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| 1997 | Fisher-Sterling, Susan
Hickey, Dave
Phillips, Lisa | Sarah Charlesworth, exhibition catalogue published by Site, Santa Fe, NM and National Museum of Women in the Arts, Washington, DC
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| 1992 | Grachos, Louis | Contemporary Currents: Sarah Charlesworth, Special Project: Herald Tribune: Nov., 1977 / Herald Tribune: Jan. 18 - Feb. 28, 1991, exhibition brochure published by The Queens Museum of Art, Queens, NY (no ISBN)
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| 1984 | unsigned | Sarah Charlesworth: April 21, 1978, special issue of C. M. P. Bulletin published as exhibition brochure by California Museum of Photography, University of California, Riverside, CA, Vol.3 No.5 (ISSN: 0731-2377)
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| 1983 | Charlesworth, Sarah | A Lover's Tale, special issue of Wedge Magazine, Summer/Fall (a visual text pamphlet by Sarah Charlesworth)
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| 1982 | Charlesworth, Sarah
Simmons, Laurie | Sarah Charlesworth: In - Photography, exhibition catalogue published by CEPA Gallery, Buffalo, NY (ISBN: 0-939784-03-3) (includes artist statement: In-Photography)
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| 1979 | Charlesworth, Sarah | Sarah Charlesworth: Modern History (Second Reading), exhibition catalogue published by The New 57 Gallery, Edinburgh, Scotland (no ISBN, edition: 500) (includes artist statement: Unwriting: Notes on Modern History)
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| 1977 | unsigned | Sarah Charlesworth: 14 Days, exhibition catalogue published by MTL Galerie, Brussels, Belgium |
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| 1999 | Charlesworth, Sarah | Interview Magazine, Oct.; Full page photo
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| 1995 | Charlesworth, Sarah | College Art Association Journal, Sarah Charlesworth, Spring, p.78, illus. (statement)
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| Charlesworth, Sarah
Simmons, Laurie | Laurie Simmons, A.R.T. Press, Pasadena (interview)
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| Charlesworth, Sarah | October, Questions of Feminism: 25 Responses, #71, Winter
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| 1994 | Charlesworth, Sarah | Tema Celeste, La Differenza Tra I Sessi Nell'Arte, Jan. (editorial)
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| 1992 | Charlesworth, Sarah | Tema Celeste, The Role of Gender in Art: Sarah Charlesworth, Autumn (editorial)
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| 1983 | Charlesworth, Sarah | Bomb Magazine, Glossolalia, Spring (collaborative article and special section with Barbara Kruger)
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| 1982 | Charlesworth, Sarah | Artforum, Books: Camera Lucida: Reflections on Photography' by Roland Barthes, April, pgs.72-73 (review)
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| 1979 | Charlesworth, Sarah | Art in America, China: Visiting Socialism, March-April
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| 1977 | Charlesworth, Sarah | The Anti-Catalog (collaborative project)
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| 1976 | Charlesworth, Sarah | The Fox, For Artists Meeting, vol. I, #3
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| 1975 | Charlesworth, Sarah | The Fox, Declaration of Dependence, vol. I, #1
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| Charlesworth, Sarah | The Fox, Memo for the Fox, vol. I, #2 |
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| 2009 | Hafner, Hans-Jurgen | artnet Magazine. “Sarah Charlesworth bei Galerie Tanit, Munich: The Colour of Conceptual Criticism” (review) Oct 13 |
| Barnes, Steve | ARTnews. “Sarah Charlesworth: Review (review), Summer pp 128 |
| Tikhonova, Julia | FLASH ART. "Sarah Charlesworth at Susan Inglett" (review) July-Sep 2009, Vol XLII, pp 98 |
| 2008 | | ARTnews, "Concrete Color" (review) March 2008 |
| Smith, Roberta | The New York Times, "The Human Face is a Monument" April 25, 2008
|
| 2007 | Fitzpatrick, Andrea D. | Art Journal, "The Movement of Vulnerability: Images of Falling and September 11" Winter 2007. col 66. no 4. pp. 85-102 |
| | North Drive Press, "Sarah Charlesworth and Sara Vanderbeek: An Interview" #4, Fall
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| 2006 | | BOMB Magazine (cover), Summer, Number 96 |
| 2005 | O'Brien, Glenn | GQ, "How to Collect Photography," Sept, pp 302
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| 2004 | Deitcher, David | Artforum, "Spiritual America: David Deitcher on pre-teen spirit," Oct, p.
