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| 2007 | Baldwin Gallery, Aspen, Concrete Color (November - December)
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| 2006 | Margo Leavin Gallery, Los Angeles, CA; Concrete Color (28 October - 25 November)
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| 2005 | Baldwin Gallery, Aspen, Simple Text (November-December)
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| 2003 | Baldwin Gallery, Aspen, CO; 0 + 1 (11 February - 10 March)
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| 2002 | Gorney Bravin + Lee, New York; Neverland (22 November - 22 December)
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| 2000 | Gorney Bravin + Lee, New York, NY; 0 + 1
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| Margo Leavin Gallery, Los Angeles, CA; 0 + 1
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| 1998 | Camera Obscura, S. Casciano dei Bagni, Italy
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| Fay Gold Gallery, Atlanta, GA; Doubleworld
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| 1997-1999 | Cleveland Center for Contemporary Art, Cleveland, OH; Rose Art Museum, Brandeis University, Waltham, MA
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| Sarah Charlesworth,- A Retrospective, curated by Louis Grachos and Susan Fisher Sterling (cat.)
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| Site, Santa Fe, NM; Museum of Contemporary Art, San Diego, CA; National Museum of Women in the Arts, Washington, DC
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| 1996 | Margo Leavin Gallery, Los Angeles, CA; Doubleworld
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| 1995 | Jay Gorney Modern Art, New York, NY; Doubleworld
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| S. L. Simpson Gallery, Toronto, Canada; Doubleworld
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| 1993 | Galerie Rizzo, Paris, France; Natural Magic
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| Jay Gorney Modern Art, New York, NY; Natural Magic
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| S. L. Simpson Gallery, Toronto, Canada; Natural Magic
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| 1992 | Galerie Carola Mosch, Berlin, Germany; Objects of Desire (mixed)
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| Rena Bransten Gallery, San Francisco, CA; Renaissance Paintings (with Judith Barry)
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| The Queens Museum of Art, Queens, NY; Herald Tribune: November, 1977 and Herald Tribune: January 18 - February 28, 1991 (special project - brochure)
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| 1991 | Galerie Xavier Hufkens, Brussels, Belgium; Renaissance Paintings
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| Jay Gorney Modern Art, New York, NY; Renaissance Paintings & Drawings
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| Paley Wright Gallery, London, England; Renaissance Paintings
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| 1990 | S. L. Simpson Gallery, Toronto, Canada; Academy of Secrets
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| 1989 | Interim Art, London, England; Objects of Desire (mixed)
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| Jay Gorney Modern Art, New York, NY; Academy of Secrets
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| 1988 | Galerie Hufkens Noirhomme, Brussels, Belgium; Objects of Desire (mixed)
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| 1987 | International with Monument, New York, NY; Objects of Desire IV
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| Margo Leavin Gallery, Los Angeles, CA; Objects of Desire IV
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| Tyler Gallery, Tyler School of Art, Temple University, Elkins Park, PA; Objects of Desire
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| 1986 | International with Monument, New York, NY; Objects of Desire III
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| S.L. Simpson Gallery, Toronto, Canada; Objects of Desire III
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| 1985 | International with Monument, New York, NY; Objects of Desire III
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| 1984 | California Museum of Photography, Riverside, CA ; Modern History (cat.)
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| Light Work, Syracuse, NY; In-Photography
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| The Clocktower, New York, NY; Objects of Desire I, In-Photography, Tabula Rasa (1)
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| 1982 | CEPA Gallery, Buffalo, NY; In-Photography, (cat.)
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| Larry Gagosian, New York, NY; Tabula Rasa
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| Tony Shafrazi Gallery, New York, NY; In-Photography
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| 1981 | Galerie Micheline Scwajcer, Antwerp, Belgium; The White Lady
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| Tony Shafrazi Gallery, New York, NY; Stills
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| 1980 | New 57 Gallery, Edinburgh, Scotland; Modern History: April 21, 1978 and The Arc of Total Eclipse, February 26, 1979 (cat.)
