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| SELECTED BIOGRAPHY | ||||||||||
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| INDIVIDUAL EXHIBITIONS: | ||||||||||
| 2023 | Karma, Los Angeles, CA; "Neverland" (May 6 - July 7) | |||||||||
| 2021 | Paula Cooper Gallery, New York, NY; "Modern History" (October 23 - December 18) | |||||||||
| 2020 | Printed Matter, New York, NY; "Sarah Charlesworth: Image Language," curated by Christine Robinson (February 27 - April 19) | |||||||||
| 2019 | Paula Cooper Gallery, New York, NY, "In-Photography" (February 16 - March 16) | |||||||||
| Krakow-Witkin Gallery, Boston, MA; "The Small Versions, 2000-2012" (March 30 - May 4) | ||||||||||
| 2018 | Campoli Presti, London, UK, "Available Light" (May 10 - June 23) | |||||||||
| 2017 | Maccarone, New York, NY; "Natural Magic" (February 18 - May 6) | |||||||||
| LACMA, Los Angeles, CA; "Sarah Charlesworth: Doubleworld" (August 20 - November 26) | ||||||||||
| 2015 | New Museum, New York, NY; "Sarah Charlesworth: Doubleworld", curated by Massimiliano Gioni and Margot Norton (June 24 - September 20) | |||||||||
| 2014 | The Art Institute of Chicago, Chicago, IL; "Stills", curated by Matthew S. Witkovsky (September 18 - January 4) | |||||||||
| Maccarone Gallery, New York, NY; "Objects of Desire: 1983 - 1988" (April 25 - June 14) | ||||||||||
| 2013 | Baldwin Gallery, Aspen, CO; "Available Light" (June 21 - July 21) | |||||||||
| 2012 | Susan Inglett Gallery, New York, NY; “Available Light” (March 8 – April 14) | |||||||||
| 2010 | Baldwin Gallery, Aspen, CO; “Work in Progress" (July 30 - September 6) | |||||||||
| 2009 | Galerie Tanit, Munich, Germany; "Selected Works 1978-2009" (September 11 – October 31) | |||||||||
| Susan Inglett Gallery, New York, NY; "Work in Progress" (May 7 - June 13) | ||||||||||
| 2007 | Baldwin Gallery, Aspen, CO; "Concrete Color" (November 23 - December 20) | |||||||||
| 2006 | Margo Leavin Gallery, Los Angeles, CA; "Concrete Color" (October 28 - November 25) | |||||||||
| 2005 | Baldwin Gallery, Aspen, CO; "A Simple Text" (November 25 - December 22) | |||||||||
| 2003 | Baldwin Gallery, Aspen, CO; "0 + 1" (February 11 - March 10) | |||||||||
| 2002 | Gorney Bravin + Lee, New York, NY; "Neverland" (November 22 - December 22) | |||||||||
| 2000 | Margo Leavin Gallery, Los Angeles, CA; "0 + 1" (January 15 - February 12) | |||||||||
| Gorney Bravin + Lee, New York, NY; "0 + 1" (January 8 - February 5) | ||||||||||
| 1998 | Fay Gold Gallery, Atlanta, GA; "Doubleworld" | |||||||||
| Camera Obscura, San Casciano dei Bagni, Italy | ||||||||||
| 1997 – 1999 | Sarah Charlesworth: A Retrospective, curated by Louis Grachos and Susan Fisher Sterling (cat.); Site, Santa Fe, NM (Nov. 1, 1997-Jan. 25, 1998); Museum of Contemporary Art, San Diego, CA (Mar. 23 - Jun. 13, 1998); National Museum of Women in the Arts, Washington, DC (Jul. 9 - Sep. 9, 1998); Cleveland Center for Contemporary Art, Cleveland, OH (Nov. 20, 1998 - Jan. 29, 1999); Rose Art Museum, Brandeis University, Waltham, MA (Mar. 25 - May 28, 1999) | |||||||||
| 1996 | Margo Leavin Gallery, Los Angeles, CA; "Doubleworld" (February 24 - March 23) | |||||||||
| 1995 | S. L. Simpson Gallery, Toronto, Canada; "Doubleworld" (September 28 - October 31) | |||||||||
| Jay Gorney Modern Art, New York, NY; "Doubleworld" (October 21 - November 25) | ||||||||||
| 1993 | Jay Gorney Modern Art, New York, NY; "Natural Magic" (March 20 - April 24) | |||||||||
| S. L. Simpson Gallery, Toronto, Canada; "Natural Magic" (September 8 - October 5) | ||||||||||
| Galerie Rizzo, Paris, France; "Natural Magic" (April 3 - May 15) | ||||||||||
| 1992 | The Queens Museum of Art, Queens, NY; "Herald Tribune: November, 1977" and "Herald Tribune: January 18 - February 28, 1991" (February 15 - April 12) (brochure) | |||||||||
| Rena Bransten Gallery, San Francisco, CA; "Renaissance Paintings" (with Judith Barry) (October 8 - November 7) | ||||||||||
| Galerie Carola Mosch, Berlin, Germany; "Objects of Desire" (June 16 - August 1) | ||||||||||
| 1991 | Paley Wright Gallery, London, UK; "Renaissance Paintings" | |||||||||
| Jay Gorney Modern Art, New York, NY; "Renaissance Paintings & Drawings" (March 2 - March 30) | ||||||||||
| Galerie Xavier Hufkens, Brussels, Belgium; "Renaissance Paintings" (April 26 - May 25) | ||||||||||
| 1990 | S. L. Simpson Gallery, Toronto, Canada; "Academy of Secrets" (November 1 - November 27) | |||||||||
| 1989 | Jay Gorney Modern Art, New York, NY; "Academy of Secrets" (April 8 - April 29) | |||||||||
| Interim Art, London, UK; "Objects of Desire" (April 16 - May 14) | ||||||||||
| 1988 | Galerie Hufkens Noirhomme, Brussels, Belgium; "Objects of Desire" (June 7 - July 2) | |||||||||
| 1987 | International with Monument, New York, NY; "Objects of Desire IV" (April 18 - May 10) | |||||||||
| Tyler Gallery, Tyler School of Art, Temple University, Elkins Park, PA; "Objects of Desire" (December 3 - January 8, 1988) | ||||||||||
| Margo Leavin Gallery, Los Angeles, CA; "Objects of Desire IV" (April 25 - May 23) | ||||||||||
| 1986 | International with Monument, New York, NY; "Objects of Desire III" (March 8 - March 29) | |||||||||
| S.L. Simpson Gallery, Toronto, Canada; "Objects of Desire III" (November 28 - December 20) | ||||||||||
| 1985 | International with Monument, New York, NY; "Objects of Desire II" (March 1 - March 31) | |||||||||
| 1984 | The Clocktower, New York, NY; "Objects of Desire I", "In-Photography", "Tabula Rasa" (April 5 - May 6) | |||||||||
| Light Work, Syracuse, NY; "In-Photography" | ||||||||||
| California Museum of Photography, Riverside, CA ; "Modern History" (cat.) | ||||||||||
| 1982 | CEPA Gallery, Buffalo, NY; "In-Photography" (cat.) | |||||||||
| 421 West Broadway, New York, NY; "Tabula Rasa" (January 17 - January 23) | ||||||||||
| 1981 - 1982 | Tony Shafrazi Gallery, New York, NY; "In-Photography" (December 19, 1981 - January 16, 1982) | |||||||||
| 1981 | Galerie Micheline Szwajcer, Antwerp, Belgium; "The White Lady" (September 22 - October 24) | |||||||||
| 1980 | Tony Shafrazi Gallery, New York, NY; "Stills" (February 14 - March 5) | |||||||||
| 1979 | New 57 Gallery, Edinburgh, Scotland; "Modern History: April 21, 1978 and The Arc of Total Eclipse, February 26, 1979" (cat.) | |||||||||
| 1978 | Galerie Eric Fabre, Paris, France; “Modern History: April 21, 1978” and “Osservatore Romano, March 17 - May 10, 1978” (October 21 - through November) | |||||||||
| Centre d'Art Contemporain, Geneva, Switzerland; "Modern History: Herald Tribune, September, 1977 and April 21, 1978" | ||||||||||
| C Space, New York, NY; "Modern History: Herald Tribune, September, 1977" (March 19 - March 30) | ||||||||||
| Pio Monti Gallery, Rome, Italy; "Modern History: April 21, 1978" (August 8 - through September) | ||||||||||
| Zona, Florence, Italy; "Modern History: April 20, 1978" (September 4 - through October) | ||||||||||
| 1977 | MTL Gallery, Brussels, Belgium; "Fourteen Days" (cat.) | |||||||||
| GROUP EXHIBITIONS: | ||||||||||
| 2024-2025 | BAMPFA, Berkeley, CA; "To Exalt The Ephemeral: The (Im)permanent Collection" (August 14, 2024 - July 6, 2025) | |||||||||
| 2024 | Paula Cooper Gallery, New York, NY; "Tabula Rasa" (May 30 - August 2) | |||||||||
| Broadway Gallery, New York, NY; "Friends of the Pod," curated by Nate Freeman and Benjamin Godsil of Nota Bene (January 8 - February 3) | ||||||||||
| James Cohan, New York, NY; "Mother Lode: Material and Memory", organized by Abigail Ross Goodman, Molly Epstein & Ellen Langan (June 21 - July 26) | ||||||||||
| Paula Cooper Gallery, New York, NY; "Books" (January 6 - February 10) | ||||||||||
| 2023-2024 | Boca Raton Museum of Art, FL; "Smoke and Mirrors: Magical Thinking in Contemporary Art," curated by Kathleen Goncharov (November 18, 2023 - May 12, 2024) | |||||||||
| Nicole Klagsbrun, NY; "Women" (November 2, 2023 - February 29, 2024) | ||||||||||
| MOCA Jacksonville; "A Walk on the Wild Side: '70s New York in the Norman E. Fisher Collection", curated by Ylva Rouse (December 1, 2023 - July 14, 2024) | ||||||||||
| 2023 | The Approach, London, UK; "The Garden" curated by Sara VanDerBeek (April 21 - May 27) | |||||||||
| MACRO - Museum of Contemporary Art Rome, Italy; "Vicolo della Penitenza 11/A" curated by Janice Guy (June 9 - October 29) | ||||||||||
| Paula Cooper Gallery, Palm Beach, FL; "The Bathers" (March 11 - April 15) | ||||||||||
| 2022-2023 | UCCA Center for Contemporary Art, Beijing, China; "Somewhere Downtown: Art in 1980's New York" curated by Peter Eleey (October 1, 2022 - January 29, 2023) | |||||||||
| Nassau County Museum of Art, Roslyn Harbor, NY; "The Big Picture: Photography's Moment" (November 19, 2022 - March 5, 2023) | ||||||||||
| 2022 | Paula Cooper Gallery, Palm Beach, FL; "Sarah Charlesworth & Jorge Pardo" (March 12 - April 9) | |||||||||
| Berkeley Art Museum, Berkeley, CA; "The Artist’s Eye: Tammy Rae Carland, David Huffman, Lava Thomas, John Zurier" (March 19 - July 17) | ||||||||||
| The Stanley and Audrey Burton Gallery, Leeds University; Leeds, England; "Seeing Stars" (April 27 - July 30) | ||||||||||
| Higher Pictures Generation, Brooklyn, NY; "Penitence Alley, 1989-1991" (July 14 - September 10) | ||||||||||
| LACMA, Los Angeles, CA; "Objects of Desire: Photography and the Language of Advertising" (September 4 - December 18) | ||||||||||
| Campoli Presti, Paris, France; "For the People of Paris" (October 17 - December 17) | ||||||||||
