sarah	Tema Celeste, The Role of Gender in Art: Sarah Charlesworth, Autumn (editorial)
1983	Charlesworth, Sarah	Bomb Magazine, Glossolalia, Spring (collaborative article and special section with Barbara Kruger)
1982	Charlesworth, Sarah	Artforum, Books: Camera Lucida: Reflections on Photography' by Roland Barthes, April, pgs.72-73 (review)
1979	Charlesworth, Sarah	Art in America, China: Visiting Socialism, March-April
1977	Charlesworth, Sarah	The Anti-Catalog (collaborative project)
1976	Charlesworth, Sarah	The Fox, For Artists Meeting, vol. I, #3
1975	Charlesworth, Sarah	The Fox, Declaration of Dependence, vol. I, #1
	Charlesworth, Sarah	The Fox, Memo for the Fox, vol. I, #2
SELECTED BIBLIOGRAPHY: PERIODICALS:
2008		ARTnews, "Concrete Color" (review) March 2008
	Smith, Roberta	The New York Times, "The Human Face is a Monument" April 25, 2008
2007	Fitzpatrick, Andrea D.	Art Journal, "The Movement of Vulnerability: Images of Falling and September 11" Winter 2007. col 66. no 4. pp. 85-102
		North Drive Press, "Sarah Charlesworth and Sara Vanderbeek: An Interview" #4, Fall
2006		BOMB Magazine (cover), Summer, Number 96
2005	O'Brien, Glenn	GQ, "How to Collect Photography," Sept, pp 302
2004	Deitcher, David	Artforum, "Spiritual America: David Deitcher on pre-teen spirit," Oct, p.
	Spicer, Jakki	artUS, "The Last Picture Show," January and February; pp. 36-37
2003	Hainley, Bruce	Artforum, "Designs for Living," December; p. 151
	Hamilton, Jeanne	Artforum, One Year Under the Mast, Alexander Alberro on The Fox, Summer 2003 ; pp. 162 - 164, p. 206
	(Eds.) O'Brien, Glenn and Max Blagg	Bald Ego; Fall 2003, Vol. 1 and Vol. 2 (ill. cover and reproductions)
	Hamilton, Jeanne	The Commercial Appeal, 'Cold Comfort' clutches a warm and fuzzy void, 21 January;p. C4
2002	Johnson, Ken	The New York Times, Art Guide: Sarah Charlesworth, 13 Dec.; p.E45
	unsigned	The New Yorker, Photography: Sarah Charlesworth, 16 Dec.; p.20
2001	Marschall, Laurence A.	The Sciences, Book in Brief: The Story of P (illustr.), Jan.-Feb.; p.44
2000	Cohen, Michael	Flash Art, Review: Sarah Charlesworth at Gorney Bravin + Lee, May - June; p. 116
	Pagel, David	Los Angeles Times, Sarah Charlesworth - Magical Forms, 28 January
	Cotter, Holland	The New York Times, Surging Into Chelsea, 21 Jan.; pp. E37, E41
	Saltz, Jerry	The Village Voice, The I-Don't-Get-It-Aesthetic, 25 January; p.57
	Aletti, Vince	The Village Voice, Voice Choice: Photo: Sarah Charlesworth, 25 Jan.; p.79
	Schwendener, Martha	Time Out New York, Art reviews: Sarah Charlesworth at Gorney Bravin + Lee, 27 Jan-3 Feb., p. 58
1999	Temin, Christine	The Boston Globe, Photo Synthesis: in a 20 year retrospective at the Rose Art Museum, Sarah Charlesworth transforms the medium and themessage of photography, 7 May.
	unsigned	The Chronicle of Higher Education, A Poetry of Metaphor and Magic, 7 May.
1998	unsigned	Antiques and the Arts Weekly, First Retrospective of Sarah Charlesworth's Photo-Objects, 28 Aug. (review: Nat'l. Museum...)