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| Spicer, Jakki | artUS, "The Last Picture Show," January and February; pp. 36-37
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| 2003 | Hainley, Bruce | Artforum, "Designs for Living," December; p. 151
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| Hamilton, Jeanne | Artforum, One Year Under the Mast, Alexander Alberro on The Fox, Summer 2003 ; pp. 162 - 164, p. 206
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| (Eds.) O'Brien, Glenn and Max Blagg | Bald Ego; Fall 2003, Vol. 1 and Vol. 2 (ill. cover and reproductions) |
| Hamilton, Jeanne | The Commercial Appeal, 'Cold Comfort' clutches a warm and fuzzy void, 21 January;p. C4
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| 2002 | Johnson, Ken | The New York Times, Art Guide: Sarah Charlesworth, 13 Dec.; p.E45
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| unsigned | The New Yorker, Photography: Sarah Charlesworth, 16 Dec.; p.20
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| 2001 | Marschall, Laurence A. | The Sciences, Book in Brief: The Story of P (illustr.), Jan.-Feb.; p.44
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| 2000 | Cohen, Michael | Flash Art, Review: Sarah Charlesworth at Gorney Bravin + Lee, May - June; p. 116
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| Pagel, David | Los Angeles Times, Sarah Charlesworth - Magical Forms, 28 January
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| Cotter, Holland | The New York Times, Surging Into Chelsea, 21 Jan.; pp. E37, E41
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| Saltz, Jerry | The Village Voice, The I-Don't-Get-It-Aesthetic, 25 January; p.57
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| Aletti, Vince | The Village Voice, Voice Choice: Photo: Sarah Charlesworth, 25 Jan.; p.79
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| Schwendener, Martha | Time Out New York, Art reviews: Sarah Charlesworth at Gorney Bravin + Lee, 27 Jan-3 Feb., p. 58
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| 1999 | Temin, Christine | The Boston Globe, Photo Synthesis: in a 20 year retrospective at the Rose Art Museum, Sarah Charlesworth transforms the medium and themessage of photography, 7 May.
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| unsigned | The Chronicle of Higher Education, A Poetry of Metaphor and Magic, 7 May.
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| 1998 | unsigned | Antiques and the Arts Weekly, First Retrospective of Sarah Charlesworth's Photo-Objects, 28 Aug. (review: Nat'l. Museum...)
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| Domandi, Marie-Charlotte | Aperture, Sarah Charlesworth: retrospective at SITE Santa Fe, June,p.76-7, illus. (review: Site)
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| Linker, Kate | Art in America, Sarah Charlesworth: Artifacts of Artifice, July, p.74-79, 106 + cover (feature)
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| Morgan, Anne | Art Papers, Peering through History: an interview with Sarah Charlesworth, May-June, p.17-21, illus. (feature)
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| Charlesworth, Sarah | Camera Austria International (Graz), Sarah Charlesworth - A Retrospective, Vol.64, illus. (review)
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| Green, Frank | Cleveland Free Press, Master Juggler: The Restless Experiments of Sarah Charlesworth, 16-22 Dec.
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| unsigned | Flash Art, Sarah Charlesworth Retrospective, Jan.-Feb, p.46, illus. (newssection)
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| Baldridge, Charlene | La Jolla Village News, Artists offer resonant juxtapositions, 23 April
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| Bolger, Michael | La Jolla Village News, Charlesworth tests sense, sensibilities in "Retrospective" 28 May
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| Buckley, Patricia Morris | North County Times, Artist Explores philosophies in retrospective photoexhibit, 20 March (review: LaJolla)
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| Pincus, Robert | San Diego Union Tribune, Pool of images, pearles of truth, 5 April(review: LaJolla)
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| Shaw-Eagle, Joanna | Sunday Times, Exhibition of Shifting Realities, 12 July
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| Forrest, Jason A | The Atlanta Journal Constitution, Look twice, then again, at thesecomplex photos, Fri., 27 Nov., p.Q8, illus. (review: Fay Gold)
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| Knight, Christopher | The Los Angeles Times, An Artist Taking Pictures (Literally), 22 April,p.F-1,4, illus. (review: LaJolla)
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| Smith, Roberta | The New York Times, Art Review: Evocative Cells: Uptown, Downtown,All Around, 27 Nov.
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| Goldberg, Vicki | The New York Times, Messages in the media: varied perceptions offactuality, 31 July, p.B33 (review: Nat'l. Museum...)
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| Litt, Steven | The Plain Dealer (Cleveland), Photography as a form of Contemplation:Charlesworth's Artistic Images a Rich and Compelling Presence, Sun.,22 Nov., p.4-I (review: CCA)
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| O'Sullivan, Michael | The Washington Post, Charlesworth's truth in pictures, 17 July (review: Nat'l. Museum...)