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| 1978 | C Space, New York, NY; Modern History: Herald Tribune, September, 1977
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| Centre d'Art Contemporain, Geneva, Switzerland; Modern History: Herald Tribune, September, 1977 and April 21, 1978
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| Galerie Eric Fabre, Paris, France; Modern History: April 21, 1978
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| Pio Monte Gallery, Rome, Italy; Modern History: April 21, 1978
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| Zona, Florence, Italy; Modern History: April 20, 1978
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| 1977 | MTL Gallery, Brussels, Belgium; 14 Days (cat.) |
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| 2008 | Fotomuseum Winterthur, Switzerland; “Jedermann Collection- Set 5 from the Fotomuseum Winterthur Collection”(1 March- 12 Oct) (cat.) |
| Guild & Greyshkul, New York, NY; "The Human Face is a Monument" (30 March- 3 May) |
| Margo Leavin Gallery, Los Angeles, CA "Summer 2008" (31 May- 9 Aug) |
| Metropolitan Museum of Art, New York, NY; “Photography on Photography: Reflections on the Medium Since 1960” (8 April- 19 Oct) |
| 2007 | Jane Voorhees Zimmerli Art Museum, Rutgers. The State University of New Jersey,New Brunswick, NJ, "A New Reality: Black-and-White Photography in Contemporary Art." (01 September - 25 November) (cat.)
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| The Foundation To-Life Exhibition Space, Mount Kisco, NY, "Making and Finding" 2006Aspen Art Museum, Aspen, CO; "Belief and Doubt" (4 August - 1 October)
|
| The Rose Art Museum, Brandeis University, Waltham, MA "RoseArt: Works from the Permanent Collection" (25 January - 1 April)
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| 2006 | Addison Gallery of American Art, Andover, MA; "75 Years of Collecting American Photography" (28 April - 31 July)
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| Aspen Art Museum, Aspen, CO; "Belief and Doubt" (4 August -1 October)
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| Grey Art Gallery, New York, NY (10 January - 1 April)
|
| Metropolitan Museum of Art, New York, NY; "Recent Acquisitions in Contemporary Photography" (4 April- 15 October)
|
| The Andy Warhol Museum, Pittsburgh, PA (27 May - 3 September)
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| "The Downtown Show: The New York Art Scene, 1974 -1984", curated by Carlo McCormick in consultation with Lynne Gumpert and Marvin J. Taylor (cat.)
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| Tony Shafrazi Gallery, New York, NY; "The Other Side" (5 May - 30 June)
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| 2005-2004 | New Britain Museum of American Art, New Britain, CT; Contemporary Photography in the Age of Mechanical Reproduction (15 Jan - 13 March)
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| 2005 | Kunstmuseum Basel, Switzerland; "Covering the Real" (01 May- 21 August) (cat.)
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| Princeton University Art Museum, Princeton, NJ; "For Presentation and Display: Some Art of the 80s" curated by Johanna Burton and Hal Foster; (19 March - 12 June)
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| Von Lintel Gallery, New York, NY; "The Photograph in Question" (9 June - 29 July)
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| 2004 | Guggengheim Museum Bilbao, Bilbao, Spain (25 November, 2005 - 22 March, 2006); "Speaking with Hands, Photographs from the Buhl Collection" (cat.)
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| The Solomon R. Guggenheim Museum, New York, NY(June - 8 September)
|
| The Wexner Center for the Arts, Columbus, OH; Visions from America (July - August)
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| "Unframed" edition produced for ACRIA: Aids Community Research Initiative, held at Charles Cowles Gallery, New York, NY; April
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| 2003 | Margo Leavin Gallery, Los Angeles, CA; Raid the Icebox (22 March - 26 April)
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| Margo Leavin Gallery, Los Angeles, CA; Sarah Charlesworth, Louise Lawler and Laurie Simmons: Designs for Living (6 September - 4 October)
|
| Memphis College of Art, Memphis, TN; Cold Comfort (13 January - 13 February)
|
| Orlando Museum of Art, Orlando, FL; Constructed Realities: Contemporary Photography (8 March - 18 May) (cat.)
|
| Southeast Museum of Photography, Daytona Beach, FL; Off the Press: Recontextualizing the Newspaper in Contemporary Art (cat.)