	Domandi, Marie-Charlotte	Aperture, Sarah Charlesworth: retrospective at SITE Santa Fe, June,p.76-7, illus. (review: Site)
	Linker, Kate	Art in America, Sarah Charlesworth: Artifacts of Artifice, July, p.74-79, 106 + cover (feature)
	Morgan, Anne	Art Papers, Peering through History: an interview with Sarah Charlesworth, May-June, p.17-21, illus. (feature)
	Charlesworth, Sarah	Camera Austria International (Graz), Sarah Charlesworth - A Retrospective, Vol.64, illus. (review)
	Green, Frank	Cleveland Free Press, Master Juggler: The Restless Experiments of Sarah Charlesworth, 16-22 Dec.
	unsigned	Flash Art, Sarah Charlesworth Retrospective, Jan.-Feb, p.46, illus. (newssection)
	Baldridge, Charlene	La Jolla Village News, Artists offer resonant juxtapositions, 23 April
	Bolger, Michael	La Jolla Village News, Charlesworth tests sense, sensibilities in "Retrospective" 28 May
	Buckley, Patricia Morris	North County Times, Artist Explores philosophies in retrospective photoexhibit, 20 March (review: LaJolla)
	Pincus, Robert	San Diego Union Tribune, Pool of images, pearles of truth, 5 April(review: LaJolla)
	Shaw-Eagle, Joanna	Sunday Times, Exhibition of Shifting Realities, 12 July
	Forrest, Jason A	The Atlanta Journal Constitution, Look twice, then again, at thesecomplex photos, Fri., 27 Nov., p.Q8, illus. (review: Fay Gold)
	Knight, Christopher	The Los Angeles Times, An Artist Taking Pictures (Literally), 22 April,p.F-1,4, illus. (review: LaJolla)
	Smith, Roberta	The New York Times, Art Review: Evocative Cells: Uptown, Downtown,All Around, 27 Nov.
	Goldberg, Vicki	The New York Times, Messages in the media: varied perceptions offactuality, 31 July, p.B33 (review: Nat'l. Museum...)
	Litt, Steven	The Plain Dealer (Cleveland), Photography as a form of Contemplation:Charlesworth's Artistic Images a Rich and Compelling Presence, Sun.,22 Nov., p.4-I (review: CCA)
	O'Sullivan, Michael	The Washington Post, Charlesworth's truth in pictures, 17 July (review: Nat'l. Museum...)
	Lewis, JoAnn	The Washington Post, Slight of Lens" Sarah Charlesworth, deconstruc-ting 'Truth' frame-by-frame, 10 August (review: Nat'l. Museum...)
	Swarski, Lindsey	UCSD Guardian, Cutting-edge photography is candy for the mind, 2 April (review: LaJolla)
	unsigned	Vision Magazine, Recycling Culture: an interview with SarahCharlesworth, 28 May
1997	MacNeil, William A.	Albuquerque Journal, Celebrated Photographer Blurs Line between Fact,Fiction, 4 Nov., pp.1&3 (review: Site)
	Walker, Hollis	Pasatempo, The New Mexican, A Landscape of Images, 31 Oct.-6 Nov.,pp.32-33 (review: Site)
	Clemmer, David	Santa Fe Reporter, Context, Content and the Vessel of the Miraculous, 12-18 Nov., p.27 (review: Site)
1996	unsigned	At The Museum (Los Angeles County Museum of Art), Some Grids, p.9
	Johnson, Paul	Cover, Sarah Charlesworth, March , p.53, illus. (review: J.G.M.A.)
	Goldstein, Laurence	Michigan Quarterly Review, Introduction, Vol. XXXV, No.4, Fall, p.574, illus.
	unsigned	New Observations, Sarah Charlesworth: Text, Jan/ Feb, pg. 22, illus.
	unsigned	The Sciences, Sept/ Oct, pg. 28, illus.
1995	unsigned	Canadian Art, Fast Forward, Fall, illus. (preview: S. L. Simpson)
	Hagen, Charles	The New York Times, Sarah Charlesworth,17 Nov., p. C-30, (review: J.G.M.A.)
	Aletti, Vince	The Village Voice, Choices: Sarah Charlesworth, 7 Nov.; supplementp. 8, illus. (review: J.G.M.A.)
	Yablonsky, Linda	Time Out / New York, Sarah Charlesworth: Doubleworld, 15-22 Nov.,p.25, illus. (review: J.G.M.A.)
1994	Hickey, Dave	Parkett, A Matter of Time: On Flatness, Magic, Illusion, and Mortality,#40/41, Summer, (feature)
	unsigned	The New Theater Review, fall, #11,pg. 8, illus. + cover
1993	Heartney, Eleanor	Artnews, Sarah Charlesworth, Summer, illus. (review: J.G.M.A.)
	Mifflin, Margot	Artnews, What do Artists Dream?, Oct. (editorial)
	Hess, Elizabeth	The Village Voice, Body Triple, 30 Nov., illus. (review: Drawing Center)
	Hess, Elizabeth	The Village Voice, Materialized Girls: Nancy Rubins, Lisa Hoke, MeganWilliams, Sarah Charlesworth, 20 April (review: J.G.M.A.)