| Paula Cooper Gallery, Palm Beach, FL; "Contemporary Antiquity" (October 18 - November 12) | ||||||||||
| 2021-2022 | New Orleans Museum of Art; "A Brief History of Photography and Transmission" (June 25, 2021 - March 20, 2022) | |||||||||
| 2021 | Andrew Kreps Gallery, New York, NY; "footnotes and headlines" (July 8 - August 13) | |||||||||
| Winter Street Gallery, Edgartown, MA; "Sarah Charlesworth and Luke O'Halloran" curated by Sam McKinniss (July 9 - August 15) | ||||||||||
| Fondazione Palazzo Strozzi; "American Art 1961-2001", curated by Vincenzo de Bellis and Arturo Galansino (May 28 - August 29) | ||||||||||
| Campoli Presti, Paris, France; "The Year of Magical Thinking" (September 11 - October 9) | ||||||||||
| Norton Museum of Art, West Palm Beach, FL; "For the Record: Celebrating Art by Women" (June 11 - October 3) | ||||||||||
| Solomon R. Guggenheim Museum, New York, NY; "Off The Record", curated by Ashley James (April 2 - September 27) | ||||||||||
| Paula Cooper Gallery, Palm Peach, FL; "The Politics of Desire" (February 12 - March 14) | ||||||||||
| 2020-2021 | Tang Teaching Museum, Sarasota Springs, NY; "Energy In All Directions", curated by Ian Berry (October 10, 2020 - June 13, 2021) | |||||||||
| Metropolitan Museum of Art, New York, NY; "Pictures Revisited" (October 19, 2020 - May 9, 2021) | ||||||||||
| 2020 | Paula Cooper Gallery, New York, NY, "Bernd and Hilla Becher, Sarah Charlesworth, Sherrie Levine" (February 29 - April 4) | |||||||||
| Deitch Gallery, Los Angeles, CA; "All of Them Witches," organized by Dan Nadel and Laurie Simmons (February 8 - April 11) | ||||||||||
| 2019-2020 | Solomon R. Guggenheim Museum, New York, NY; "Artistic License: Six Takes on the Guggenheim Collection (May 24, 2019 - January 12, 2020) | |||||||||
| Museum of Contemporary Art, Chicago, IL, "Direct Message: Art, Language, and Power" (October 26, 2019 - January 26, 2020) | ||||||||||
| 2019 | Ruby City, San Antonio, TX; "Waking Dream" (October 13 - ) | |||||||||
| Campoli Presti, London, UK; "Manifest Content" (February 1 - March 17) | ||||||||||
| Off Paradise, New York, NY; "Glenn O'Brien: Center Stage" (September 17 - November 27) | ||||||||||
| Castelli Gallery, New York, NY, "'Dot, Point, Period' a curated installation by Joseph Kosuth" (April 4 - July 20) | ||||||||||
| Swiss Institute, New York, NY; "life and limbs" curated by Anna-Sophie Berger (September 25 - December 29) | ||||||||||
| The Metropolitan Museum of Art, New York, NY; "Apollo's Muse: The Moon in the Age of Photography" (July 2 - September 22) | ||||||||||
| The Artist's Institute at Hunter College, New York, NY; "Maneuver" curated by Lynne Cooke (September 18 - December 14) | ||||||||||
| 2018-2019 | The Metropolitan Museum of Art, New York, NY; "Everything is Connected: Art and Conspiracy" (September 18 - January 6) | |||||||||
| McClain Gallery, Houston, TX; "Downtown: Collage Culture in the East Village" (November 1 - January 5, 2019) | ||||||||||
| LUMA Arles, Arles, France, "Picture Industry : une histoire provisoire de l’image technique, 1844–2018" (October 13 - Jan 6, 2019) | ||||||||||
| 2018 | Hirshhorn Museum, Washington, DC; "Brand New: Art and Commodity in the 1980s" (February 14 - May 13) | |||||||||
| 2017-2018 | Museum of Contemporary Art Chicago, Chicago, IL; "MCA Screen: Paul Pfeiffer" (December 23 - May 20) | |||||||||
| 2017 | Hessel Museum of Art, Annandale-on-Hudson, NY; "Picture Industry" (June 24 - December 15) | |||||||||
| Birmingham Museum of Art, Birmingham, AL; "Third Space/Shifting Conversations About Contemporary Art" (January 28 - January 6, 2019) | ||||||||||
| Campoli Presti, London, UK; "Plages" (February 17 - March 18) | ||||||||||
| École Nationale Supérieure d’Arts de Paris Cergy, Paris, France; "Le Secret" (May 5 - May 28) | ||||||||||
| Museum für Neue Kunst, Freiburg, Germany; "Dying Well – False Death" (May 27 - September 24) | ||||||||||
| Philadelphia Museum of Art, Philadelphia, PA; "Another Way of Telling: Women Photographers from the Collection" (April 8 - July 16) | ||||||||||
| 2016 - 2017 | J. Paul Getty Museum, Los Angeles, CA; "Breaking News: Turning the Lens on Mass Media" (December 20, 2016 - April 30, 2017) | |||||||||
| Columbus Museum of Art, Columbus, OH; "The Sun Placed in the Abyss" (October 7, 2016 - January 8, 2017 ) | ||||||||||
| Campoli Presti, Paris, France; "Sarah Charlesworth / Liz Deschenes" (October 20, 2016 - January 14, 2017) | ||||||||||
| 2016 | Albright Knox Art Gallery, Buffalo, NY; "For the Love of Things: Still Life" (February 27 - May 29) | |||||||||
| Art Museum at the University of Toronto, Toronto, ON; "Counterpoints: Photography Through the Lens of Toronto Collections" (May 6 - July 30) | ||||||||||
| Elizabeth Dee Gallery, New York, NY; "Every Future Has a Price: 30 Years After Infotainment" (October 29 - December 17) | ||||||||||
| Los Angeles County Museum of Art, Los Angeles; "Physical: Sex and the Body in the 1980s" (March 20 - July 31) | ||||||||||
| Walker Art Center, Minneapolis, MN; "Ordinary Pictures" (February 27 - October 9) | ||||||||||
| Miguel Abreu Gallery, New York, NY; "In Place Of" (January 10 - February 21) | ||||||||||
| 2015 - 2016 | Museum of Contemporary Art, Los Angeles, CA; "The Art of Our Time" (August 15, 2015 - September 12, 2016) | |||||||||
| Fondazione Prada, Milan, Italy; "Recto Verso" (December 3, 2015 - February 14, 2016) | ||||||||||
| 2015 | The Metropolitan Museum of Art, New York, NY; "Reconstructions, Recent Photographs and Video from the Met Collection" (September 21, 2015 - March 13, 2016) | |||||||||
| Karma, Amagansett, NY; "Popular Images" (June 13 - July 5) | ||||||||||
| Burlington City Arts, Burlington, VT; "Taking Pictures" (January 30 - April 4) | ||||||||||
| Villa du Parc, Annemasse, France; "The Appropriationnist (Against and With)" (January 16 - March 14) | ||||||||||
| White Columns, New York, NY; "Looking Back / The 9th White Columns Annual" (January 13 - February 21) | ||||||||||
| Whitney Museum of American Art, New York, NY; "America Is Hard To See" curated by Donna De Salvo et al. (May 1 - September 27) | ||||||||||
| 2014 | Whitney Museum of American Art, New York, NY; "Whitney Biennial" curated by Stuart Comer, Anthony Elms, Michelle Grabner (March 7 - May 25) | |||||||||
| Senior & Shopmaker Gallery, New York, NY; "Objects & Fictions" (June 6 - July 25) | ||||||||||
| On Stellar Rays, New York, NY; "No Drink No Talk Just Beautiful", curated by Mary Simpson (June 28 - August 1) | ||||||||||
| Museum Folkwang, Essen, Germany; "(Mis)Understanding Photography" (June 14 - August 17) | ||||||||||
| Murray Guy Gallery, New York, NY; "Someone Like Me" (January 16 - February 22) | ||||||||||
| McCagg Gallery, Barnard College, New York, NY; "Lucid Gestures: An Exhibition of Barnard Alumnae Artists" (October 24 - November 17) | ||||||||||
| Gallery Lelong, New York, NY; "Re-Framing History" (March 21 - April 26) | ||||||||||
| 2013 | Wallspace Gallery, New York, NY; "Ten Years" (June 27 - August 2) | |||||||||
| Janet Borden, Inc, New York, NY; "Of,by,for,about ... Women" (September 17 - October 19) | ||||||||||
| 2012 | Fort Worth Contemporary Arts, Fort Worth, TX; “Color Pictures”, curated by Frances Colpitt (March 3 – April 14) | |||||||||
| Carl Solway Gallery, Cincinnati, OH; "Body / Objects" (October 28 - December 22) | ||||||||||
| Margo Leavin Gallery, New York, NY; "Arctic Summer" (July 31 - September 29) | ||||||||||
| National Gallery of Art, Washington, DC; “Shock of the News”, curated by Judith Brodie (September 23 – January 27, 2013) | ||||||||||
| The Art Institute of Chicago, Chicago, IL; "Photography From The Collection Of The Art Institute of Chicago" (May 1 – December 1) | ||||||||||
| 2011 - 2012 | Neuberger Museum of Art, Purchase, NY (January 15 – April 3) The Nasher Museum of Art, Durham, NC (August 25 – December 5), Contemporary Arts Museum Houston, TX (February 11, 2012 – April 29, 2012); “The Deconstructive Impulse: Women Artists Reconfigure the Signs of Power, 1973-1992”, curated by Helaine Posner and Nancy Princenthal | |||||||||
| 2011 | Victoria and Albert Museum, London, UK; “Signs of a Struggle: Photography in the Wake of Postmodernism”, curated by Marta Weiss (August 11 – November 27) | |||||||||
| MoMA PS1, Long Island City, NY; “September 11”, curated by Peter Eleey (September 11 – January 9, 2012) | ||||||||||
| Moderna Museet, Stockholm, Sweden; "Another Story: Photography from the Moderna Museet Collection" (February 1, 2011 – February 19, 2012) | ||||||||||
| Hudson Valley Center for Contemporary Art, Peekskill, NY, “CIRCA 1986: The ‘80s from Six Important New York Art Collections”, (September 18 – July, 2012) | ||||||||||
| C/O Berlin, Berlin, Germany; “The Uncanny Familiar: Images of Terror”, curated by Felix Hoffmann (September 10 – December 4) | ||||||||||
| Berkeley Art Museum, Berkeley, CA; “Sun Works” (November 9 – May 6, 2012) | ||||||||||
| 2010 | Musée d’Art Moderne et d’Art Contemporain, Nice, France; “Human” (June 12 - October 31) | |||||||||
| Corcoran Gallery of Art, Washington, D.C.; in conjunction with “Helios: Eadweard Muybridge in a Time of Change”, curated by Philip Brookman, Interpretation Gallery Exhibition, curated by Linda Powell, (April 10 - July 18) | ||||||||||