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| 2002 | National Museum of Women in the Arts, Washington DC; Feminism and Art: Selections from the Permanent Collection (Jun.- Aug.)
|
| Tang Museum, Saratoga Springs, NY; Still Photography, curated by Charles Stainback (16 June - 26 June)
|
| The Site Gallery, Sheffield, England; Con Art: Magic/Object/Action, curated by Helen & PierGiorgio Varola (Feb.)
|
| The Victoria and Albert Museum, London; "Seeing Things: Photographing Objects, 1850-2001," 21 Feb - 18 August (cat.)
|
| The Whitney Museum of American Art, New York, NY; Visions from America: Photographs from the Whitney Museum of American Art, 1940-2001, Curated by Sylvia Wolfe (27 June - 22 September)
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| 2001 | Gallery Camino Real, Boca Raton, FL; Photo-Synthesis, curated by Douglas Maxwell (11 Jan. - 3 Feb.)
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| Kunsthalle Wien, Vienna, Austria; Tele[visions], curated by Joshua Decter (18 Oct. - 6 Jan. 2002)
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| Skidmore College, Saragota Springs, NY; Still Photography (16 June - 26 August)
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| 2000 | Avignon, France; La Collection Yvon Lambert (6 June - )
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| Contemporary Arts Center, New Orleans, LA; Photography Now, curated by David Rubin (15 July -24 Sept.)
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| De Saisset Museum, CA; Brauer Museum, IN; The One Chosen (Aug. 2000 - Nov. 2001)
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| Museum of New Mexico, Museum of Fine Arts, Sante Fe, NM; 20/20 Twentieth Century Photography Acquisitions, (4 February - 20 August)
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| 1999 | Nexus Contemporary Art Center, Atlanta, GA; Double Vision, curated by Michael Pittari
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| The Whitney Museum of American Art, New York, NY; The American Century: Art & Culture 1950-2000 (cat.)
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| 1998 | Art Museum of South Texas, Corpus Chriati, TX; From The Heart: The Power of
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| Dorfman Projects, New York, NY; The Tip of the Iceberg- A Response to New York Museums
|
| Museo Santa Maria Della Scala, Siena, Italy; Civic Art In Sienese Villages: Three Contemporary Artists Create Publis Works, curated by Cornelia Lauf
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| Photography- A Collector's Choice, curated by Adam D. Weinberg
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| 1997 | California Center for the Arts Museum, Escondido, CA; Table Tops: Morandi's Still Lifes to Mapplethorpe's Flower Studies
|
| International Center of Photography, New York, NY; Eye of the Beholder: Photographs from the Avon Collection Milwaukee Art Museum, Milwaukee, WI; Identity Crisis: Self Portraiture at the End of theCentury, curated by Dean Sobol (cat.)
|
| Thomas J. Walsh Art Gallery, Quick Center for the Arts at Fairfield University, Fairfield, CT; TheOne Chosen: Images of Christ in Recent New York Art (cat.)
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| 1996 | Museum of Contemporary Art, Los Angeles, CA; Just Past: The Contemporary in M.o.C.A.'s Permanent Collection, 1975-96
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| Nicole Klagsbrun Gallery, New York, NY; Bernard Toale Gallery, Boston, MA; MakingPictures: Women and Photography, 1975-Now, curated by Nicole Klagsbrun
|
| S. L. Simpson Gallery, Toronto, Canada; Sarah Charlesworth, Louise Lawler, Ian WallaceLos Angeles County Museum of Art, Los Angeles, CA; Some Grids, organized by Carol S. Eliel and Lynn Zelevansky
|
| S.L. Simpson Gallery, Toronto, Canada; Sarah Charlesworth, Hannah Collins, GeneralIdea, Laurie Simmons, Carolyn White
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| The Clocktower Gallery, Institute of Contemporary Art, New York, NY; Model Home,organized by Alanna Heiss and Sabina Streeter (cat.)
|
| 1995 | Christinerose Gallery, New York, NY; Chasing Angels (cat.)
|
| 1994 | Musée d’art moderne et contemporain (MAMCO), Genève, Switzerland; Rudiments d'un Musée Possible
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| The InterArt Center, New York, NY; Gift, organized by Gideon Ponte, Birgit Spears & Neville Wakefield The Art Museum, Florida International University, Miami, FL; American Art Today: HeadsOnly, curated by Dahlia Morgan (cat.)