	Romano, Gianni	Zoom (Milan), Sarah Charlesworth, Nov.-Dec., illus. (feature)
1992	Campitelli, Maria	Juliet (Trieste), Sarah Charlesworth, Feb.-March (review: J.G.M.A.)
1991	unsigned	Art and Man, Sept/ Oct, pg. 16, (feature)
	Lewis, James	Artforum, Sarah Charlesworth, Summer, (review: J.G.M.A.)
	Weily, Susan	Artnews, Sarah Charlesworth's Abracadabra, March, pgs. 116-121, illus. + cover (feature)
	Gardner, Paul	Artnews, What Artists Like About the Art They Like When They Didn't Know Why, Oct., illus. (questionnaire interview)
	O'Rourke, Meg	Arts Magazine, Sarah Charlesworth, Summer, illus. (review: J.G.M.A.)
	Denson, G. Roger	Bijutsu Techo, (Tokyo) Traces of Feminity: Sarah Charlesworth, JanGroover & Ida Applebroog, reprint / translation of What's in a Word, pgs.28-43, illus. + cover (feature)
	Stiwer, Pierre & Di Felice, Paul.	Cafe-Creme, (Luxembourg), Sarah Charlesworth: L'immaculée conception, #15-Summer, pgs. 38-43, illus. + cover (interview)
	Van der Ploeg, Kees	Flash Art, Sarah Charlesworth, Summer, illus. (review: J.G.M.A.)
	Meuris, Jacques	La Libre Belgique, (Brussels) Au temps de l'image: l'artiste américaine Sarah Charlesworth entend révéler ... froid les passions contemporaines...travers une imagerie omni-présente, 15 May, illus. (review:Hufkens)
	Dennis, Melvin	Puchong Folios, Sarah Charlesworth, Spring (review: J.G.M.A.)
	Thompson, Elspeth	The Guardian (London), Portrait of a Friendship, 4 Dec., illus. (review:Interim Art)
	Brenson, Michael	The New York Times, Sarah Charlesworth: Shifted Images of theRenaissance, 22 March, illus. (review: JGMA)
	Litt, Steven	The Plain Dealer, (Cleveland) Using or Abusing a Powerful Symbol?, 8 Sept.
1990	Durand, Regis	Art Press (Paris), Fragments d'un Paysage d'images, #153, Dec.(feature)
	Charlesworth, Sarah	Artforum, A Grammar of Essence: A Project for Artforum by Sarah Charlesworth, Feb., pp.123-125, illus. (project)
	Denson, G. Roger	Contemporanea, Sarah Charlesworth: What's in a Word, Oct., pgs.70-75, illus. (feature)
	unsigned	Interview Magazine, full page reproduction, Feb.
	Denson, G. Roger	Tema Celeste, The New Metaphysical Art and It's Legacy, July-Oct., No. 25, p.37-42, illus. (editorial)
	unsigned	The New Yorker, Goings On About Town: Art, July 23, (review: J.G.M.A.)
1989	Phillipi, Desa	Artforum, Shifting Focus, Nov., p.168 (review: Serpentine Gallery)
	Silko, Leslie M.	Artforum, The Fourth World, Summer, pgs.124-127, illus.: Madonna and Child, special project by Sarah Charlesworth (in special section designedby Robert Barry, pgs.124-135)
	Heartney, Eleanor	Artnews, Sarah Charlesworth, Sept., illus. (review: J.G.M.A.)
	Jones, Bill	Arts Magazine, Born Again: Seeing the End of Photography, Oct.,pgs. 72- 77, illus. + cover (editorial)
	Princenthal, Nancy	Barron's, More Positives Than Negatives: Collectors Bids Up ArtisticPhotographs, May 22, illus. (editorial)
	Sussler, Betsy	Bomb Magazine, Profile / Art: Sarah Charlesworth, Winter, pgs.30-33, illus. (feature)
	Faber, Monika	Camera Austria, (Graz) Vis a Vis der Kamera, #30, (review: Grita Insam)
	Scheuer, Daniel	Center Quarterly: A Journal of Photography and Related Arts, 150th at f2Snapshots of Contemporary Art Photography, Vol. 11, #1
	unsigned	Corriere della Serra (Roma/Milano), Sarah Charlesworth, Aug 18
	Mueller, Cookie	Details Magazine, Art and About, Sept., illus. (review: B.A.M.)