| Kunstmuseum St. Gallen, St. Gallen, Switzerland (January 30 – June 20), Museum der Moderne, Salzburg, Austria (July 3 – October 24); “Press Art: The Collection of Annette and Peter Nobel”, curated by Christoph Doswald (cat.) | ||||||||||
| Leslie Tonkonow Gallery, New York, NY; Ordover Collection; (July 28 – September 3) | ||||||||||
| Museum für Photographie, Braunschweig, Germany; "Rhetorik der Bilder" ("Rhetoric of Images"), curated by Florian Ebner (March 12 - April 25) | ||||||||||
| Solomon R. Guggenheim Museum, New York, NY (March 26 – September 6), Guggenheim Museum, Bilbao (November 9 – March 13, 2011); “Haunted: Contemporary Photography/Video/Performance”, curated by Jennifer Blessing & Nat Trotman (cat.) | ||||||||||
| New Museum, New York, NY; “The Last Newspaper”, curated by Richard Flood and Benjamin Godsill, (October 6 – January 9, 2011) | ||||||||||
| Renwick Gallery, New York, NY; “Held Up By Columns”; (July 8 – August 6) | ||||||||||
| Walker Art Center, Minneapolis, MN; “Abstract Resistance”, curated by Yasmil Raymond (February 27 – May 23) | ||||||||||
| Whitney Museum of American Art, New York, NY; “Singular Visions: A Selection of Seldom-Seen Postwar Works From The Whitney’s Collection”, curated by Dana Miller and Scott Rothkopf, (December 16 - August 5, 2012) | ||||||||||
| 2009 | Le Magasin, Centre National d’Art Contemporain, Grenoble, France; “Images et (Re)Presentations”, curated by Yves Aupetitallot (May 25 – September 6) (cat.) | |||||||||
| APF Lab & The American Standard Gallery, New York, NY; "Small Packages" (September 16 - October 10) | ||||||||||
| Fotomuseum, Winterthur, Switzerland; “Printed Matter” (February 28 – October 11) | ||||||||||
| Guild and Greyshkul, New York, NY; “On From Here” (February 6 - February 8) | ||||||||||
| Harris Lieberman, New York, NY; “A Twilight Art” (January 17 - February 28) | ||||||||||
| The Metropolitan Museum of Art, New York, NY; “The Pictures Generation, 1974 -1984”, curated by Doug Eklund (April 21 – August 2) (cat.) | ||||||||||
| Lehmann Maupin, New York, NY; “The Glamour Project” (February 23 – March 21) | ||||||||||
| Margo Leavin Gallery, Los Angeles, CA; "Reading Standing Up" (January 31 - March 14) | ||||||||||
| Sue Scott Gallery, New York, NY; “We’re All Gonna Die”, curated by Ron Keyson (June 25 – July 31) | ||||||||||
| Susan Inglett Gallery, New York, NY; The Armory Show (March) | ||||||||||
| The American Standard Gallery, New York, NY; “Better History” (March 12 – May 9) (cat.) | ||||||||||
| 2008 | The Metropolitan Museum of Art, New York, NY; “Photography on Photography: Reflections on the Medium Since 1960” (April 8 - October 19) | |||||||||
| The American Standard Gallery, Miami, FL; (Dec) | ||||||||||
| Sue Scott Gallery, New York, NY; “Legerdemain” (November 14 - December 20) | ||||||||||
| Margo Leavin Gallery, Los Angeles, CA "Summer 2008" (May 31 - August 9) | ||||||||||
| Guild & Greyshkul, New York, NY; "The Human Face is a Monument" (March 30 - May 3) | ||||||||||
| Fotomuseum Winterthur, Switzerland; “Jedermann Collection- Set 5 from the Fotomuseum Winterthur Collection”(March 1 - October 12) (cat.) | ||||||||||
| 2007 | Zimmerli Art Museum, Rutgers. The State University of New Jersey,New Brunswick, NJ, "A New Reality: Black-and-White Photography in Contemporary Art." (September 1 - November 25) (cat.) | |||||||||
| The Foundation To-Life Exhibition Space, Mount Kisco, NY, "Making and Finding", curated by Katy Siegel | ||||||||||
| Rose Art Museum, Brandeis University, Waltham, MA "RoseArt: Works from the Permanent Collection" (January 25 - April 1) | ||||||||||
| 2006 | Aspen Art Museum, Aspen, CO; "Belief and Doubt" (August 4 - October 1) | |||||||||
| Addison Gallery of American Art, Andover, MA; "75 Years of Collecting American Photography" (April 28 - July 31) | ||||||||||
| Tony Shafrazi Gallery, New York, NY; "The Other Side" (May 5 - June 30) | ||||||||||
| Grey Art Gallery, New York, NY (January 10 - April 1), The Andy Warhol Museum, Pittsburgh, PA (27 May - 3 September) "The Downtown Show: The New York Art Scene, 1974 -1984", curated by Carlo McCormick in consultation with Lynne Gumpert and Marvin J. Taylor (cat.) | ||||||||||
| The Metropolitan Museum of Art, New York, NY; "Modern Photographs from the Collection XII" (April 4 - October 15) | ||||||||||
| 2005 - 2006 | Vancouver Art Gallery, Vancouver, BC; "Classified Materials: Accumulations, Archives, Artists" (October 15, 2005 - January 2, 2006) | |||||||||
| 2005 | Von Lintel Gallery, New York, NY; "The Photograph in Question" (June 9 - July 29) | |||||||||
| Princeton University Art Museum, Princeton, NJ; "For Presentation and Display: Some Art of the 80s" curated by Johanna Burton and Hal Foster; (March 19 - June 12) | ||||||||||
| New Museum of Contemporary Art, New York, NY; “East Village USA,” (December 9 – March 19) | ||||||||||
| New Britain Museum of American Art, New Britain, CT; Contemporary Photography in the Age of Mechanical Reproduction (January 15 - March 13) | ||||||||||
| Kunstmuseum Basel, Switzerland; "Covering the Real" (May 1 - August 21) (cat.) | ||||||||||
| 2004 | Walker Art Center, Minneapolis, MN (October 11 – January 4), UCLA Hammer (February 8 – May 11), Museo de Arte Contemporanea, de Vigo, Spain (May 28 – September 19), Fotomuseum Winterthur, Switzerland (November 26 – February 13, 2005), Miami Art Central, Miami, Florida (March 10 – June 12, 2005); The Last Picture Show: Artists Using Photography 1960-1982, curated by Douglas Fogle (cat.) | |||||||||
| The Wexner Center for the Arts, Columbus, OH; Visions from America (July - August) | ||||||||||
| The Art Institue of Boston At Lesley University, Boston, MA: ”Breathtaking” (March 31 – May 14) | ||||||||||
| Solomon R. Guggenheim Museum, New York, NY (June 4 - September 8) Guggenheim Museum Bilbao, Bilbao, Spain (November 25, 2005 - March 22, 2006); Speaking with Hands, Photographs from the Buhl Collection (cat.) | ||||||||||
| Charles Cowles Gallery, New York, NY; "Unframed" edition produced for ACRIA: Aids Community Research Initiative (April) | ||||||||||
| 2003 | Memphis College of Art, Memphis, TN; "Cold Comfort" (January 13 - February 13) | |||||||||
| Margo Leavin Gallery, Los Angeles, CA; "Sarah Charlesworth, Louise Lawler and Laurie Simmons: Designs for Living" (September 6 - October 4) | ||||||||||
| Margo Leavin Gallery, Los Angeles, CA; "Raid the Icebox" (March 22 - April 26) | ||||||||||
| Orlando Museum of Art, Orlando, FL; "Constructed Realities: Contemporary Photography" (March 8 - May 18) (cat.) | ||||||||||
| Southeast Museum of Photography, Daytona Beach, FL; "Off the Press: Recontextualizing the Newspaper in Contemporary Art" (March 25 - May 25) (cat.) | ||||||||||
| 2002 | Whitney Museum of American Art, New York, NY; "Visions from America: Photographs from the Whitney Museum of American Art, 1940-2001", curated by Sylvia Wolfe (June 27 - September 22) | |||||||||
| The Victoria and Albert Museum, London; "Seeing Things: Photographing Objects, 1850-2001" (February 21 - August 18) (cat.) | ||||||||||
| The Site Gallery, Sheffield, UK; "Con Art: Magic/Object/Action", curated by Helen & PierGiorgio Varola (February 16 - April 6) | ||||||||||
| National Museum of Women in the Arts, Washington DC; "Feminism and Art: Selections from the Permanent Collection" (June - August) | ||||||||||
| 2001 | Margo Leavin Gallery, Los Angeles, CA; "Seeing or Believing" (June 9 - July 28) | |||||||||
| Gallery Camino Real, Boca Raton, FL; "Photo-Synthesis", curated by Douglas Maxwell (January 11 - February 3) | ||||||||||
| Kunsthalle Wien, Vienna, Austria; "Tele[visions]", curated by Joshua Decter (October 18 - January 6, 2002) | ||||||||||
| Skidmore College, Saragota Springs, NY; "Still Photography" (June 16 - August 26) | ||||||||||
| Tang Museum, Saratoga Springs, NY; "Still Photography: Works from the Tang Collection", curated by Charles Stainback (June 16 - Aug 16) | ||||||||||
| 2000 | Museum of New Mexico, Museum of Fine Arts, Sante Fe, NM; "20/20 Twentieth Century Photography Acquisitions", (February 4 - August 20) | |||||||||
| De Saisset Museum, Santa Clara, CA; Brauer Museum, Valparaiso, IN; “The One Chosen” (August 2000 - November 2001) | ||||||||||
| Contemporary Arts Center, New Orleans, LA; "Photography Now", curated by David Rubin (July 15 - September 24) | ||||||||||
| Collection Lambert en Avignon, France; “Rendez-Vous 1” (June 27 - October 1) | ||||||||||
| 1999 | Whitney Museum of American Art, New York, NY; "The American Century: Art & Culture 1950-2000" (September 26 - February 27, 2000) (cat.) | |||||||||
| Nexus Contemporary Art Center, Atlanta, GA; "Double Vision", curated by Michael Pittari | ||||||||||
| 1998 | Art Museum of South Texas, Corpus Christi, TX; “From The Heart: The Power of Photography - A Collector’s Choice”, curated by Adam D. Weinberg (March 6 - June 7) | |||||||||
| Museo Santa Maria Della Scala, Siena, Italy; “Civic Art In Sienese Villages: Three Contemporary Artists Create Public Works”, curated by Cornelia Lauf (September 11 - October) | ||||||||||
| Dorfman Projects, New York, NY; “The Tip of the Iceberg: A Response to New York Museums”, curated by Bill Bartman (March 28 - April 25) | ||||||||||
| 1997 | International Center of Photography, New York, NY; “Eye of the Beholder: Photographs from the Avon Collection” (September 12 - November 13) | |||||||||