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| Lewis, JoAnn | The Washington Post, Slight of Lens" Sarah Charlesworth, deconstruc-ting 'Truth' frame-by-frame, 10 August (review: Nat'l. Museum...)
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| Swarski, Lindsey | UCSD Guardian, Cutting-edge photography is candy for the mind, 2 April (review: LaJolla)
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| unsigned | Vision Magazine, Recycling Culture: an interview with SarahCharlesworth, 28 May
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| 1997 | MacNeil, William A. | Albuquerque Journal, Celebrated Photographer Blurs Line between Fact,Fiction, 4 Nov., pp.1&3 (review: Site)
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| Walker, Hollis | Pasatempo, The New Mexican, A Landscape of Images, 31 Oct.-6 Nov.,pp.32-33 (review: Site)
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| Clemmer, David | Santa Fe Reporter, Context, Content and the Vessel of the Miraculous, 12-18 Nov., p.27 (review: Site)
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| 1996 | unsigned | At The Museum (Los Angeles County Museum of Art), Some Grids, p.9
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| Johnson, Paul | Cover, Sarah Charlesworth, March , p.53, illus. (review: J.G.M.A.)
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| Goldstein, Laurence | Michigan Quarterly Review, Introduction, Vol. XXXV, No.4, Fall, p.574, illus.
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| unsigned | New Observations, Sarah Charlesworth: Text, Jan/ Feb, pg. 22, illus.
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| unsigned | The Sciences, Sept/ Oct, pg. 28, illus.
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| 1995 | unsigned | Canadian Art, Fast Forward, Fall, illus. (preview: S. L. Simpson)
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| Hagen, Charles | The New York Times, Sarah Charlesworth,17 Nov., p. C-30, (review: J.G.M.A.)
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| Aletti, Vince | The Village Voice, Choices: Sarah Charlesworth, 7 Nov.; supplementp. 8, illus. (review: J.G.M.A.)
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| Yablonsky, Linda | Time Out / New York, Sarah Charlesworth: Doubleworld, 15-22 Nov.,p.25, illus. (review: J.G.M.A.)
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| 1994 | Hickey, Dave | Parkett, A Matter of Time: On Flatness, Magic, Illusion, and Mortality,#40/41, Summer, (feature)
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| unsigned | The New Theater Review, fall, #11,pg. 8, illus. + cover
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| 1993 | Heartney, Eleanor | Artnews, Sarah Charlesworth, Summer, illus. (review: J.G.M.A.)
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| Mifflin, Margot | Artnews, What do Artists Dream?, Oct. (editorial)
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| Hess, Elizabeth | The Village Voice, Body Triple, 30 Nov., illus. (review: Drawing Center)
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| Hess, Elizabeth | The Village Voice, Materialized Girls: Nancy Rubins, Lisa Hoke, MeganWilliams, Sarah Charlesworth, 20 April (review: J.G.M.A.)
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| Romano, Gianni | Zoom (Milan), Sarah Charlesworth, Nov.-Dec., illus. (feature)
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| 1992 | Campitelli, Maria | Juliet (Trieste), Sarah Charlesworth, Feb.-March (review: J.G.M.A.)
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| 1991 | unsigned | Art and Man, Sept/ Oct, pg. 16, (feature)
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| Lewis, James | Artforum, Sarah Charlesworth, Summer, (review: J.G.M.A.)
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| Weily, Susan | Artnews, Sarah Charlesworth's Abracadabra, March, pgs. 116-121, illus. + cover (feature)
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| Gardner, Paul | Artnews, What Artists Like About the Art They Like When They Didn't Know Why, Oct., illus. (questionnaire interview)
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| O'Rourke, Meg | Arts Magazine, Sarah Charlesworth, Summer, illus. (review: J.G.M.A.)
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| Denson, G. Roger | Bijutsu Techo, (Tokyo) Traces of Feminity: Sarah Charlesworth, JanGroover & Ida Applebroog, reprint / translation of What's in a Word, pgs.28-43, illus. + cover (feature)
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| Stiwer, Pierre & Di Felice, Paul. | Cafe-Creme, (Luxembourg), Sarah Charlesworth: L'immaculée conception, #15-Summer, pgs. 38-43, illus. + cover (interview)
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| Van der Ploeg, Kees | Flash Art, Sarah Charlesworth, Summer, illus. (review: J.G.M.A.)
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| Meuris, Jacques | La Libre Belgique, (Brussels) Au temps de l'image: l'artiste américaine Sarah Charlesworth entend révéler ... froid les passions contemporaines...travers une imagerie omni-présente, 15 May, illus. (review:Hufkens)
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| Dennis, Melvin | Puchong Folios, Sarah Charlesworth, Spring (review: J.G.M.A.)