|
| The School of the Art Institute of Chicago, Chicago, IL; Transmitting Truth: Refor-mulating News Media Information
|
| The Whitney Museum of American Art, New York, NY; From the Collection: Photo-graphy, Sculpture, PaintingOffshore Gallery, East Hampton, NY; Seasights, curated by Nessia Pope
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| Thread Waxing Space, New York, NY; Don't Look Now, curated by Josh Decter (cat.) Carl Solway Gallery, Cincinnati, OH; Desire & Loss
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| 1993-1996 | Neuberger Museum, Purchase, NY; Virginia Beach Center for the Arts, Virginia Beach, VA; University Gallery, Univ. of North Texas, Denton, TX; Art Gallery, Sir Wilfred Grenfell College, Univ. of Newfoundland, Newfoundland, NS, Canada; Mackenzie Art Gallery, Regina, Sas.,Canada; The Gallery/Stratford, Stratford, Ont., Canada; California Center for the Arts, Escondido, CA; SelbyGallery Ringling School of the Arts, Sarasota, FL; The Rubelle & Norman Schafler Gallery, Pratt Institute, Brooklyn, NY; Empty Dress: Clothing as Surrogate in Recent Art, curated by Nina Felshin for IndependentCurators Inc. (cat.)
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| 1993-1994 | Center for the Fine Arts, Miami, FL; Museo Amparo, Puebla, Mexico; Centro Cultural Consolidado, Nacional de Bellas Artes, Buenos Aires, Argentina; Museo Nacional de Bellas Artes, Santiago, Chile; Photoplay: Works from the Chase Manhattan Collection, organized byLisa Phillips in association with Manuel E. Gonzalez (cat.) International Center of Photography, New York, NY; Institute of Contemporary Art,Boston, MA; Laguna Art Museum, Laguna Beach, CA; Commodity Image (cat.)
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| 1993 | Donna Beam Fine Art Gallery, University of Nevada, Las Vegas, NV; From New York:Recent Thinking in Contemporary Photography
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| L'Espace Lyonnais d'Art Contemporain, Lyon, France; Here's Looking At Me / A MesBeaux Yeux: Autoportraits Contemporains, curated by Bernard P. Brunon (cat.)
|
| Nassau County Museum of Art, Roslyn Harbor, NY; Image Makers, curated by Franklin Hill Perrell and Constance Schwartz (cat.)
|
| The Drawing Center, New York, NY; The Return of the Cadavre Exquis (cat.)
|
| The Herbert F. Johnson Museum of Art, Cornell University, NY; Up Close: Chemistry Imagined Photogenics: Contemporary Art from the Mallin Collection
|
| The New Jersey Center for Visual Arts, Summit, NJ; New Jersey Collects: Photography Raab Galerie, Berlin, Germany; Galleria Gian Ferrari Arte Contemporanea, Milano, Italy;Vivid: Intense Images by American Photographers, curated by Victoria Espy-Burns (cat.)
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| 1992-1993 | Art Gallery of New South Wales, Sydney, Australia (sponsor, & various local sites); The Boundary Rider: 9th Biennale of Sydney, curated by Anthony Bond (cat.)
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| 1992 | Centro Cultural Arte Contemporaneo, Polanco, Mexico; The Disasters of WarTony Shafrazi Gallery, New York, NY; A Passion for Art: Watercolors and Works on Paper International Center of Photography / Midtown, New York, NY; The Photographic Order from Popto Now
|
| The Aldrich Museum of Contemporary Art, Ridgefield, CT; Quotations: The Second History of Art, organized by Barry Rosenberg (cat.)
|
| University Art Museum, Santa Barbara, CA; The Santa Monica Museum of Art, SantaMonica, CA; The North Carolina Museum of Art, Raleigh, NC; Knowledge: Aspects of Conceptual Art, curated by Frances Colpitt and Phyllis Plous (cat.)