| Thomas J. Walsh Art Gallery, Quick Center for the Arts at Fairfield University, Fairfield, CT; “The One Chosen: Images of Christ in Recent New York Art” (April 18 - May 31) (cat.) | ||||||||||
| Milwaukee Art Museum, Milwaukee, WI; “Identity Crisis: Self Portraiture at the End of the Century”, curated by Dean Sobol (September 12 - November 16) (cat.) | ||||||||||
| California Center for the Arts Museum, Escondido, CA; “Table Tops: Morandi’s Still Lifes to Mapplethorpe’s Flower Studies” (September 21 - January 21, 1998) | ||||||||||
| 1996 | The Clocktower Gallery, Institute of Contemporary Art, New York, NY; “Model Home,” organized by Alanna Heiss and Sabina Streeter (February 26 - March 31) (cat.) | |||||||||
| S. L. Simpson Gallery, Toronto, Canada; “Sarah Charlesworth, Louise Lawler, Ian Wallace” (July 5 - July 26) | ||||||||||
| S. L. Simpson Gallery, Toronto, Canada; “Sarah Charlesworth, Hannah Collins, General Idea, Laurie Simmons, Carolyn White” | ||||||||||
| Nicole Klagsbrun Gallery, New York, NY; (December 14 - January 18, 1997) Bernard Toale Gallery, Boston, MA; (December 14 - January 18, 1997) “Making Pictures: Women and Photography, 1975-Now”, curated by Nicole Klagsbrun | ||||||||||
| Museum of Contemporary Art, Los Angeles, CA; “Just Past: The Contemporary in M.o.C.A.’s Permanent Collection, 1975-96” (September 29 – January 19, 1997) | ||||||||||
| Los Angeles County Museum of Art, Los Angeles, CA; "Some Grids", organized by Carol S. Eliel and Lynn Zelevansky | ||||||||||
| 1994 | Whitney Museum of American Art, New York, NY; "From the Collection: Photography, Sculpture, Painting" | |||||||||
| Thread Waxing Space, New York, NY; "Don't Look Now", curated by Josh Decter (January 22 - February 26) (cat.) | ||||||||||
| The InterArt Center, New York, NY; "Gift", organized by Gideon Ponte, Birgit Spears & Neville Wakefield | ||||||||||
| The Art Museum, Florida International University, Miami, FL; "American Art Today: Heads Only", curated by Dahlia Morgan (April 8 - May 6) (cat.) | ||||||||||
| School of the Art Institute of Chicago, Chicago, IL; "Transmitting the Truth: Reformulating News Media Information" (September 2 - October 19) | ||||||||||
| Offshore Gallery, East Hampton, NY; "Seasights", curated by Nessia Pope (November 12 - December 31) | ||||||||||
| Musée d’art moderne et contemporain (MAMCO), Genève, Switzerland; "Rudiments d'un Musée Possible 1" (September 23 - January 29, 1995) | ||||||||||
| Christinerose Gallery, New York, NY; "Chasing Angels" (December 3 - January 21, 1995) (cat.) | ||||||||||
| Carl Solway Gallery, Cincinnati, OH; "Desire & Loss" (January 15 - April 2) | ||||||||||
| 1993 - 1996 | Neuberger Museum, Purchase, NY; Virginia Beach Center for the Arts, Virginia Beach, VA; University Gallery, Univ. of North Texas, Denton, TX; Art Gallery, Sir Wilfred Grenfell College, Univ. of Newfoundland, Newfoundland, NS, Canada; Mackenzie Art Gallery, Regina, Sas.,Canada; The Gallery/Stratford, Stratford, Ont., Canada; California Center for the Arts, Escondido, CA; SelbyGallery Ringling School of the Arts, Sarasota, FL; The Rubelle & Norman Schafler Gallery, Pratt Institute, Brooklyn, NY; "Empty Dress: Clothing as Surrogate in Recent Art", curated by Nina Felshin for IndependentCurators Intl. (cat.) | |||||||||
| 1993 - 1994 | Center for the Fine Arts, Miami, FL; Museo Amparo, Puebla, Mexico; Centro Cultural Consolidado, Nacional de Bellas Artes, Buenos Aires, Argentina; Museo Nacional de Bellas Artes, Santiago, Chile; "Photoplay: Works from the Chase Manhattan Collection", organized by Lisa Phillips in association with Manuel E. Gonzalez (cat.) | |||||||||
| International Center of Photography, New York, NY; Institute of Contemporary Art, Boston, MA; Laguna Art Museum, Laguna Beach, CA; "Commodity Image" (cat.) | ||||||||||
| 1993 | The Herbert F. Johnson Museum of Art, Cornell University, NY; "Up Close: Chemistry Imagined Photogenics: Contemporary Art from the Mallin Collection" (April 2 - June 13) | |||||||||
| The Drawing Center, New York, NY; "The Return of the Cadavre Exquis" (November 6 - December 18) (cat.) | ||||||||||
| Raab Galerie, Berlin, Germany; Galleria Gian Ferrari Arte Contemporanea, Milano, Italy; “Vivid: Intense Images by American Photographers”, curated by Victoria Espy-Burns (May 19 - July 31) | ||||||||||
| Nassau County Museum of Art, Roslyn Harbor, NY; "Image Makers", curated by Franklin Hill Perrell and Constance Schwartz (October 3 - January 2, 1994) (cat.) | ||||||||||
| L'Espace Lyonnais d'Art Contemporain, Lyon, France; "Here's Looking At Me / A Mes Beaux Yeux: Autoportraits Contemporains", curated by Bernard P. Brunon (January 29 - April 30) (cat.) | ||||||||||
| Donna Beam Fine Art Gallery, University of Nevada, Las Vegas, NV; "From New York:Recent Thinking in Contemporary Photography" (March 1 - March 28) | ||||||||||
| 1992 - 1993 | The New Jersey Center for Visual Arts, Summit, NJ; "New Jersey Collects: Photography" curated by Elynn Dennison, Sharon Gill and Perijane Zarembok (November 15 - January 8, 1993) | |||||||||
| Art Gallery of New South Wales, Sydney, Australia (sponsor, & various local sites); The "Boundary Rider: 9th Biennale of Sydney", curated by Anthony Bond (December 15 - March 14, 1993) (cat.) | ||||||||||
| 1992 | University Art Museum, Santa Barbara, CA; The Santa Monica Museum of Art, Santa Monica, CA; The North Carolina Museum of Art, Raleigh, NC; "Knowledge: Aspects of Conceptual Art", curated by Frances Colpitt and Phyllis Plous (cat.) | |||||||||
| The Aldrich Museum of Contemporary Art, Ridgefield, CT; "Quotations: The Second History of Art", organized by Barry Rosenberg (May 16 - September 20) (cat.) | ||||||||||
| International Center of Photography, New York, NY; "The Photographic Order from Pop to Now" (July 31 - October 16) (cat.) | ||||||||||
| Centro Cultural Arte Contemporaneo, Polanco, Mexico; "The Disasters of War" | ||||||||||
| 1991 | Museum of Contemporary Art, Los Angeles, CA; "Selections from the Permanent Collection: 1975-1991" (August 25 - December 15) | |||||||||
| Museum of Contemporary Art, Los Angeles, CA; "Recent Work / Recent Acquisitions" (January 20 – February 17) | ||||||||||
| Cleveland Center for Contemporary Art, Cleveland, OH; "Cruciformed: Images of the Cross Since 1980" (cat.) | ||||||||||
| Foto e.V. München and Barbara Gross Galerie, München, Germany; "Das Sibyllinische Auge: Fotokünstlerinnen aus dem Anglo-Amerikanischen Raum", curated by Isabelle Graw and Pia Lanzinger (January 9 - February 3) (cat.) | ||||||||||
| Barbara Mathes Gallery, New York, NY; "The Conceptual Eye" | ||||||||||
| New Museum of Contemporary Art, New York, NY; "The Interrupted Life", curated by France Morin (September 13 - December 29) (cat.) | ||||||||||
| National Museum of American Art, Smithsonian Institution, Washington, DC; "Motion and Document - Sequence and Time: Eadweard Muybridge and Contemporary American Photography", curated by James Sheldon and Jock Reynolds (cat. - travelling show) | ||||||||||
| Setagaya Art Museum, Tokyo; The National Museum of Art, Osaka; Fukuoka Art Museum, Fukuoka, Japan; "Beyond the Frame: American Art 1960-1990", curated by Lynn Gumpert (cat.) | ||||||||||
| Norton Gallery of Art, West Palm Beach, FL and Samuel P. Harn Museum of Art at the Univ. of Florida, Gainesville, FL; "Southeast Bank Collects: A Corporation Views Contemporary Art", curated by Lisa Liebmann (December 1 - February 9, 1992) (cat.) | ||||||||||
| Robert Miller Gallery, New York, NY; Lorence Monk Gallery, New York, NY; "In a Dream...(portfolio published by Photographers and Friends Against AIDS)" | ||||||||||
| Samuel P. Harn Museum of Art, University of Florida, Gainesville, FL; "Images from the Eighties Part 1, American Paintings and Drawings from the Samuel P. Harn Museum of Art's Skowhegan Collection" | ||||||||||
| Tony Shafrazi Gallery, New York, NY; "A Passion for Art: Watercolors and Works on Paper" (December 7 - January 25, 1992) | ||||||||||
| Victoria and Albert Museum, London, UK; “Postmodern Prints” (July 17 - October 27) | ||||||||||
| Palazzo delle Albere, Museo d'Arte Moderna e Contemporanea di Trento e Rovereto,Trento, Italy; "American Art of the 80's", curated by Gabriella Belli and Jerry Saltz (December 18 - March 1, 1992) (cat.) | ||||||||||
| 1990 | Krygier/Landau Contemporary Art, Santa Monica, CA; "Prints and Multiples" | |||||||||
| Feigen Gallery, Chicago, IL; "Sarah Charlesworth, Jeanne Dunning, Annette Messager, Adrian Piper, Laurie Simmons" (March 30 - April 28) (cat.) | ||||||||||
| Galerie Samia Saouma, Paris, France; "Figures et Lectures" (June 7 - July 21) | ||||||||||
| Galleri Nordanstad-Skarstedt, Stockholm, Sweden; “Disconnections” (March 26 - April 21) | ||||||||||
| International Center of Photography , New York, NY; Los Angeles Municipal Art Gallery, Los Angeles, CA; "The Indomitable Spirit" (February 9 - April 7) (cat.) | ||||||||||
| Hallwalls Contemporary Arts Center, Buffalo, NY; "Insect Politics: Body Horror / Social Order" (March 17 - April 13) (cat.) | ||||||||||
| Leo Castelli Gallery, New York, NY; Gallery, Milan, Italy; "Taking the Picture: Photography and Appropriation", curated by Manuela Gandini (April 7 - April 28) | ||||||||||
| Nicola Jacobs Gallery, London, UK; Third Eye Center, Glasgow, Scotland; "Reorienting: Looking East", curated by Lynne Cooke (cat.) | ||||||||||
| White Columns, New York, NY; "Fragments, Parts, Wholes; The Body & Culture" | ||||||||||