	Caley, Shaun	Flash Art, A Forest of Signs: One is Ushered into a Wonderland of Banality, Nov/Dec, (review: M.o.C.A.)
	Zampaglione, Arturo	La Repubblica, Il Venerdi (Rome), p.92, Sept 8, (interview)
	Wise, Kelly	The Boston Globe, Redefining the Language of Photography, Oct.17(review: Segal)
	Kimmelman, Michael	The New York Times, At the Whitney, 100 Works From the Last 30Years, Nov 10, (editorial)
	Smith, Roberta	The New York Times, Charting Traditions of Non-traditional Photography, June 11, (review: National Museum)
	Grundberg, Andy	The New York Times, Two Shows: One Works the Other Bogs Down,Sunday, Aug 13, illus., (review: I.C.P. & Metropolitan)
	Levin, Kim	The Village Voice, April 25, (review:J.G.M.A.)
	Kent, Sarah	Time Out / London, Sarah Charlesworth, May 10-17, illus. (review: Interim Art)
1988	Saltz, Jerry	Arts Magazine, The Implacable Distance: Sarah Charlesworth's "Unidentified Woman, Hotel Corona, Madrid (1979-1985)", March, pgs.24-25, illus. (feature)
	unsigned	Flash Art News, Supplement # 143, Nov/Dec
	Glanzman, Judith	Journal of Contemporary Art, Sarah Charlesworth, Spring, pg. 56 (interview)
	Kramer, Hilton	New York Observer, Sexual Difference:, April 18, p.1&11 (review: Wallach Art Gallery)
	Smith, Roberta	The New York Times, Galleries Paint a Brighter Picture for Women,April 14 (editorial w/review: J.G. M.A.)
	Sischy, Ingrid	The New Yorker, Photography: Sarah Charlesworth, April 24, (review: J.G.M.A.)
	multiple authors	The Print Collector's Newsletter, Photographs and ProfessionalsIV , Vol.XIX, No.3, July/Aug, pgs.81-91+cover illus. (panel discussion)
1987	Stretch, Bonnie Barrett	Art and Auction, Contemporary Photography, May, pgs.140-147, illus.
	Gilbert-Rolfe, Jeremy	Arts Magazine, Where Do Pictures Come From? Sarah Charlesworth and the Development of the Sign, Dec., pgs.58-60, illus. (feature)
	unsigned	Bomb, (Toronto), Issue CCI, Fall, cover
	Shottenkirk, Dena	C Magazine, (Toronto) Sarah Charlesworth: Imaging the Other, Spring,pgs. 18- 23 + cover (feature)
	Cameron, Dan	Flash Art, Art and Its Double, Summer
	Selwyn, Marc	L.A. Weekly, Sarah Charlesworth, May 8- 14, pg.44 (review: Leavin)
	Wilson, William	Los Angeles Times, The Art Galleries: Joel Otterson / Sarah Charles-worth, May 1, (review: Margo Leavin)
	Collins, Tricia & Milazzo, Richard	New Observations, Oct.
	Clarkson, David	Parachute, (Montreal) Sarah Charlesworth: An Interview, Dec., pgs.12-15 (interview)
	Cohen, Ronny H	The Print Collectors Newsletter, New Abstraction V, Mar/Apr., p.9-13, illus.