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| 1991 | Barbara Mathes Gallery, New York, NY; The Conceptual Eye - Setagaya Art Museum, Tokyo; The National Museum of Art, Osaka; Fukuoka Art Museum, Fukuoka, Japan; Beyond the Frame: American Art 1960-1990, curatedby Lynn Gumpert (cat.)
|
| Cleveland Center for Contemporary Art, Cleveland, OH; Cruciformed: Images of the Cross Since1980 (cat.)
|
| Museum of Contemporary Art, Los Angeles, CA; Recent Work / Recent Acquisitions
|
| Museum of Contemporary Art, Los Angeles, CA; Selections from the Permanent Collection: 1975-1991
|
| National Museum of American Art, Smithsonian Institution, Washington, DC; Motion and Document - Sequence and Time: Eadweard Muybridge and ContemporaryAmerican Photography, curated by James Sheldon and Jock Reynolds (cat. - travelling show)
|
| New Museum of Contemporary Art, New York, NY; The Interrupted Life, curated by France Morin (cat.)
|
| Norton Gallery of Art, West Palm Beach, FL and Samuel P. Harn Museum of Art at theUniv. of Florida, Gainesville, FL; Southeast Bank Collects: A Corporation Views Contemporary Art, curated by Lisa Liebmann (cat.)
|
| Palazzo delle Albere, Museo d'Arte Moderna e Contemporanea di Trento e Rovereto,Trento, Italy; American Art of the 80's, curated by Gabriella Belli and Jerry Saltz (cat.)
|
| Robert Miller Gallery, New York, NY; Lorence Monk Gallery, New York, NY; In a Dream...(portfolio published by Photographers and Friends Against AIDS)
|
| Samuel P. Harn Museum of Art, University of Florida, Gainesville, FL; Images from the EightiesPart 1, American Paintings and Drawings from the Samuel P. Harn Museum of Art's Skowhegan Collection
|
| Victoria and Albert Museum, London, England
|
| 1990 | Feigen Gallery, Chicago, IL; Sarah Charlesworth, Jeanne Dunning, Annette Messager, AdrianPiper, Laurie Simmons (cat.)
|
| Foto e.V. München and Barbara Gross Galerie, München, Germany; Das Sibyllinische Auge: Fotokünstlerinnen aus dem Anglo-Amerikanischen Raum, curated by Isabelle Graw andPia Lanzinger (cat.)
|
| Galleri Nordanstad-Skarstedt, Stockholm, Sweden; Disconnections
|
| Hallwalls Contemporary Arts Center, Buffalo, NY; Insect Politics: Body Horror / Social Order (cat.)
|
| International Center of Photography Midtown, New York, NY; Los Angeles Municipal Art Gallery, Los Angeles, CA; The Indomitable Spirit (cat.) - Galerie Samia Saouma, Paris, France; Figures et Lectures
|
| Krygier/Landau Contemporary Art, Santa Monica, CA; Prints and Multiples
|
| Leo Castelli Gallery, New York, NY; Gallery, Milan, Italy; Taking the Picture: Photography and Appropriation, curated by Manuela Gandini
|
| Museum of Fine Arts, Boston, MA; Figuring the Body, curated by Trevor Fairbrother and Kathy Halbreich
|
| Nicola Jacobs Gallery, London, England; Third Eye Center, Glasgow, Scotland; Reorienting:Looking East, curated by Lynne Cooke (cat.)
|
| White Columns, New York, NY; Fragments, Parts, Wholes; The Body & Culture
|
| XPO Galerie, Hamburg, West Germany; The Point of View
|
| 1989-1990 | Cambridge Darkroom, Cambridge; City Museum and Art Gallery, Stroke-on-Trent; Newport Museum and Art Gallery; Harris Museum and Art Gallery, Preston (all England); ShiftingFocus: An International Exhibition of Contemporary Women's Photography, curated by Susan Butler for The Arnolfini Gallery, Bristol and The Serpentine Gallery, London (cat.)
|
| 1989 | Aldrich Museum of Contemporary Art, Ridgefield, CT; Selections from the Collection of Marc and Livia Straus (cat.)
|
| Art Center College of Design, Pasadena, CA; Fauxtography, curated by Nora Halpern Brougher
|
| Carleton Art Gallery, Carleton College, Northfield, MN; Women's Art Registry ofMinnesota, Minneapolis, MN; What Does She Want?: Current Feminist Art from the First Bank Collection, curated by Lynne Sowder and Nathan Braulick (cat.)
|
| Editions Ilene Kurtz, New York, NY; Sarah Charlesworth and Laurie Simmons: Prints & Photo-graphs
|
| Emerson Gallery, Hamilton College, Clinton, NY; Anderson Gallery, Virginia Common-wealth University, Richmond, VA; Abstraction in Contemporary Photography,curated by Jimmy De Sana (cat.)