| XPO Galerie, Hamburg, Germany; "The Point of View" | ||||||||||
| Museum of Fine Arts, Boston, MA; "Figuring the Body", curated by Trevor Fairbrother and Kathy Halbreich (July 28 - October 28) | ||||||||||
| 1989 - 1990 | Cambridge Darkroom, Cambridge; City Museum and Art Gallery, Stroke-on-Trent; Newport Museum and Art Gallery; Harris Museum and Art Gallery, Preston (all England); "Shifting Focus: An International Exhibition of Contemporary Women's Photography", curated by Susan Butler for The Arnolfini Gallery, Bristol and The Serpentine Gallery, London (cat.) | |||||||||
| 1989 | Grita Insam Gallery, Vienna, Austria (July 9 - September 9); Museum voor Hedendaagse Kunst Het Kruithuis, Hertogenbosch, The Netherlands (September 22 - October 29); "Vis-A-Vis: Aspects of Contemporary Portrait Photography" | |||||||||
| Josh Baer Gallery, New York, NY; "Natura-Naturata (An Argument for Still-Life)", curated by Cornelia Lauf (March 4 - March 11) | ||||||||||
| International Center of Photography, New York, NY; "Culture Medium: A Notion of Truth", curated by Charles Stainback (July 21 - September 3) (cat.) | ||||||||||
| Hirschl & Adler Modern, New York, NY; "Departures: Photography 1924-1989" (November 2 - December 2) | ||||||||||
| Carleton Art Gallery, Carleton College, Northfield, MN; Women's Art Registry of Minnesota, Minneapolis, MN; "What Does She Want?: Current Feminist Art from the First Bank Collection", curated by Lynne Sowder and Nathan Braulick (cat.) | ||||||||||
| Frac Rhône-Alpes, Lyon, France; "Avant 1989", curated by Haim Steinbach (cat.) | ||||||||||
| Emerson Gallery, Hamilton College, Clinton, NY; Anderson Gallery, Virginia Commonwealth University, Richmond, VA; "Abstraction in Contemporary Photography", curated by Jimmy De Sana (cat.) | ||||||||||
| Editions Ilene Kurtz, New York, NY; "Sarah Charlesworth and Laurie Simmons: Prints & Photographs" (April 28 - May 29) | ||||||||||
| Art Center College of Design, Pasadena, CA; "Fauxtography", curated by Nora Halpern Brougher (September 16 - October 25) | ||||||||||
| Museum of Contemporary Art, Los Angeles, CA; "A Forest of Signs: Art in the Crisis of Representation", curated by Mary Jane Jacob and Ann Goldstein (May 5 - August 13) (cat.) | ||||||||||
| Messepalast, Vienna, Austria; Moskau - Wien - New York: "Kunst zur Zeit", curated by Viktor Misiano and Oliver Wasow (cat.) | ||||||||||
| Aldrich Museum of Contemporary Art, Ridgefield, CT; "Selections from the Collection of Marc and Olivia Straus" (June 24 - October 8) (cat.) | ||||||||||
| National Museum of American Art, Smithsonian Institution, Washington, DC; The Museum of Contemporary Art, Chicago, IL and Walker Art Center, Minneapolis, MN; "The Photography of Invention: American Pictures of the 1980s", curated by Joshua P. Smith and Merry A. Foresta (cat.) | ||||||||||
| Thomas Segal Gallery, Boston, MA; "Camera Culture", curated by Brent Sikkema (September 16 - October 18) | ||||||||||
| Wight Art Gallery, University of California, Los Angeles, CA; Joslyn Museum of Art, Omaha, NE; Neuberger Museum, Purchase, NY; Akron Art Museum, Akron, OH; "Selected Works from the Frederick R. Weisman Foundation" (cat.) | ||||||||||
| Whitney Museum of American Art, New York, NY; "Image World: Art and Media Culture", curated by Marvin Heiferman and Lisa Phillips (November 9 - December 2) (cat.) | ||||||||||
| Nicola Jacobs Gallery, London, UK; "Subject: Object" (cat.) | ||||||||||
| Tony Shafrazi Gallery, New York, NY; "Don't Bungle the Jungle! A benefit exhibition for the rainforest" (June 3 - June 30) | ||||||||||
| Vienna Secession, Vienna, Austria; "The Play of the Unsayable-Wittgenstein and the Art of the XXth Century", curated by Joseph Kosuth (cat.) | ||||||||||
| The Squibb Gallery, Princeton, NJ; "Fictive Strategies; Actuality and Originality in Contemporary Photography", curated by Joseph Rauch (February 26 - April 2) (cat.) | ||||||||||
| The Serpentine Gallery, London, UK; “Shifting Focus” (June 30 - August 28) | ||||||||||
| The John and Mable Ringling Museum of Art, Sarasota, FL; Center for the Fine Arts, Miami, FL; "Contemporary Perspective I: Abstraction in Question", curated by Bruce Ferguson, Joan Simon and Roberta Smith (cat.) | ||||||||||
| Salama-Caro Gallery, London, UK; "International Camera" (January 27 - February 25) | ||||||||||
| S. L. Simpson Gallery, Toronto, Canada; "Sarah Charlesworth, Christine Davis, Judith Schwarz" (July 22 - August 30) | ||||||||||
| 1988 | Artculture Resource Center, Toronto, Canada; "The Discursive Field of Recent Photography", curated by Tom Folland | |||||||||
| Jay Gorney Modern Art, New York, NY; "Gallery Artists" (January 9 - January 30) | ||||||||||
| Burden Gallery / Aperture Foundation, New York, NY; "The Return of the Hero", curated by Karen Marta | ||||||||||
| Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA; "Fabrications", curated by Anne Hoy (book) | ||||||||||
| Greenville County Museum of Art, Greenville, SC; "Just like a Woman" | ||||||||||
| Haggerty Museum of Art, Marquette University, Milwaukee, WI; "Photography on the Edge" (March 24 – June 8) (cat.) | ||||||||||
| White Columns, New York, NY; "Female (Re)production", curated by Marilu Knode (January 28 - February 20) | ||||||||||
| Robert Koch Gallery, San Francisco, CA; "Photography in Art Today" | ||||||||||
| Scott Hanson Gallery, New York, NY; "Media / Post Media", curated by Collins and Milazzo (January 6 - February 9) (cat.) | ||||||||||
| The University of North Texas Art Gallery, Denton, TX; The J. B. Speed Art Museum, Louisville, LA; Alberta College Gallery of Art, Alberta, Canada; The Cincinnati Contemporary Art Center, Cincinnati, OH, Richard F. Brush Art Gallery, Santa Fe Community College Art Gallery, Santa Fe, NM; "Hybrid Neutral: Modes of Abstraction and the Social" curated by Tricia Collins & Richard Milazzo for Independent Curators Intl. (cat.) | ||||||||||
| Wallach Art Gallery, Columbia University, New York, NY; "Sexual Difference: Both Sides of the Camera", curated by Abigail Solomon-Godeau (March 24 - May 7) (cat.) | ||||||||||
| Rooseum, Malmö, Sweden; "Art at the End of the Social", curated by Collins & Milazzo (July 29 - October 2) (cat.) | ||||||||||
| 1987 – 1988 | Sala de Exposiciones de la Fundacion Caja de Pensiones, Madrid, Spain; Fundacio Caixa de Pensions, Barcelona, Spain; "Art and Its Double: A New York Perspective", curated by Dan Cameron (cat.) | |||||||||
| 1987 | Musee St. Pierre, Espace Lyonnais d'Art Contemporain, Lyon, France; "Contemporary Photographic Portraiture", curated by Bernard Brunon (October 7 - November 22) (cat.) | |||||||||
| Alternative Museum, New York, NY; "Poetic Injury: The Surrealist Legacy in Post Modern Photography", curated by Roger Denson (November 14 - December 23) | ||||||||||
| Barbara Toll Fine Arts, New York, NY: "Monsters: The Phenomena of Dispassion", curated by Dennis Kardon and Maria Reidelbach | ||||||||||
| The John and Mable Ringling Museum of Art, Sarasota, FL; Akron Art Museum, Akron, OH; Chrysler Museum, Norfolk, VA: "This is not a Photograph: Twenty Years of Large Scale Photography; 1966-1986", curated by Joseph Jacobs (cat.) | ||||||||||
| Sidney Janis Gallery, New York, NY; "Recent Tendencies in Black and White", curated by Jerry Saltz (December 3 - December 24) (cat.) | ||||||||||
| University Art Gallery, San Diego State University, San Diego, CA; "Industrial Icons" | ||||||||||
| Whitney Museum of American Art at Champion Plaza, Stamford, CT; Whitney Museum of American Art at Equitable Center, New York, NY; "Contemporary Diptychs: The New Shape of Content", curated by Roni Feinstein (cat.) | ||||||||||
| 1986 | Institute of Contemporary Art, Boston, MA; "As Found, part III of Dissent: The Issue of Modern Art in Boston" (April 29 - June 22) (cat.) | |||||||||
| 303 Gallery, New York, NY; Photography Bard College, Annandale-on Hudson, NY; "Altered States", curated by Vikky Alexander (April 3 - April 30) | ||||||||||
| Brooke Alexander Gallery, New York, NY, "Benefit for The Kitchen", curated by Brooke Alexander and Paula Cooper (December 13 - December 21) | ||||||||||
| CEPA Gallery, Buffalo, NY; "Spiritual America", curated by Collins and Milazzo (March 3 - June 15) (cat.) | ||||||||||
| Editions Ilene Kurtz, New York, NY; "Sarah Charlesworth, Jeff Koons, Laurie Simmons" (Tartan Sets portfolio) | ||||||||||
| S.L. Simpson Gallery, Toronto, Canada; "Ultrasurd", curated by Collins and Milazzo (September 26 - October 15) (cat.) | ||||||||||
| Lightsong Gallery, University of Arizona, Tucson, AZ | ||||||||||
| Margo Leavin Gallery, Los Angeles, CA; "Paravision", curated by Collins and Milazzo (July 12 - August 23) | ||||||||||
| Michael Kohn Gallery, Los Angeles, CA; "Post Pop Art" (June 5 - July 12) | ||||||||||
| The Queens Museum of Art, New York, NY; "The Big Picture", curated by Marvin Heiferman (cat.) | ||||||||||
| Venice Biennale, Venice, Italy; "Aperto" (June 29 - September 28) (cat.) | ||||||||||
| 1985 – 1986 | Rhona Hoffman Gallery, Chicago, IL; Texas Gallery, Houston, TX; Aspen Art Museum, Aspen, CO; Vanguard Gallery, Philadelphia, PA; "Infotainment", curated by Peter Nagy (cat.) | |||||||||
| 1985 | New Museum of Contemporary Art, New York, NY; "The Art of Memory, The Loss of History",curated by Bill Olander (November 22 - December) (cat.) | |||||||||
| Cable Gallery, New York, NY | ||||||||||
| Feature Gallery, Chicago, IL | ||||||||||