	Turner, Dot	Vanguard (Toronto), Sarah Charlesworth, Feb./Mar., illus. (review:S.L. Simpson)
1986	unsigned	Effects Magazine, Winter 1986 (cover)
	Cameron, Dan	Flash Art, Post-Feminism, Feb/Mar, pgs.80-83, illus. (editorial)
	Jones, Alan	Galleries Magazine (Paris), Paravision: Une Interview avec TriciaCollins et Richard Milazzo, Aug./Sept., (interview)
	Collins, Tricia and Milazzo, Richard	Kunstforum (Köln), New York: Tropical Codes, April/May, p.308
	Collins, Tricia	Kunstforum (Köln), Sarah Charlesworth: Natural Signs From Milazzo,Richard Structural Reformation to Iconic Abstraction, April/May, p.314-315
	Brenson, Michael	The New York Times, Sunday July 13, (review: Venice Biennale)
	Brody, Jacky	The Print Collectors Newsletter, (review: print portfolio by Sarah Charlesworth)
	Indiana, Gary	Village Voice, Liquid Memory, Solid Objects, April 1, illus. (review: Int'l with Monument)
1985	unsigned	Aperture, Sarah Charlesworth, No. 100, Fall
	Linker, Kate	Artforum, Sarah Charlesworth, Summer, pg.105, illus. (review: Int'l with Monument)
	Warren, Ron	Arts, Sarah Charlesworth, May, (review: Int'l with Monument)
	Kohn, Michael	Flash Art, Sarah Charlesworth, April/May, illus. (review: Int'l with Monument)
1984	Deitcher, David	After-Image, Questioning Authority: Sarah Charlesworth's Photographs,Summer, pgs. 14-17, illus. (feature)
	Indiana, Gary	Art in America, Sarah Charlesworth, Sept., illus. (review: Clocktower)
	Linker, Kate	Artforum, Eluding Definition
	unsigned	Contact Sheet #41, published by Light Work, Syracuse, NY
	unsigned	Esquire, Openings: Sarah Charlesworth, Feb., p.100 (preview: Clocktower)
	Hathaway, Jane	New York Beat, Photography: Sarah Charlesworth, 2 May, p.15,illus. (review: Clocktower)
	Bob, Paul	The East Village Eye, Cutting Up Culture: Photo Artist Sarah Charlesworth is Pointing to..., June, pgs. 15 & 17, illus. (feature)
	Smith, Roberta	The Village Voice, Chrysler's Wings of Fashion, April (review:Clocktower / Feldman / Castelli)
1983	unsigned	Afterimage, May
	Samore, Sam	Exposure (pub. by the Society for Photographic Education), Playing it Again, Winter
	Grundberg, Andy	The New York Times, Post-Modernists in the Mainstream, Nov. 20
1982	unsigned	Art in America Guide to Museums, Galleries, and Artists, TabulaRasa, by Sarah Charlesworth, listed as an Outstanding Solo Show of1982)
	Owens, Craig	Art in America, Sarah Charlesworth, May, (review: Gagosian)
	Hagen, Charles	Artforum, Sarah Charlesworth, Dec., p.80, illus. (review: Gagosian)
	unsigned	Artistes, Fall (review)
	Scully, Julia	Modern Photography, Seeing Pictures, June
1981	Sussler, Betty	Cover Magazine, Interview with Sarah Charlesworth, Spring / Summer (feature)
	Castle, Ted	Flash Art, Verbal Art, Nov.
1980	Frank, Elizabeth	Art in America, Sarah Charlesworth, April, illus. (review: Shafrazi)
GROUP EXHIBITION CATALOGUES AND BOOKS:
2008		Jedermann Collection- Set 5 from the Fotomuseum Winterthur Collection, (Fotomuseum Winterthur, Switzerland)
	Congdon, Kristin G. Hallmark, Kara Kelley	Twentieth Century United States Photographers: A Student’s Guide, (Greenwood Press, Westport, CT)
2007		A New Reality: Black-and-White Photography in Contemporary Art. Jane Voorhees Zimmerli Art Museum, Rutgers. The State University of NewJersey, New Brunswick, NJ
2006	Traub, Charles H. Heller, Stephen Bell, Adam B.	The Education of a Photographer, "Objects of Desire: An interview with Sarah Charlesworth" (Allworth Press and School of Visual Arts, NY)
2005	Foster, Hal Krauss, Rosalind Bois, Yve-Alain Buchloh, Benjamin	Art Since 1900: Modernism, Antimodernism, Postmodernism (Thames & Hudson, New York, NY)
2004		Speaking with Hands: Photographs from the Bohl Collection, (TheSolomon R. Guggenheim Museum, New York, NY)The Last Picture Show: Artists Using Photography 1960-1982; (Walker Art Center, Minneapolis, MN) curated by Douglas Fogel
2003	Scott, Sue	Constructed Realities: Contemporary Photography, (Orlando Museum,Orlando, FL)
		Off the Press: Recontextualizing the Newspaper in Contemporary Art,(Southwest Museum of Photography, Daytona, FL)
2002	Warner, Mariana	Seeing Things: Photographing Objects, 1850-2001, (The Victoria and Albert Museum) Edited by Mark Haworth-Booth
	Decter, Josh	Televisions, (Kunsthalle, Vienna)
	Wolfe, Sylvia	Visions from America: Photographs from the Whitney Museum of American Art, 1940-2001, (The Whitney Museum of American Art, NewYork, NY)
2000	(various)	Post Modernism, (Tate Gallery, London)
1999	Phillips, Lisa	The American Century: Art & Culture 1950-2000, (The Whitney Museumof American Art & Norton Publishers, New York, NY)
1998	Bunnell, Peter C.	Photography at Princeton, (Princeton University, Princeton, NJ)
1997	Sobel, Dean.	Identity Crisis: Self Portraiture at the End of the Century, (Milwaukee ArtMuseum, Milwaukee, WI)
	Blaettler, James Nieboer, Jan willem Steensma, Regnerus	The One Chosen: Images of Christ in Recent New York Art, (ThomasWalsh Gallery, NY)
1996	Pierce Rosenberg, J.	A Question of Balance: Artists and Writers on Motherhood, (PapierMache, Watsonville, CA)
	Heiss, Alana Streeter, Sabina	Model Home, (The Clocktower Gallery, Institute of Contemporary Art,New York, NY)
	Tallman, Susan	The Contemporary Print: From Pre-Pop to Postmodern (book)
1995	Denson, G. Roger	Chasing Angels, (Christinerose Gallery, NY)
	Grigoteit, Ariane, et al.	Tradition and Zeitgeist: Works from the Collection of Deutsche BankNorth America, (DuMont Verlag, Köln)
1994	Morgan, Dahlia	American Art Today: Heads Only, (The Art Museum, Florida Int'l. University, Miami, FL)
	Decter, Joshua	Don't Look Now, (Thread Waxing Space, N.Y.)