|
| Frac Rhône-Alpes, Lyon, France; Avant 1989, curated by Haim Steinbach (cat.)
|
| Grita Insam Gallery, Vienna, Austria; Museum voor Hedendaagse Kunst Het Kruithuis,Hertogenbosch, The Netherlands; Vis-A-Vis: Aspects of Contemporary Portrait Photography
|
| Hirschl & Adler Modern, New York, NY; Departures: Photography 1924-1989
|
| International Center of Photography, New York, NY; Culture Medium: A Notion of Truth,curated by Charles Stainback (cat.)
|
| Josh Baer Gallery, New York, NY; Natura-Naturata (An Argument for Still-Life), curated by Cornelia Lauf National Museum of American Art, Smithsonian Institution, Washington, DC; TheMuseum of Contemporary Art, Chicago, IL and Walker Art Center, Minneapolis,MN; The Photography of Invention: American Pictures of the 1980s, curated by Joshua P. Smith and Merry A. Foresta (book)
|
| Messepalast, Vienna, Austria; Moskau - Wien - New York: Kunst zur Zeit, curated by ViktorMisiano and Oliver Wassow (cat.)
|
| Museum of Contemporary Art, Los Angeles, CA; A Forest of Signs: Art in the Crisis of Representation, curated by Mary Jane Jacob and Ann Goldstein (cat.)
|
| Nicola Jacobs Gallery, London, England; Subject: Object (cat.)
|
| S. L. Simpson Gallery, Toronto, Canada; Sarah Charlesworth, Christine Davis, Judith Schwarz
|
| Salama-Caro Gallery, London, England; International Camera
|
| The John and Mable Ringling Museum of Art, Sarasota, FL; Center for the Fine Arts,Miami, FL; Contemporary Perspective I: Abstraction in Question, curated by Bruce Ferguson, Joan Simon and Roberta Smith (cat.)
|
| The Squibb Gallery, Princeton, NJ.; Fictive Strategies; Actuality and Originality in Contemporary Photography, curated by Joseph Rauch (cat.)
|
| Thomas Segal Gallery, Boston, MA; Camera Culture, curated by Brent Sikkema
|
| Tony Shafrazi Gallery, New York, NY; Don't Bungle the Jungle! A benefit exhibition for the rainforest
|
| Vienna Secession, Vienna, Austria; The Play of the Unsayable-Wittgenstein and the Art of theXXth Century, curated by Joseph Kosuth (cat.)
|
| Whitney Museum of American Art, New York, NY; Image World: Art and Media Culture, curatedby Marvin Heiferman and Lisa Phillips (cat.)
|
| Wight Art Gallery, University of California, Los Angeles, CA; Joslyn Museum of Art,Omaha, NE; Neuberger Museum, Purchase, NY; Akron Art Museum, Akron, OH; Selected Works from the Frederick R. Weisman Foundation (cat.)
|
| 1988 | Artculture Resource Center, Toronto, Canada; The Discursive Field of Recent Photography, curated by Tom Folland
|
| Burden Gallery / Aperture Foundation, New York, NY; The Return of the Hero, curated by KarenMartaWhite Columns, New York, NY; Female (Re)production, curated by Marilu Knode
|
| Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA; Fabrications, curated by Anne Hoy (book)
|
| Gallery, Santa Fe, NM; Hybrid Neutral: Modes of Abstraction and the Social, curated by Tricia Collins & Richard Milazzo for Independent Curators Inc. (cat.)
|
| Greenville County Museum of Art, Greenville, SC; Just like a Woman
|
| Jay Gorney Modern Art, New York, NY; Gallery Artists
|
| Robert Koch Gallery, San Francisco, CA; Photography in Art Today
|
| Rooseum, Malmö, Sweden; Art at the End of the Social, curated by Collins & Milazzo (cat.)Haggerty Museum of Art, Marquette University, Milwaukee, WI; Photography on the Edge (cat.)
|
| Scott Hanson Gallery, New York, NY; Media / Post Media, curated by Collins and Milazzo (cat.)