| Holly Solomon Gallery, New York, NY; "Selected Artists from The East Village" | ||||||||||
| 55 Mercer Street Gallery, New York, NY; "Smart Art Too", curated by Joe Masheck (January 8 - January 26) | ||||||||||
| Laguna Gloria Art Museum, Austin, TX; "Figure it Out" | ||||||||||
| Light Gallery, New York, NY; “In the Tradition of: Photography” (February 11 - March 24) | ||||||||||
| International with Monument, New York, NY; “Still Life with Transaction” (March 28 - April 21) | ||||||||||
| Nexus Contemporary Art Center, Atlanta, GA; C. W. Woods Gallery, Hattiesburg, MS; Carolina Program Union, Columbia, SC; Austin Peay State University, Clarksville, TN; Valencia Community College, Orlando, FL; North Carolina Museum of Art, Raleigh, NC; University of the South, Sewanee, TN; Public Art, organized by Nexus Contemporary Art Center, Atlanta (cat.) | ||||||||||
| The Institute for Contemporary Arts, Santa Fe, NM; "Playing It Again, Strategies of Appropriation" (traveling show), curated by Sam Samore | ||||||||||
| Tibor de Nagy Gallery, New York, NY; "Cult and Decorum", curated by Collins and Milazzo (December 7 - January 4, 1986) (cat.) | ||||||||||
| Tony Birckhead Gallery, Cincinnati, OH | ||||||||||
| White Columns, New York, NY; "Seduction: Working Photographs", curated by Marvin Heiferman (February 6 - March 2) | ||||||||||
| Whitney Museum of American Art, New York, NY; "1985 Biennial Exhibition" (March 21 - June 9) (cat.) | ||||||||||
| Postmasters Gallery, New York, NY; “Photo Object” (December 13 - January 26, 1986) | ||||||||||
| 1984 - 1985 | White Columns, New York, NY; The New Capital, curated by Collins and Milazzo (December 4 - January 5, 1985) | |||||||||
| Riverside Studios, London; Kettle's Yard, Cambridge; Midland Group Gallery, Nottingham, UK; "Between Here and Nowhere", curated by Rosetta Brooks (cat.) | ||||||||||
| 1984 | Galerie Jurka, Amsterdam, Netherlands; International with Monument, New York, NY; "Still Life with Transaction", curated by Collins and Milazzo | |||||||||
| Blum Helman Warehouse, New York, NY; “Bomb Magazine Show” | ||||||||||
| Cable Gallery, New York, NY; "Sex Show" | ||||||||||
| Dart Gallery, Chicago, IL; "Large Scale Photographs" (September 14 - October 10) | ||||||||||
| Fine Arts Gallery, Florida State University, Tallahassee, FL; "Natural Genres", curated by Collins and Milazzo (August 31 - September 30) | ||||||||||
| Spiritual America, New York, NY; "Pop" (February 1 - March) | ||||||||||
| Museum of Modern Art / Art Advisory Service, New York, NY; "Ten Years of Contemporary Art" (September - January, 1985) | ||||||||||
| Nature Morte Gallery, New York, NY; “Wedge Benefit” (June 27 - June 29) | ||||||||||
| School of the Art Institute of Chicago Gallery, Chicago, IL; "Sex Specific: Photographic Investigations of Contemporary Sexuality" (November 2 - November 24) (cat.) | ||||||||||
| Washington Project for the Arts, Washington, DC; "The Magazine Store", curated by Jock Reynolds | ||||||||||
| 1983 | Brooklyn Army Terminal, New York, NY; "Terminal New York" | |||||||||
| Allen Memorial Art Museum, Oberlin College, Oberlin, OH; "Art and Social Change U.S.A.", curated by Bill Olander (April 19 - May 30) (cat.) | ||||||||||
| American Graffiti Gallery, Amsterdam, Netherlands | ||||||||||
| Barbara Gladstone Gallery, New York, NY; "State of the Art, The New Social Commentary" (June 14 - July 29) | ||||||||||
| Palais de Beaux Arts, Brussels, Belgium | ||||||||||
| Castelli Graphics, New York, NY; "Three-Dimensional Photographs" (April 12 - May 4) | ||||||||||
| Marianne Deson Gallery, Chicago, IL; "Artists Use Photographs" (January 7 - February 16) | ||||||||||
| Marlborough Gallery, New York, NY; "In Plato's Cave", curated by Abigail Solomon-Godeau (November 4 - November 29) (cat.) | ||||||||||
| Olsen Gallery, New York, NY; "Eight Women Artists" (June 16 - July 16) | ||||||||||
| 1982 | The Renaissance Society, University of Chicago, Chicago, IL; "Art and the Media: A Fatal Attraction", curated by Tom Lawson (cat.) (May 2 – June 12) | |||||||||
| Proctor Art Center, Bard College, Annandale-On-Hudson, NY; “Resource Material: Appropriation In Current Photography”, curated by Stephen Frailey (October 30 - December 1) | ||||||||||
| Olsen Gallery, New York, NY; "Sarah Charlesworth, Olivier Mosset" (June 11 - August) | ||||||||||
| 1981 | Tony Shafrazi Gallery, New York, NY (December 19 - January 16) | |||||||||
| P.S.1, Long Island City, NY; New York, “New Wave”, curated by Diego Cortez (February 15 – April 5) | ||||||||||
| Metro Pictures, New York, NY; “Photo” (September 12 - October 3) | ||||||||||
| 1980 | The Times Square Show, New York, NY; organized by Colab (June) | |||||||||
| Carmen Lamanna Gallery, Toronto, Canada; “General Idea” (May 31 - June 19) | ||||||||||
| 1979 | P. S.1, Long Island City, NY; “The Altered Photograph” (April 22 – June 10) | |||||||||
| Galerie Yvon Lambert, Paris, France; Paula Cooper Gallery, New York, NY; "Artemisia", curated by Yvon Lambert (cat.) | ||||||||||
| 1978 | Bibliotheque National, Paris, France | |||||||||
| Gallery 76, Toronto, Canada | ||||||||||
| 1977 | Art Net, London, UK | |||||||||
| Carmen Lamanna Gallery, Toronto, Canada | ||||||||||
| 1976 | Galerie Durand-Dessert, Paris, France; MTL Gallery, Brussels, Belgium; PMJ Self Gallery, London, UK; "Face / Surface", collaborative project with Joseph Kosuth | |||||||||
| CURATORIAL PROJECTS: | ||||||||||
| 1995 | Artists Space, New York, NY; "Somatogenics", group show co-curated with Cindy Sherman and Laurie Simmons. | |||||||||
| John Simon Guggenheim Fellowship Award, Visual Art | ||||||||||
| 1983 | National Endowment for the Arts | |||||||||
| 1980 | National Endowment for the Arts | |||||||||
| 1977 | New York State Creative Artists Public Service | |||||||||
| 1976 | National Endowment for the Arts | |||||||||
| EXHIBITION: | ||||||||||
| Boca Raton Museum of Art, FL; "Smoke and Mirrors: Magical Thinking in Contemporary Art," curated by Kathleen Goncharov (November 18, 2023 - May 12, 2024) | ||||||||||
| BOOKS & CATALOGUES ABOUT THE ARTIST: | ||||||||||
| 2017 | Steiner, Rochelle, ed. |
Sarah Charlesworth, monograph with contributions by Eric Crosby, Mark Godfrey, Thomas Lawson and Rebecca Morse, Delmonico-Prestel (ISBN: 9783791356815) | ||||||||
| 2015 | Gioni, Massimiliano
Norton, Margot |
Sarah Charlesworth: Doubleworld, exhibition catalogue published by New Museum, New York, NY | ||||||||
| 2014 | Witkovsky, Matthew S. |
Sarah Charlesworth: Stills, exhibition catalogue published by the Art Institute of Chicago, Chicago, IL | ||||||||
| 1997 | Fisher-Sterling, Susan
Hickey, Dave Phillips, Lisa |
Sarah Charlesworth, exhibition catalogue published by Site, Santa Fe, NM and National Museum of Women in the Arts, Washington, DC | ||||||||
| 1992 | Grachos, Louis |
Contemporary Currents: Sarah Charlesworth, Special Project: Herald Tribune: Nov., 1977 / Herald Tribune: Jan. 18 - Feb. 28, 1991, exhibition brochure published by The Queens Museum of Art, Queens, NY (no ISBN) | ||||||||
| 1984 | unsigned | Sarah Charlesworth: April 21 1978, special issue of C. M. P. Bulletin published as exhibition brochure by California Museum of Photography, University of California, Riverside, CA, Vol.3 No.5 (ISSN: 0731-2377) | ||||||||
| 1983 | Charlesworth, Sarah |
A Lover's Tale, special issue of Wedge Magazine, Summer/Fall (a visual text pamphlet by Sarah Charlesworth) | ||||||||
| 1982 | Charlesworth, Sarah
Simmons, Laurie |
Sarah Charlesworth: In - Photography, exhibition catalogue published by CEPA Gallery, Buffalo, NY (ISBN: 0-939784-03-3) (includes artist statement: In-Photography) | ||||||||
| 1979 | Charlesworth, Sarah |
Sarah Charlesworth: Modern History (Second Reading), exhibition catalogue published by The New 57 Gallery, Edinburgh, Scotland (no ISBN, edition: 500) (includes artist statement: Unwriting: Notes on Modern History) | ||||||||
| 1977 | unsigned | Sarah Charlesworth: Fourteen Days, exhibition catalogue published by MTL Galerie, Brussels, Belgium | ||||||||
| PUBLISHED WRITINGS BY THE ARTIST: | ||||||||||
| 2016 | Charlesworth, Sarah |
Liz Deschenes, Liz Deschenes On My Mind (article) | ||||||||
| 2012 | Charlesworth, Sarah |
==. Liz Deschenes On My Mind. (article) | ||||||||
| 2011 | Charlesworth, Sarah |
Artforum, Best Books of 2011: Believing is Seeing (Observations on the Mysteries of Photographs) by Errol Morris. December. (review) | ||||||||
| 1999 | Charlesworth, Sarah |
Interview Magazine, Oct.; Full page photo | ||||||||
| 1995 | Charlesworth, Sarah |
October, Questions of Feminism: 25 Responses, #71, Winter | ||||||||
| Charlesworth, Sarah |
College Art Association Journal, Sarah Charlesworth, Spring, p.78, illus. (statement) | |||||||||
| Charlesworth, Sarah
Simmons, Laurie |
Laurie Simmons, A.R.T. Press, Pasadena (interview) | |||||||||
| 1994 | Charlesworth, Sarah |
Tema Celeste, La Differenza Tra I Sessi Nell'Arte, Jan. (editorial) | ||||||||
| 1992 | Charlesworth, Sarah |
Tema Celeste, The Role of Gender in Art: Sarah Charlesworth, Autumn (editorial) | ||||||||
| 1983 | Charlesworth, Sarah |
Bomb Magazine, Glossolalia, Spring (collaborative article and special section with Barbara Kruger) | ||||||||
| 1982 | Charlesworth, Sarah |
Artforum, Books: Camera Lucida: Reflections on Photography’ by Roland Barthes, April, p.72-73 (review) | ||||||||
| 1979 | Charlesworth, Sarah |