	Felshin, Nina	Empty Dress: Clothing as Surrogate in Recent Art, (Independent
1993	Jacobson, Marjory	Art for Work: The New Renaissance in Corporate Collecting, (HarvardBusiness School Press, Boston, MA)
	Brunon, Bernard P.	Autoportraits Contemporains: Here's Looking at Me, (Espace Lyonnais d'Art Contemporain, Lyon, France)
	Hill-Perrell, Franklin	Image Makers, (Nassau County Museum of Art, Roslyn Harbor, NY)
	Phillips, Lisa	Photoplay: Works from the Chase Manhattan Collection, (The ChaseManhattan Corporation, New York, NY)
	anonymous	Sex Quake- Art After the Apocalypse, (1st Art- Genes Portable Museum)
		The Return of the Cadavre Exquis, (The Drawing Center, New York, NY)
	Espy-Burns, Victoria	Vivid: Intense Images by American Photographers, (Raab Galerie,Berlin, Germany)
1992	Bond, Anthony, et. al.th	9th Biennale of Sydney: The Boundary Rider, (Art Gallery of New SouthWales, Sydney, Australia)
	Colpitt, Frances & Plous, Phyllis	Knowledge: Aspects of Conceptual Art, (University Art Museum, SantaBarbara, CA)
	Rosenberg, Barry A. Leigh, Christian Straus, Marc J.	Quotations: The Second History of Art, (The Aldrich Museum ofContemporary Art, Ridgefield, CT)
1991	Belli, Gabriella & Saltz, Jerry	American Art of the 80's, (Electa, Milan)
	Gumpert, Lynn &Wallis, Brian	Beyond the Frame: American Art 1960-1990, (Institute of Contemporary Art, Tokyo)
	Rubin, David S.	Cruciformed: Images of the Cross Since 1980, (Cleveland Center forContemporary Art, Cleveland, OH)
	Reynolds, Jock &Sheldon, James	Motion and Document - Sequence and Time: Eadweard Muybridge and Contemporary American Photography, (National Museum of AmericanArt, Smithsonian Institution, Washington, DC)
	Liebmann, Lisa	Southeast Bank Collects: A Corporation Views Contemporary Art,(Southeast Bank)(cat.)
	Morin, France, et al.	The Interrupted Life, (New Museum of Contemporary Art, New York, NY)
1990	Graw, Isabella Lanzinger, Pia	Das Sibyllinische Auge: Fotokünstlerinnen aus dem Anglo-Amerika-nischen Raum, (Foto e.V. München and Barbara Gross Gallery, München)
	Derrickson, Stephen	Insect Politics, Body Horror/ Social Order, (Hallwalls Contemporary Art Center, Buffalo, NY)
	Cooke, Lynne	Reorienting: Looking East, (Third Eye Centre, Glasgow and NicolaJacobs, London)
	Gandini, Manuela	Taking the Picture: Photography and Appropriation, (Castelli, NY andGallery, Milan)