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| Thompson, Elspeth | The Guardian (London), Portrait of a Friendship, 4 Dec., illus. (review:Interim Art)
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| Brenson, Michael | The New York Times, Sarah Charlesworth: Shifted Images of theRenaissance, 22 March, illus. (review: JGMA)
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| Litt, Steven | The Plain Dealer, (Cleveland) Using or Abusing a Powerful Symbol?, 8 Sept.
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| 1990 | Durand, Regis | Art Press (Paris), Fragments d'un Paysage d'images, #153, Dec.(feature)
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| Charlesworth, Sarah | Artforum, A Grammar of Essence: A Project for Artforum by Sarah Charlesworth, Feb., pp.123-125, illus. (project)
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| Denson, G. Roger | Contemporanea, Sarah Charlesworth: What's in a Word, Oct., pgs.70-75, illus. (feature)
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| unsigned | Interview Magazine, full page reproduction, Feb.
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| Denson, G. Roger | Tema Celeste, The New Metaphysical Art and It's Legacy, July-Oct., No. 25, p.37-42, illus. (editorial)
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| unsigned | The New Yorker, Goings On About Town: Art, July 23, (review: J.G.M.A.)
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| 1989 | Phillipi, Desa | Artforum, Shifting Focus, Nov., p.168 (review: Serpentine Gallery)
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| Silko, Leslie M. | Artforum, The Fourth World, Summer, pgs.124-127, illus.: Madonna and Child, special project by Sarah Charlesworth (in special section designedby Robert Barry, pgs.124-135)
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| Heartney, Eleanor | Artnews, Sarah Charlesworth, Sept., illus. (review: J.G.M.A.)
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| Jones, Bill | Arts Magazine, Born Again: Seeing the End of Photography, Oct.,pgs. 72- 77, illus. + cover (editorial)
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| Princenthal, Nancy | Barron's, More Positives Than Negatives: Collectors Bids Up ArtisticPhotographs, May 22, illus. (editorial)
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| Sussler, Betsy | Bomb Magazine, Profile / Art: Sarah Charlesworth, Winter, pgs.30-33, illus. (feature)
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| Faber, Monika | Camera Austria, (Graz) Vis a Vis der Kamera, #30, (review: Grita Insam)
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| Scheuer, Daniel | Center Quarterly: A Journal of Photography and Related Arts, 150th at f2Snapshots of Contemporary Art Photography, Vol. 11, #1
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| unsigned | Corriere della Serra (Roma/Milano), Sarah Charlesworth, Aug 18
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| Mueller, Cookie | Details Magazine, Art and About, Sept., illus. (review: B.A.M.)
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| Caley, Shaun | Flash Art, A Forest of Signs: One is Ushered into a Wonderland of Banality, Nov/Dec, (review: M.o.C.A.)
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| Zampaglione, Arturo | La Repubblica, Il Venerdi (Rome), p.92, Sept 8, (interview)
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| Wise, Kelly | The Boston Globe, Redefining the Language of Photography, Oct.17(review: Segal)
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| Kimmelman, Michael | The New York Times, At the Whitney, 100 Works From the Last 30Years, Nov 10, (editorial)
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| Smith, Roberta | The New York Times, Charting Traditions of Non-traditional Photography, June 11, (review: National Museum)
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| Grundberg, Andy | The New York Times, Two Shows: One Works the Other Bogs Down,Sunday, Aug 13, illus., (review: I.C.P. & Metropolitan)
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| Levin, Kim | The Village Voice, April 25, (review:J.G.M.A.)
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| Kent, Sarah | Time Out / London, Sarah Charlesworth, May 10-17, illus. (review: Interim Art)
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| 1988 | Saltz, Jerry | Arts Magazine, The Implacable Distance: Sarah Charlesworth's "Unidentified Woman, Hotel Corona, Madrid (1979-1985)", March, pgs.24-25, illus. (feature)
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| unsigned | Flash Art News, Supplement # 143, Nov/Dec
|
| Glanzman, Judith | Journal of Contemporary Art, Sarah Charlesworth, Spring, pg. 56 (interview)
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| Kramer, Hilton | New York Observer, Sexual Difference:, April 18, p.1&11 (review: Wallach Art Gallery)
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| Smith, Roberta | The New York Times, Galleries Paint a Brighter Picture for Women,April 14 (editorial w/review: J.G. M.A.)
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| Sischy, Ingrid | The New Yorker, Photography: Sarah Charlesworth, April 24, (review: J.G.M.A.)
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| multiple authors | The Print Collector's Newsletter, Photographs and ProfessionalsIV , Vol.XIX, No.3, July/Aug, pgs.81-91+cover illus. (panel discussion)
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| 1987 | Stretch, Bonnie Barrett | Art and Auction, Contemporary Photography, May, pgs.140-147, illus.