Art in America, China: Visiting Socialism, March-April | ||||||||
| 1977 | Charlesworth, Sarah
et al. |
The Anti-Catalog (collaborative project) | ||||||||
| 1976 | Charlesworth, Sarah |
The Fox, For Artists Meeting, vol. I, #3 | ||||||||
| 1975 | Charlesworth, Sarah |
The Fox, Declaration of Dependence, vol. I, #1 | ||||||||
| Charlesworth, Sarah |
The Fox, Memo for the Fox, vol. I, #2 | |||||||||
| SELECTED BIBLIOGRAPHY: PERIODICALS: | ||||||||||
| 2024 | Sojit Pejcha, Camille |
The New York Times Style Magazine, "A Manhattan Group Show That Examines Artists' Intersecting Paths", June 20, 2024 | ||||||||
| Diehl, Travis; Elujoba, Yinka |
The New York Times, "What to See in N.Y.C. Galleries in July" (review), July 2, 2024 | |||||||||
| Als, Hilton |
The New Yorker, "Goings On" (Tabula Rasa review), June 28, 2024 | |||||||||
| Heinrich, Will |
The New York Times, "What to See in N.Y.C. Galleries In January" (review), January 18, 2024 | |||||||||
| 2023 | The Paris Review, (Cover), #246, Winter 2023 | |||||||||
| Zara, Janelle |
Artnews, "'Sarah Charlesworth: Neverland' at Karma" (review), June 22, 2023 | |||||||||
| Akers, Torey |
The Art Newspaper, "Twelve Must-See Exhibitions in South Florida During Miami Art Week", December 4, 2023 | |||||||||
| 2022 | Eckhardt, Stephanie |
W Magazine, "A Visual Appreciation of Fine Artists Appropriating Commercial Photography", September 5, 2022 | ||||||||
| Lloyd-Smith, Harriet |
Wallpaper, "Objects of Desire: The Seductive Exchange Between Fine Art and Advertising Photography", September 2, 2022 | |||||||||
| 2021 | Harris, Lauren |
Columbia Journalism Review, "Q&A: Dr. Ashley James on 'Off the Record' and the Limits of Documents", September 24, 2021 | ||||||||
| Silano, Pacifico |
Elephant Magazine, "Sarah Charlesworth Showed Me the Shape of Desire", June 9, 2021 | |||||||||
| Cotter, Holland |
The New York Times, Galleries: Sarah Charlesworth, November 26, 2021 | |||||||||
| Thomas, Alexandra M. |
Hyperallergic, "Off The Record Confronts Our Understanding of Objectivity", April 20, 2021 | |||||||||
| Dafoe, Taylor |
Artnet News, "What If An Artist Were Your History Teacher..." April 19, 2021 | |||||||||
| 2020 | Morgan, Robert C. |
The Brooklyn Rail, Sarah Charlesworth: Image Language (review), May 2020 | ||||||||
| Svirinavichyus, Nicole |
The Ticker, "A Look Into Baruch College's Art Collection: Sarah Charlesworth", May 3, 2020 | |||||||||
| Liberty, Megan N. |
Hyperallergic, "A Deep Dive Into Sarah Charlesworth's Image Archive", July 18, 2020 | |||||||||
| Strand, Nina |
Modern Times, Virtual Walks. Summer 2020. | |||||||||
| 2019 | Deitcher, David |
4Columns, Sarah Charlesworth: A Look Back at the Artist's Quintessential Postmodernism, March, 15, 2019. | ||||||||
| Artnews, 9 Art Events in New York This Week..., February 18, 2019 | ||||||||||
| Bigman, Alexander R. |
Art in America, Sarah Charlesworth (review), May, 2019 | |||||||||
| Binlot, Ann |
Document Journal, The Story Behind Sarah Charlesworth's Haunting 'Stills' Series, February 26, 2019 | |||||||||
| ElGenaidi, Deena |
Hyperallergic, Your Concise Guide to Armory Week 2019, March 5, 2019 | |||||||||
| Liberty, Megan |
ArtReview, Sarah Charlesworth at Paula Cooper Gallery (review), April 2019 | |||||||||
| Moffitt, Evan |
Frieze, The Best Shows in New York During Armory Week, March 5, 2019 | |||||||||
| Yu, Ashley |
Musee Magazine, Remembering a Spotlight Artist: Sarah Charlesworth, Issue 21: Risk, February, 2019. | |||||||||
| 2018 | Woodward, Richard B. |
Wall Street Journal, ‘Everything Is Connected: Art and Conspiracy’ Review: Paranoid Imaginings, September 24, 2018 | ||||||||
| Valentovic, Amanda |
AM New York, The Met Breuer's "Everything is Connected" Exhibit Examines Facts, Conspiracy and Power, September 20, 2018 | |||||||||
| Lachowskyj, Cat |
British Journal of Photography, Everything is Connected: Art and Conspiracy at The Met Breuer, New York (review), September 13, 2018 | |||||||||
| Conti, Riccardo |
Vogue Italia, Sarah Charlesworth, Available Light (review), May 25, 2018 | |||||||||
| 2017 | Tarasoff, Sabrina |
Flash Art, Sarah Charlesworth at Campoli Presti, January / February 2017 | ||||||||
| Indiana, Gary |
The New York Times Style Magazine, These ’80s Artists Are More Important Than Ever, February 13, 2017 | |||||||||
| Hutt, John. |
Musee Magazine, "Sarah Charlesworth: she stands alone", March 28, 2017 | |||||||||
| The New Yorker, Sarah Charlesworth, April 2017 | ||||||||||
| 2016 | Davis, Ben |
Artnet, Do You Have to Be Rich to Make It as an Artist?, January 14, 2016 | ||||||||
| Respini, Eva |
Aperture, On Defiance: Experimentation as Resistance, Winter 2016, pp. 100-107 | |||||||||
| Dick, Leslie |
X-tra Contemporary Art Quarterly, Intentional Accidents: Reflections on Sarah Charlesworth's Stills, Vol. 18, No. 3, Spring 2016. | |||||||||
| 2015 | Herd, Colin |
Aesthetica Magazine, Subversive Photography. August-September, 2015 | ||||||||
| Musée Magazine, Sarah Charlesworth: Doubleworld at New Museum, July 3, 2015 | ||||||||||
| PDN, The Double World of Sarah Charlesworth, September 4, 2015 | ||||||||||
| Aletti, Vince |
The New Yorker, Optic Nerve, The New Museum Surveys the Enigmatic Pictures of Sarah Charlesworth, July 20, 2015 | |||||||||
| Budick, Ariella |
Financial Times, Sarah Charlesworth/Albert Oehlen, New Museum, New York, August 19, 2015 | |||||||||
| Caranicas, Devon |
Sleek, Sarah Charlesworth’s Retrospective Gives You Double Vision, July 1st, 2015 | |||||||||
| Cruz, Cynthia |
Hyperallergic, With Photography, Sarah Charlesworth Deconstructs the World, September 11, 2015 | |||||||||
| Denson, G. Roger |
Huffington Post, Where Doubt Is Faith and the Sign Is Spirit: Sarah Charlesworth's Art of Personal Religion, September 8, 2015 | |||||||||
| Dorenbaum, Frances |
F Newsmagazine, The Last Dance: Sarah Charlesworth’s Stills, January 30, 2015 | |||||||||
| Felsenthal, Julia |
Vogue, Decoding Sarah Charlesworth’s Patricia Cawlings, Los Angeles at New York’s New Museum, July 9, 2015 | |||||||||
| Gopnik, Blake |
artnet Magazine, At the New Museum, Sarah Charlesworth's Jumpers Leap for Us All, August 14, 2015 | |||||||||
| Halle, Howard |
Time Out New York, Best Art Shows of 2015, December 10, 2015 | |||||||||
| Art in America, Museum Previews - Sarah Charlesworth, July 2015 | ||||||||||
| Jovanovich, Alex |
Artforum, Critics' Picks, July 2015 | |||||||||
| Smith, Roberta |
The New York Times, ‘Sarah Charlesworth: Doubleworld’ Studies Perceptions Shaped by Photography, June 25, 2015 | |||||||||
| Krasinski, Jennifer |
Village Voice, Doubledowner: New Museum Retrospective Gives Too Brief a Look at Sarah Charlesworth’s Work, July 14, 2015 | |||||||||
| Yerebakan, Osman Can |
Art Observed, New York – Sarah Charlesworth: “Doubleworld” at The New Museum Through September 20th, 2015, September 3, 2015 | |||||||||
| Wyma, Chloe |
Modern Painters, The Double World of Sarah Charlesworth, June 21, 2015 | |||||||||
| Solomon, Deborah |
The New York Times, Recalling Sarah Charlesworth’s Photographs, June 26, 2015 | |||||||||
| Woodward, Richard B. |
The Wall Street Journal, ‘Sarah Charlesworth: Doubleworld’ Review: Should We Look Away?, July 8, 2015 | |||||||||
| Schwendener, Martha |
The New York Times, Review: Metropolitan Museum Looks at Photos That May Last, December 31, 2015 | |||||||||
| O'Neill, David |
Bookforum, Sarah Charlesworth: Doubleworld, Fall 2015 | |||||||||
| Murg, Stephanie |
Wallpaper, The artist and linguist: Sarah Charlesworth's 'Doubleworld' on show at the New Museum, July 9, 2015 | |||||||||
| Mohammad, Sehba |
Flavorpill, 5 Reasons to See Sarah Charlesworth at the New Museum, June 18, 2015 | |||||||||
| Krug, Simone |
The Brooklyn Rail, Sarah Charlesworth - Doubleworld, September 8, 2015 | |||||||||
| 2014 | Heinrich, Will |
New York Observer, ‘Sarah Charlesworth: Objects of Desire: 1983-1988’ at Maccarone, May 7, 2014 | ||||||||
| The New Yorker, Sarah Charlesworth, April 25 2014 – June 21 2014 | ||||||||||
| Coleman, Sarah |
Artnews, ‘Sarah Charlesworth: Objects of Desire, 1983–1988′ at Maccarone, July 30, 2014 | |||||||||
| Cristello, Stephanie |
Pier Review, Sarah Charlesworth: Stills at the Art Institute of Chicago, Chicago, IL, September 19, 2014 | |||||||||
| Fiske, Courtney |
Art in America, Sarah Charlesworth at Maccarone, September 3, 2014 | |||||||||
| Guarino, Mark |
The Guardian, Considering the humanity of falling bodies in Sarah Charlesworth's Stills, September 18, 2014 | |||||||||
| Russeth, Andrew |
Artnews, ‘Challenged to Encompass Everything', September 18, 2014 | |||||||||
| Hutt, John |
Musée Magazine, Sarah Charlesworth “Objects of Desire 1983-1988″ at Maccarone, May 3, 2014 | |||||||||
| Laster, Paul |
Timeout New York, Sarah Charlesworth, "Objects of Desire: 1983-1988", May 20, 2014 | |||||||||
| MacDonnell, Nancy |
W Magazine, Ahead of her Time, April 28, 2014 | |||||||||
| Schjeldahl, Peter |
The New Yorker, Get with It | |||||||||
| Vogel, Carol |
The New York Times, Hurtling Bodies, Frozen in Time: 'Stills' by Sarah Charlesworth, September 12, 2014, p. AR4 | |||||||||
| 2013 | Lee, Soo Ji |
PDN, Obituary: Fine-Art Photographer Sarah Charlesworth, 66, June 27, 103 | ||||||||
| Boucher, Brian |
Art in America, Sarah Charlesworth 1947-2013, June 26, 2013 | |||||||||
| Gallun, Lucy |
Inside/Out, A MoMA / MoMA PS1 Blog. Unwriting: Sarah Charlesworth, November 15, 2013 (blog) | |||||||||
| Goldstein, Andrew M.