1989	Foresta, Merry A.
	Goldstein, Ann Jacob, Mary Jane	A Forest of Signs: Art in the Crisis of Representation, (Museum ofContemporary Art, Los Angeles and M.I.T. Press, Cambridge)
	Grundberg, Andy Saltz, Jerry	Abstraction in Contemporary Photography, (Emerson Gallery, HamiltonCollege and Anderson Gallery, Virginia Commonwealth University)
	Jones, Ronald Steinbach, Haim	Avant 1989: Exposition con‡ue par Haim Steinbach, (Fonds Régional d'Art Contemporain, Rhônes-Alpes)
	Butler, Susan	Bristol and Serpentine Gallery, London)
	Ferguson, Bruce Simon, Joan Smith, Roberta	Contemporary Perspective I: Abstraction in Question, (The John andMable Ringling Museum of Art, Sarasota, FL)
	Stainback, Charles	Culture Medium, (International Center of Photography, New York, NY)
	Hoy, Anne	Fabrications, Staged, Altered and Appropriated Photographs, (Abbeville Press, NY)
	Rauch, Joseph B.	Fictive Strategies: Actuality and Originality in Contemporary Photography, (The Squibb Gallery, Princeton, N.J.)
	Hanhardt, John G. Heiferman, Marvin Phillips, Lisa	Image World: Art and Media Culture, (Whitney Museum of American Art, New York, NY)
	Misiano, Viktor Wassow, Oliver, et al.	Moskau - Wien - New York, (Wiener Fastwochen, Vienna)
	Halpern-Brougher Nora, Hopkins Henry T. Stein, Donna.	Selected Works from the Frederick R. Weisman Foundation, (Wight Art Gallery, U.C.L.A.)
	Rosenberg, Barry Straus, Marc	Selections from the Collection of Marc and Livia Straus (Aldrich Museumof Contemporary Art, Ridgefield, CT)
		Subject:Object, (Nicola Jacobs Gallery, London)
	Smith, Joshua P.	The Photography of Invention: American Pictures of the 1980's, (M. I. T.Press, Cambridge, MA)
	Kosuth, Joseph	The Play of the Unsayable-Wittgenstein and the Art of the XXth Century,(Wiener Secession, Vienna)
	Braulick, Nathan Haworth, Dale K. Sowder, Lynne.	What Does She Want: Current Feminist Art from the First BankCollection, (First Bank System Division of Visual Arts)
1988	Collins, Tricia
	Collins, Tricia Milazzo, Richard	Art at the End of the Social, (Rooseum, Malm, Sweden)
	Liebmann, Lisa Monforton, Mary-Ann	Contemporary Art Auction to Benefit El Bohio
	Milazzo, Richard Indiana, Gary	Hybrid Neutral: Modes of Abstraction and the Social, (Independent Curators Inc., New York)
	Collins, Tricia Milazzo, Richard	Just Like a Woman, (Greenville County Museum of Art)
	Collins, Tricia Milazzo, Richard	Media Post Media, (Scott Hanson Gallery, N.Y.)
	Carter, Curtis L.	Photography On the Edge, (Haggerty Museum of Art, MarquetteUniversity, Milwaukee, WI)
	Godeau, Abigail Sol.	Sexual Difference: Both Sides of the Camera, (Wallach Art Gallery, Columbia University, New York, NY)
1987	Cameron, Dan	Art and Its Double: A New York Perspective, (Centre Cultural de la Fundacio Caixa de Pensions, Barcelona, Spain)
	Halley, Peter Saltz, Jerry Smith, Roberta	Beyond Boundaries: New York's New Art, (Alfred van der Marck Editions, New York)
	Feinstein, Roni	Contemporary Diptychs: The New Shape of Content, (Whitney Museum of American Art, New York)
	Brunon, Bernard	Contemporary Photographic Portraiture, (Musee St. Pierre, Lyon,France)
	Denson, G. Roger	Poetic Injury: The Surrealist Legacy in Postmodern Photography,(Alternative Museum, N.Y.)