|
| The University of North Texas Art Gallery, Denton, TX; The J. B. Speed Art Museum, Louisville, LA; Alberta College Gallery of Art, Alberta, Canada; The Cincinnati Contemporary ArtCenter, Cincinnati, OH, Richard F. Brush Art Gallery, Santa Fe Community College Art
|
| Wallach Art Gallery, Columbia University, New York, NY; Sexual Difference: Both Sides of theCamera, curated by Abigail Solomon-Godeau (cat.)
|
| 1987-1988 | Sala de Exposiciones de la Fundacion Caja de Pensiones, Madrid, Spain; Fundacio Caixa de Pensions, Barcelona, Spain; Art and Its Double: A New York Perspective, curated by Dan Cameron (cat.)
|
| 1987 | Alternative Museum, New York, NY; The Surrealist Legacy in Post Modern Photography, curatedby Roger Denson
|
| Barbara Toll Fine Arts, New York, NY: Monsters: The Phenomena of Dispassion, curated byDennis Kardon and Maria Reidelbach
|
| Musee St. Pierre, Espace Lyonnais d'Art Contemporain, Lyon, France; Contemporary Photographic Portraiture, curated by Bernard Brunon (cat.)
|
| Sidney Janis Gallery, New York, NY; Recent Tendencies in Black and White, curated byJerry Saltz (cat.)
|
| The John and Mable Ringling Museum of Art, Sarasota, FL; Akron Art Museum, Akron, OH;Chrysler Museum, Norfolk, VA: This is not a Photograph: Twenty Years of Large ScalePhotography; 1966-1986, curated by Joseph Jacobs (cat.)
|
| University Art Gallery, San Diego State University, San Diego, CA; Industrial Icons
|
| Whitney Museum of American Art at Champion Plaza, Stamford, CT; Whitney Museum ofAmerican Art at Equitable Center, New York, NY; Contemporary Diptychs: The NewShape of Content, curated by Roni Feinstein (cat.)
|
| 1986 | 303 Gallery, New York, NY; Photography Bard College, Annandale-on Hudson, NY; AlteredStates, curated by Vikky Alexander
|
| Brooke Alexander Gallery, New York, NY, Benefit for The Kitchen, curated by Brooke Alexanderand Paula Cooper
|
| CEPA Gallery, Buffalo, NY; Spiritual America, curated by Collins and Milazzo (cat.)
|
| CO; Vanguard Gallery, Philadelphia, PA; Infotainment, curated by Peter Nagy (cat.)
|
| Editions Ilene Kurtz, New York, NY; Sarah Charlesworth, Jeff Koons, Laurie Simmons (Tartan Sets portfolio)
|
| Institute of Contemporary Art, Boston, MA; As Found, part III of Dissent: The Issue of Modern Art in Boston (cat.)
|
| Margo Leavin Gallery, Los Angeles, CA; Paravision, curated by Collins and Milazzo
|
| Michael Kohn Gallery, Los Angeles, CA; Post Pop Art
|
| S.L. Simpson Gallery, Toronto, Canada; Ultrasurd, curated by Collins and Milazzo (cat.)
|
| The Queens Museum of Art, New York, NY; The Big Picture, curated by Marvin Heiferman (cat.)Lightsong Gallery, University of Arizona, Tucson, AZ
|
| Venice Biennale, Venice, Italy; Aperto, (cat.)
|
| 1985-1986 | Rhona Hoffman Gallery, Chicago, IL; Texas Gallery, Houston, TX; Aspen Art Museum, Aspen, CO; Vanguard Gallery, Philadelphia, PA; Infotainment, curated by Peter Nagy (cat.)
|
| 1985 | 55 Mercer Street Gallery, New York, NY; Smart Art Too, curated by Joe Masheck
|
| Cable Gallery, New York, NY
|
| Feature Gallery, Chicago, IL
|
| Holly Solomon Gallery, New York, NY; Selected Artists from The East Village
|
| International with Monument, New York, NY
|
| Laguna Gloria Art Museum, Austin, TX; Figure it Out
|
| New Museum of Contemporary Art, New York, NY; The Art of Memory, The Loss of History,curated by Bill Olander (cat.)
|
| Nexus Contemporary Art Center, Atlanta, GA; C. W. Woods Gallery, Hattiesburg, MS; CarolinaProgram Union, Columbia, SC; Austin Peay State University, Clarksville, TN; ValenciaCommunity College, Orlando, FL; North Carolina Museum of Art, Raleigh, NC; University of the South, Sewanee, TN; Public Art, organized by Nexus Contemporary Art Center,Atlanta (cat.)