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| Gilbert-Rolfe, Jeremy | Arts Magazine, Where Do Pictures Come From? Sarah Charlesworth and the Development of the Sign, Dec., pgs.58-60, illus. (feature)
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| unsigned | Bomb, (Toronto), Issue CCI, Fall, cover
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| Shottenkirk, Dena | C Magazine, (Toronto) Sarah Charlesworth: Imaging the Other, Spring,pgs. 18- 23 + cover (feature)
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| Cameron, Dan | Flash Art, Art and Its Double, Summer
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| Selwyn, Marc | L.A. Weekly, Sarah Charlesworth, May 8- 14, pg.44 (review: Leavin)
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| Wilson, William | Los Angeles Times, The Art Galleries: Joel Otterson / Sarah Charles-worth, May 1, (review: Margo Leavin)
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| Collins, Tricia & Milazzo, Richard | New Observations, Oct.
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| Clarkson, David | Parachute, (Montreal) Sarah Charlesworth: An Interview, Dec., pgs.12-15 (interview)
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| Cohen, Ronny H | The Print Collectors Newsletter, New Abstraction V, Mar/Apr., p.9-13, illus.
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| Turner, Dot | Vanguard (Toronto), Sarah Charlesworth, Feb./Mar., illus. (review:S.L. Simpson)
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| 1986 | unsigned | Effects Magazine, Winter 1986 (cover)
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| Cameron, Dan | Flash Art, Post-Feminism, Feb/Mar, pgs.80-83, illus. (editorial)
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| Jones, Alan | Galleries Magazine (Paris), Paravision: Une Interview avec TriciaCollins et Richard Milazzo, Aug./Sept., (interview)
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| Collins, Tricia and Milazzo, Richard | Kunstforum (Köln), New York: Tropical Codes, April/May, p.308
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| Collins, Tricia | Kunstforum (Köln), Sarah Charlesworth: Natural Signs From Milazzo,Richard Structural Reformation to Iconic Abstraction, April/May, p.314-315
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| Brenson, Michael | The New York Times, Sunday July 13, (review: Venice Biennale)
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| Brody, Jacky | The Print Collectors Newsletter, (review: print portfolio by Sarah Charlesworth)
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| Indiana, Gary | Village Voice, Liquid Memory, Solid Objects, April 1, illus. (review: Int'l with Monument)
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| 1985 | unsigned | Aperture, Sarah Charlesworth, No. 100, Fall
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| Linker, Kate | Artforum, Sarah Charlesworth, Summer, pg.105, illus. (review: Int'l with Monument)
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| Warren, Ron | Arts, Sarah Charlesworth, May, (review: Int'l with Monument)
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| Kohn, Michael | Flash Art, Sarah Charlesworth, April/May, illus. (review: Int'l with Monument)
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| 1984 | Deitcher, David | After-Image, Questioning Authority: Sarah Charlesworth's Photographs,Summer, pgs. 14-17, illus. (feature)
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| Indiana, Gary | Art in America, Sarah Charlesworth, Sept., illus. (review: Clocktower)
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| Linker, Kate | Artforum, Eluding Definition
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| unsigned | Contact Sheet #41, published by Light Work, Syracuse, NY
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| unsigned | Esquire, Openings: Sarah Charlesworth, Feb., p.100 (preview: Clocktower)
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| Hathaway, Jane | New York Beat, Photography: Sarah Charlesworth, 2 May, p.15,illus. (review: Clocktower)
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| Bob, Paul | The East Village Eye, Cutting Up Culture: Photo Artist Sarah Charlesworth is Pointing to..., June, pgs. 15 & 17, illus. (feature)
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| Smith, Roberta | The Village Voice, Chrysler's Wings of Fashion, April (review:Clocktower / Feldman / Castelli)
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| 1983 | unsigned | Afterimage, May
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| Samore, Sam | Exposure (pub. by the Society for Photographic Education), Playing it Again, Winter
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| Grundberg, Andy | The New York Times, Post-Modernists in the Mainstream, Nov. 20
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| 1982 | unsigned | Art in America Guide to Museums, Galleries, and Artists, TabulaRasa, by Sarah Charlesworth, listed as an Outstanding Solo Show of1982)
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| Owens, Craig | Art in America, Sarah Charlesworth, May, (review: Gagosian)
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| Hagen, Charles | Artforum, Sarah Charlesworth, Dec., p.80, illus. (review: Gagosian)
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| unsigned | Artistes, Fall (review)
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| Scully, Julia | Modern Photography, Seeing Pictures, June
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| 1981 | Sussler, Betty | Cover Magazine, Interview with Sarah Charlesworth, Spring / Summer (feature)
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| Castle, Ted | Flash Art, Verbal Art, Nov.