	Saltz, Jerry	Recent Tendencies in Black and White, (Sidney Janis Gallery, NewYork)
	Jacobs, Joseph	This is not a Photograph: Twenty Years of Large Scale Photography;1966-1986, (The John and Mable Ringling Museum of Art, Sarasota, FL)
1986	Collins, Tricia Milazzo, Richard	Spiritual America, (CEPA Gallery, Buffalo, NY)
	Heiferman, Marvin	The Big Picture, (The Queens Museum of Art, New York)
	Heiferman, Marvin	The Issue of Modern Art in Boston, (Institute of Contemporary Art, Boston, MA)
	Collins, Tricia Milazzo, Richard	Ultrasurd, (S. L. Simpson Gallery, Toronto)
1985	various	1985 Biennial Exhibition, (Whitney Museum of American Art, New York,NY)
	Collins, Tricia Milazzo, Richard	Cult and Decorum, (Tibor de Nagy Gallery, New York)
	Lawson, Thomas Nagy, Richard Robbins, David Trow, George W.S.	Infotainment: 18 Artists from New York, (J. Berg Press, New York)
	Jones, Richard	Public Art, (Nexus Contemporary Art Center, Atlanta)
	Olander, Bill	The Art of Memory, The Loss of History, (New Museum of ContemporaryArt, New York)
1984	Wallis, Brian	Art After Modernism, Rethinking Representation, (The New Museum of Contemporary Art, New York)
	Brooks, Rosetta	Between Here and Nowhere: 9 New York Artists, (Riverside Studios, London)
1983	Olander, Bill	Art and Social Change U.S.A., (Allen Memorial Art Museum, Oberlin College, Oberlin, OH)
	Solomon-Godeau, A.	In Plato's Cave, (Marlborough Gallery, New York)
1982	Lawson, Tom	Art and the Media: A Fatal Attraction, (The Renaissance Society,University of Chicago)
1979	Lambert, Yvon	Artemisia, (Paula Cooper Gallery, New York)
GRANTS:
1995	John Simon Guggenheim Fellowship Award, Visual Art
1983	National Endowment for the Arts
1980	National Endowment for the Arts
1977	New York State Creative Artists Public Service
1976	National Endowment for the Arts
TEACHING:
2000 - Present	Rhode Island School of Design, Providence, RI; Graduate Tutorial Masters in Photography (Spring/Fall)
1994	Hartford University, Hartford Art School, Hartford, CT; adjunct faculty, Graduate Seminar and Critique, (Fall)
1993	New York University, Department of Art and Art Education, New York, NY; graduate photography critique
1992 - Present	School of Visual Arts, New York, NY; Masters Program in Photography and Related Media, graduate faculty member, Masters Critique Seminar (1992-96)
1983- 1985	New York University, Department of Art and Art Education, New York, NY; graduate faculty instructor, Advanced Photography: Critical Seminar and Workshop (1983-1984, 1984-1985)
VISITING ARTIST / LECTURES / SEMINARS / RESIDENCIES:
2008	LACMA, Los Angeles, "Remembering and Forgetting Conceptual Art" 15 April
	School of Visual Arts, New York, Visiting Artist, Masters program in Fine Arts
2007	Parsons, The New School for Design, New York, Visiting Artist, Masters program in Photography
	The Kitchen, New York, "Re-Take: A Panel on Art and Appropriation" Organized by Afterall. 27 Nov
2005	Bard College, Annandale-on-Hudson, NY, Visiting artist / lecturer, Masters program in Fine Arts.June
	Bard College, Annandale-on-Hudson, NY, Visiting lecturer, Masters program in curatorial studies,15 March
	Maine College of Art, Portland, ME, visiting artist and guest lecturer, 24 March
	Princeton University, Panel curated by Johanna Burton in conjunction with "For Presentation andDisplay: Some Art of the 80s" curated by Johanna Burton and Hal Foster; 14 April
2004	Columbia University School of the Arts; Sarah Charlesworth: The Philosophical and Political Role of the Artist, New York, NY; 15 June
	Rhode Island School of Design; TC Colley Visiting Artist and Lecturer, April
2003	Maine College of Art, Portland, ME; lecturer, March
	Orlando Museum of Art, Orlando, FL; A Conversation with Sarah Charlesworth, April 9
2002	Bard College, Annandale-on-Hudson, NY; lecturer, March
2000	Brandeis University, Waltham, MA; Public lecture / interdisciplinary seminar, April
	New York University, American Photography Institute, Guest Lecturer.
	Rhode Island School of Design, Providence, RI; Public lecture & visiting artist / critic, May
1998-1999	The Cleveland Center for Contemporary Art, Cleveland, OH; The Photography of Sarah Charlesworth: A Psychoanalytic Perspective (series of five thematic discussions)
1998	Museo Santa Maria della Scala, Siena, Italy; Visiting Artist in Residence, Aug.
	Yale University, New Haven, CT; Masters Program in Photography, Oct.
1997	Bard College, Annandale-on-Hudson, NY; Lecturer, Visiting Artists and Masters program in theArts, July
	New York University, New York, NY; American Photography Institute, lecturer
1995	Independent Curators Incorporated, New York, NY; artist / lecturer , March