|
| Postmasters Gallery, New York, NY; Photo Object
|
| The Institute for Contemporary Arts, Santa Fe, NM; Playing It Again, Strategies of Appropriation (traveling show), curated by Sam Samore
|
| Tibor de Nagy Gallery, New York, NY; Cult and Decorum, curated by Collins and Milazzo (cat.)
|
| Tony Birckhead Gallery, Cincinnati, OH
|
| White Columns, New York, NY; Seduction Working Photographs, curated by Marvin Heiferman
|
| Whitney Museum of American Art, New York, NY; 1985 Biennial Exhibition (cat.)
|
| 1984-1985 | Riverside Studios, London; Kettle's Yard, Cambridge; Midland Group Gallery, Nottingham, England; Between Here and Nowhere, curated by Rosetta Brooks (cat.)
|
| 1984 | Blum Helman Warehouse, New York, NY; Bomb Magazine Show
|
| Cable Gallery, New York, NY; Sex Show
|
| Dart Gallery, Chicago, IL; Large Scale Photographs
|
| Fine Arts Gallery, Florida State University, Tallahassee, FL; Natural Genres, curated by Collinsand Milazzo
|
| Galerie Jurka, Amsterdam, Holland; International with Monument, New York, NY; Still Life with Transaction, curated by Collins and Milazzo
|
| Museum of Modern Art / Art Advisory Service, New York, NY; Ten Years of Contemporary Art
|
| Nature Morte Gallery, New York, NY
|
| School of the Art Institute of Chicago Gallery, Chicago, IL; Sex Specific: PhotographicInvestigations of Contemporary Sexuality (cat.)
|
| Spiritual America, New York, NY; Pop
|
| Washington Project for the Arts, Washington, DC; The Magazine Store, curated by Jock Reynolds
|
| White Columns, New York, NY; The New Capital, curated by Collins and Milazzo
|
| 1983 | Allen Memorial Art Museum, Oberlin College, Oberlin, OH; Art and Social Change U.S.A., curated by Bill Olander (cat.)
|
| American Graffiti Gallery, Amsterdam, The Netherlands
|
| Barbara Gladstone Gallery, New York, NY; State of the Art, The New Social Commentary
|
| Brooklyn Army Terminal, New York, NY; Terminal New York Marlborough Gallery, New York, NY; In Plato's Cave, curated by Abigail Solomon-Godeau (cat.)
|
| Castelli Graphics, New York, NY; 3-D Photos
|
| Marianne Deson Gallery, Chicago, IL; Artists Use PhotographsPalais de Beaux Arts, Brussels,Belgium
|
| Olsen Gallery, New York, NY; Eight Women Artists
|
| 1982 | Olsen Gallery, New York, NY
|
| Proctor Art Center, Bard College, Annandale-On-Hudson, NY; Resource Material: Appropriation In Current Photography, curated by Steven Frailey
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| The Renaissance Society, University of Chicago, Chicago, IL; Art and the Media: A Fatal Attraction, curated by Tom Lawson (cat.)
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| 1981 | Metro Pictures, New York, NY; Photo
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| P. S. 1, Long Island City, NY; New York, New Wave, curated by Diego Cortez
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| Tony Shafrazi Gallery, New York, NY
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| 1980 | Carmen Lamanna Gallery, Toronto, Canada
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| Times Square Show, New York, NY
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| 1979 | PS 1, Long Island City, NY; The Altered Photograph
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| 1978-1979 | Galerie Yvon Lambert, Paris, France; Paula Cooper Gallery, New York, NY; Artemisia, curated byYvon Lambert (cat.)
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| 1978 | Bibliotheque National, Paris, France
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| Gallery 76, Toronto, Canada
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| 1977 | Art Net, London, England
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| Carmen Lamanna Gallery, Toronto, Canada
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| 1976 | Galerie Durand-Desert, Paris, France; MTL Gallery, Brussels, Belgium; PMJ Self Gallery, London, England; Face / Surface, collaborative project with Joseph Kosuth |
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| 1995 | Artists Space, New York, NY; Somatogenies, group show co-curated with Cindy Sherman andLaurie Simmons. |