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| 1980 | Frank, Elizabeth | Art in America, Sarah Charlesworth, April, illus. (review: Shafrazi) |
|
| 2010 | Blessing, Jennifer, Trotman, Nat | Haunted: Contemporary photography, video, performance. (Guggenheim Museum, New York) |
| Modrak, Rebekah, Anthes, Bill | Reframing Photography: Theory & Practice. (Routledge, London) |
| 2009 | Aupetitallot, Yves | Images & (re)presentations: Les Annee 1980s, (Centre d'Art Contemporain, Grenoble, France) |
| Eklund, Douglas | The Pictures Generation, 1974 – 1984. (The Metropolitan Museum of Art, NY) |
| Klein, Alex | Words Without Pictures, Discussion Series curated by Charlotte Cotton and Alex Klein (LA County Museum, LA, CA) |
| 2008 | | Jedermann Collection- Set 5 from the Fotomuseum Winterthur Collection, (Fotomuseum Winterthur, Switzerland) |
| Congdon, Kristin G.
Hallmark, Kara Kelley | Twentieth Century United States Photographers: A Student’s Guide, (Greenwood Press, Westport, CT) |
| 2007 | | A New Reality: Black-and-White Photography in Contemporary Art. Jane Voorhees Zimmerli Art Museum, Rutgers. The State University of NewJersey, New Brunswick, NJ
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| 2006 | Traub, Charles H.
Heller, Stephen
Bell, Adam B. | The Education of a Photographer, "Objects of Desire: An interview with Sarah Charlesworth" (Allworth Press and School of Visual Arts, NY)
|
| 2005 | Foster, Hal
Krauss, Rosalind
Bois, Yve-Alain
Buchloh, Benjamin | Art Since 1900: Modernism, Antimodernism, Postmodernism (Thames & Hudson, New York, NY) |
| 2004 | | Speaking with Hands: Photographs from the Bohl Collection, (TheSolomon R. Guggenheim Museum, New York, NY)The Last Picture Show: Artists Using Photography 1960-1982; (Walker Art Center, Minneapolis, MN) curated by Douglas Fogel
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| 2003 | Scott, Sue | Constructed Realities: Contemporary Photography, (Orlando Museum,Orlando, FL)
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| | Off the Press: Recontextualizing the Newspaper in Contemporary Art,(Southwest Museum of Photography, Daytona, FL)
|
| 2002 | Warner, Mariana | Seeing Things: Photographing Objects, 1850-2001, (The Victoria and Albert Museum) Edited by Mark Haworth-Booth
|
| Decter, Josh | Televisions, (Kunsthalle, Vienna)
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| Wolfe, Sylvia | Visions from America: Photographs from the Whitney Museum of American Art, 1940-2001, (The Whitney Museum of American Art, NewYork, NY)
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| 2000 | (various) | Post Modernism, (Tate Gallery, London)
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| 1999 | Phillips, Lisa | The American Century: Art & Culture 1950-2000, (The Whitney Museumof American Art & Norton Publishers, New York, NY)
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| 1998 | Bunnell, Peter C. | Photography at Princeton, (Princeton University, Princeton, NJ)
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| 1997 | Sobel, Dean. | Identity Crisis: Self Portraiture at the End of the Century, (Milwaukee ArtMuseum, Milwaukee, WI)
|
| Blaettler, James
Nieboer, Jan willem
Steensma, Regnerus | The One Chosen: Images of Christ in Recent New York Art, (ThomasWalsh Gallery, NY)
|
| 1996 | Pierce
Rosenberg, J. | A Question of Balance: Artists and Writers on Motherhood, (PapierMache, Watsonville, CA)
|
| Heiss, Alana
Streeter, Sabina | Model Home, (The Clocktower Gallery, Institute of Contemporary Art,New York, NY)
|
| Tallman, Susan | The Contemporary Print: From Pre-Pop to Postmodern (book)
|
| 1995 | Denson, G. Roger | Chasing Angels, (Christinerose Gallery, NY)
|
| Grigoteit, Ariane, et al. | Tradition and Zeitgeist: Works from the Collection of Deutsche BankNorth America, (DuMont Verlag, Köln)
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| 1994 | Morgan, Dahlia | American Art Today: Heads Only, (The Art Museum, Florida Int'l. University, Miami, FL)
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| Decter, Joshua | Don't Look Now, (Thread Waxing Space, N.Y.)
|
| Felshin, Nina | Empty Dress: Clothing as Surrogate in Recent Art, (Independent
|
| 1993 | Jacobson, Marjory | Art for Work: The New Renaissance in Corporate Collecting, (HarvardBusiness School Press, Boston, MA)
|
| Brunon, Bernard P. | Autoportraits Contemporains: Here's Looking at Me, (Espace Lyonnais d'Art Contemporain, Lyon, France)
|
| Hill-Perrell, Franklin | Image Makers, (Nassau County Museum of Art, Roslyn Harbor, NY)
|
| Phillips, Lisa | Photoplay: Works from the Chase Manhattan Collection, (The ChaseManhattan Corporation, New York, NY)
|
| anonymous | Sex Quake- Art After the Apocalypse, (1st Art- Genes Portable Museum)
|
| | The Return of the Cadavre Exquis, (The Drawing Center, New York, NY)
|
| Espy-Burns, Victoria | Vivid: Intense Images by American Photographers, (Raab Galerie,Berlin, Germany)
|
| 1992 | Bond, Anthony, et. al.th | 9th Biennale of Sydney: The Boundary Rider, (Art Gallery of New SouthWales, Sydney, Australia)
|
| Colpitt, Frances & Plous, Phyllis | Knowledge: Aspects of Conceptual Art, (University Art Museum, SantaBarbara, CA)
|
| Rosenberg, Barry A.
Leigh, Christian
Straus, Marc J. | Quotations: The Second History of Art, (The Aldrich Museum ofContemporary Art, Ridgefield, CT)
|
| 1991 | Belli, Gabriella & Saltz, Jerry | American Art of the 80's, (Electa, Milan)
|
| Gumpert, Lynn &Wallis, Brian | Beyond the Frame: American Art 1960-1990, (Institute of Contemporary Art, Tokyo)
|
| Rubin, David S. | Cruciformed: Images of the Cross Since 1980, (Cleveland Center forContemporary Art, Cleveland, OH)
|
| Reynolds, Jock &Sheldon, James | Motion and Document - Sequence and Time: Eadweard Muybridge and Contemporary American Photography, (National Museum of AmericanArt, Smithsonian Institution, Washington, DC)
|
| Liebmann, Lisa | Southeast Bank Collects: A Corporation Views Contemporary Art,(Southeast Bank)(cat.)
|
| Morin, France, et al. | The Interrupted Life, (New Museum of Contemporary Art, New York, NY)
|
| 1990 | Graw, Isabella
Lanzinger, Pia | Das Sibyllinische Auge: Fotokünstlerinnen aus dem Anglo-Amerika-nischen Raum, (Foto e.V. München and Barbara Gross Gallery, München)
|
| Derrickson, Stephen | Insect Politics, Body Horror/ Social Order, (Hallwalls Contemporary Art Center, Buffalo, NY)
|
| Cooke, Lynne | Reorienting: Looking East, (Third Eye Centre, Glasgow and NicolaJacobs, London)
|
| Gandini, Manuela | Taking the Picture: Photography and Appropriation, (Castelli, NY andGallery, Milan)
|
| 1989 | Foresta, Merry A.
| |
| Goldstein, Ann
Jacob, Mary Jane | A Forest of Signs: Art in the Crisis of Representation, (Museum ofContemporary Art, Los Angeles and M.I.T. Press, Cambridge)
|
| Grundberg, Andy
Saltz, Jerry | Abstraction in Contemporary Photography, (Emerson Gallery, HamiltonCollege and Anderson Gallery, Virginia Commonwealth University)
|
| Jones, Ronald
Steinbach, Haim | Avant 1989: Exposition con‡ue par Haim Steinbach, (Fonds Régional d'Art Contemporain, Rhônes-Alpes)
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| Butler, Susan | Bristol and Serpentine Gallery, London)
|
| Ferguson, Bruce
Simon, Joan
Smith, Roberta | Contemporary Perspective I: Abstraction in Question, (The John andMable Ringling Museum of Art, Sarasota, FL)
|
| Stainback, Charles | Culture Medium, (International Center of Photography, New York, NY)
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| Hoy, Anne | Fabrications, Staged, Altered and Appropriated Photographs, (Abbeville Press, NY)
|
| Rauch, Joseph B. | Fictive Strategies: Actuality and Originality in Contemporary Photography, (The Squibb Gallery, Princeton, N.J.)
|
| Hanhardt, John G.
Heiferman, Marvin
Phillips, Lisa | Image World: Art and Media Culture, (Whitney Museum of American Art, New York, NY)
|
| Misiano, Viktor
Wassow, Oliver, et al. | Moskau - Wien - New York, (Wiener Fastwochen, Vienna)
|
| Halpern-Brougher
Nora, Hopkins
Henry T.
Stein, Donna. | Selected Works from the Frederick R. Weisman Foundation, (Wight Art Gallery, U.C.L.A.)
|
| Rosenberg, Barry
Straus, Marc | Selections from the Collection of Marc and Livia Straus (Aldrich Museumof Contemporary Art, Ridgefield, CT)
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| | Subject:Object, (Nicola Jacobs Gallery, London)
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| Smith, Joshua P. | The Photography of Invention: American Pictures of the 1980's, (M. I. T.Press, Cambridge, MA)
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| Kosuth, Joseph | The Play of the Unsayable-Wittgenstein and the Art of the XXth Century,(Wiener Secession, Vienna)
|
| Braulick, Nathan
Haworth, Dale K.
Sowder, Lynne. | What Does She Want: Current Feminist Art from the First BankCollection, (First Bank System Division of Visual Arts)
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| 1988 | Collins, Tricia
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| Collins, Tricia
Milazzo, Richard | Art at the End of the Social, (Rooseum, Malm, Sweden)
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| Liebmann, Lisa
Monforton, Mary-Ann | Contemporary Art Auction to Benefit El Bohio
|
| Milazzo, Richard
Indiana, Gary | Hybrid Neutral: Modes of Abstraction and the Social, (Independent Curators Inc., New York)
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| Collins, Tricia
Milazzo, Richard | Just Like a Woman, (Greenville County Museum of Art)
|
| Collins, Tricia
Milazzo, Richard | Media Post Media, (Scott Hanson Gallery, N.Y.)
|
| Carter, Curtis L. | Photography On the Edge, (Haggerty Museum of Art, MarquetteUniversity, Milwaukee, WI)
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| Godeau, Abigail Sol. | Sexual Difference: Both Sides of the Camera, (Wallach Art Gallery, Columbia University, New York, NY)
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| 1987 | Cameron, Dan | Art and Its Double: A New York Perspective, (Centre Cultural de la Fundacio Caixa de Pensions, Barcelona, Spain)
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| Halley, Peter
Saltz, Jerry
Smith, Roberta | Beyond Boundaries: New York's New Art, (Alfred van der Marck Editions, New York)
|
| Feinstein, Roni | Contemporary Diptychs: The New Shape of Content, (Whitney Museum of American Art, New York)
|
| Brunon, Bernard | Contemporary Photographic Portraiture, (Musee St. Pierre, Lyon,France)
|
| Denson, G. Roger | Poetic Injury: The Surrealist Legacy in Postmodern Photography,(Alternative Museum, N.Y.)
|
| Saltz, Jerry | Recent Tendencies in Black and White, (Sidney Janis Gallery, NewYork)
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| Jacobs, Joseph | This is not a Photograph: Twenty Years of Large Scale Photography;1966-1986, (The John and Mable Ringling Museum of Art, Sarasota, FL)
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| 1986 | Collins, Tricia
Milazzo, Richard | Spiritual America, (CEPA Gallery, Buffalo, NY)
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| Heiferman, Marvin | The Big Picture, (The Queens Museum of Art, New York)
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| Heiferman, Marvin | The Issue of Modern Art in Boston, (Institute of Contemporary Art, Boston, MA)
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| Collins, Tricia
Milazzo, Richard | Ultrasurd, (S. L. Simpson Gallery, Toronto)
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| 1985 | various | 1985 Biennial Exhibition, (Whitney Museum of American Art, New York,NY)
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| Collins, Tricia
Milazzo, Richard | Cult and Decorum, (Tibor de Nagy Gallery, New York)
|
| Lawson, Thomas
Nagy, Richard
Robbins, David
Trow, George W.S. | Infotainment: 18 Artists from New York, (J. Berg Press, New York)
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| Jones, Richard | Public Art, (Nexus Contemporary Art Center, Atlanta)
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| Olander, Bill | The Art of Memory, The Loss of History, (New Museum of ContemporaryArt, New York)
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| 1984 | Wallis, Brian | Art After Modernism, Rethinking Representation, (The New Museum of Contemporary Art, New York)
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| Brooks, Rosetta | Between Here and Nowhere: 9 New York Artists, (Riverside Studios, London)
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| 1983 | Olander, Bill | Art and Social Change U.S.A., (Allen Memorial Art Museum, Oberlin College, Oberlin, OH)
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| Solomon-Godeau, A. | In Plato's Cave, (Marlborough Gallery, New York)
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| 1982 | Lawson, Tom | Art and the Media: A Fatal Attraction, (The Renaissance Society,University of Chicago)
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| 1979 | Lambert, Yvon | Artemisia, (Paula Cooper Gallery, New York) |