Corbett, Rachel |
Artspace, Remembering Sarah Charlesworth, Groundbreaking "Pictures Generation" Photographer, June 28, 2013 | |||||||||
| Handzo, Ben |
Bomb Magazine, Sarah Charlesworth, 1947 - 2013, July 17, 2013 | |||||||||
| Kazakina, Katya |
Bloomberg, Sarah Charlesworth Leaves Magic Images, Beloved Garden, June 29, 2013 | |||||||||
| Artlyst, Sarah Charlesworth American Conceptual Artist And Photographer Dies, June 29, 2013 | ||||||||||
| Putrino, Matt |
Nothing Major, R.I.P. Sarah Charlesworth, July 1, 2013 | |||||||||
| Simmons, Laurie |
Artforum, Sarah Charlesworth (1947–2013), November 2013 | |||||||||
| Smith, Roberta |
The New York Times, Sarah Charlesworth, Artist of Deconstructed Photographs, Dies at 66, June 30, 2013 | |||||||||
| Traub, Charles
Lange, Matthew C. |
The Brooklyn Rail, Remembering Sarah Charlesworth (1947-2013), July 15, 2013 | |||||||||
| Woodward, Richard B. |
The Wall Street Journal, Pictures, Without Their Thousand Words, July 3, 2013 | |||||||||
| Russeth, Andrew |
New York Observer, Sarah Charlesworth, Incisive Conceptual Photographer, Dies at 66, June 26, 2013 | |||||||||
| 2012 | Modern Painters, Reviews in Brief: Sarah Charlesworth. June 2012. | |||||||||
| Columbia: A Journal, No. 50, 2012. pp. 83-84. | ||||||||||
| Flash Art, Sarah Charlesworth & Sara VanDerBeek: A Space in Between. Summer 2012. pp. 80-83. (interview) | ||||||||||
| Life + Times, Lights Please: Sarah Charlesworth, April 16, 2012. | ||||||||||
| The New Yorker, Goings on About Town: Art. April 9, 2012, p. 10. | ||||||||||
| Frolov, Oleg |
Populist Magazine, Interview with Sarah Charlesworth, February 2012, p. 4-16. | |||||||||
| Smith, Roberta |
The New York Times, Sarah Charlesworth: Available Light, March 29, 2012, p. C26. | |||||||||
| 2011 | Moyer, Carrie |
Art in America, “The Deconstructive Impulse” (review) May 2011, p. 163 | ||||||||
| Hodara, Susan |
The New York Times, “Taking on the Role of Gender in Media” March 13, 2011 | |||||||||
| Cembalest, Robin |
ARTnews, A Terrible Beauty?, Summer 2011 | |||||||||
| 2009 | Tikhonova, Julia |
FLASH ART, "Sarah Charlesworth at Susan Inglett" (review) July-Sep 2009, Vol XLII, pp 98 | ||||||||
| Hafner, Hans-Jurgen |
Artnet Magazine, “Sarah Charlesworth bei Galerie Tanit, Munich: The Colour of Conceptual Criticism” (review) Oct 13 | |||||||||
| Barnes, Steve |
ARTnews, Sarah Charlesworth (review), Summer pp 128 | |||||||||
| 2008 | Smith, Roberta |
The New York Times, "The Human Face is a Monument" April 25, 2008 | ||||||||
| ARTnews, "Concrete Color" (review) March 2008 | ||||||||||
| 2007 | North Drive Press, "Sarah Charlesworth and Sara Vanderbeek: An Interview" #4, Fall | |||||||||
| Fitzpatrick, Andrea D. |
Art Journal, "The Movement of Vulnerability: Images of Falling and September 11" Winter 2007. col 66. no 4. pp. 85-102 | |||||||||
| 2006 | BOMB Magazine (cover), Summer, Number 96 | |||||||||
| 2005 | O'Brien, Glenn |
GQ, "How to Collect Photography," Sept, pp 302 | ||||||||
| 2004 | Spicer, Jakki |
artUS, "The Last Picture Show," January and February; pp. 36-37 | ||||||||
| Deitcher, David |
Artforum, "Spiritual America: David Deitcher on pre-teen spirit," Oct, p. | |||||||||
| 2003 | Hamilton, Jeanne |
The Commercial Appeal, 'Cold Comfort' clutches a warm and fuzzy void, 21 January;p. C4 | ||||||||
| Hamilton, Jeanne |
Artforum, One Year Under the Mast, Alexander Alberro on The Fox, Summer 2003 ; pp. 162 - 164, p. 206 | |||||||||
| Hainley, Bruce |
Artforum, "Designs for Living," December; p. 151 | |||||||||
| (Eds.) O'Brien, Glenn and Max Blagg |
Bald Ego; Fall 2003, Vol. 1 and Vol. 2 (ill. cover and reproductions) | |||||||||
| 2002 | Johnson, Ken |
The New York Times, Art Guide: Sarah Charlesworth, 13 Dec.; p.E45 | ||||||||
| unsigned | The New Yorker, Photography: Sarah Charlesworth, 16 Dec.; p.20 | |||||||||
| 2001 | Marschall, Laurence A. |
The Sciences, Book in Brief: The Story of P (illustr.), Jan.-Feb.; p.44 | ||||||||
| 2000 | Schwendener, Martha |
Time Out New York, Art reviews: Sarah Charlesworth at Gorney Bravin + Lee, 27 Jan-3 Feb., p. 58 | ||||||||
| Saltz, Jerry |
The Village Voice, The I-Don't-Get-It-Aesthetic, 25 January; p.57 | |||||||||
| Pagel, David |
Los Angeles Times, Sarah Charlesworth - Magical Forms, 28 January | |||||||||
| Cotter, Holland |
The New York Times, Surging Into Chelsea, 21 Jan.; pp. E37, E41 | |||||||||
| Cohen, Michael |
Flash Art, Review: Sarah Charlesworth at Gorney Bravin + Lee, May - June; p. 116 | |||||||||
| Aletti, Vince |
The Village Voice, Voice Choice: Photo: Sarah Charlesworth, 25 Jan.; p.79 | |||||||||
| 1999 | Temin, Christine |
The Boston Globe, Photo Synthesis: in a 20 year retrospective at the Rose Art Museum, Sarah Charlesworth transforms the medium and themessage of photography, 7 May. | ||||||||
| unsigned | The Chronicle of Higher Education, A Poetry of Metaphor and Magic, 7 May. | |||||||||
| 1998 | unsigned | Flash Art, Sarah Charlesworth Retrospective, Jan.-Feb, p.46, illus. (newssection) | ||||||||
| unsigned | Vision Magazine, Recycling Culture: an interview with SarahCharlesworth, 28 May | |||||||||
| unsigned | Antiques and the Arts Weekly, First Retrospective of Sarah Charlesworth's Photo-Objects, 28 Aug. (review: Nat'l. Museum...) | |||||||||
| Swarski, Lindsey |
UCSD Guardian, Cutting-edge photography is candy for the mind, 2 April (review: LaJolla) | |||||||||
| Lewis, JoAnn |
The Washington Post, Slight of Lens" Sarah Charlesworth, deconstruc-ting 'Truth' frame-by-frame, 10 August (review: Nat'l. Museum...) | |||||||||
| Baldridge, Charlene |
La Jolla Village News, Artists offer resonant juxtapositions, 23 April | |||||||||
| Bolger, Michael |
La Jolla Village News, Charlesworth tests sense, sensibilities in "Retrospective" 28 May | |||||||||
| Buckley, Patricia Morris |
North County Times, Artist Explores philosophies in retrospective photoexhibit, 20 March (review: LaJolla) | |||||||||
| Domandi, Marie-Charlotte |
Aperture, Sarah Charlesworth: retrospective at SITE Santa Fe, June,p.76-7, illus. (review: Site) | |||||||||
| Forrest, Jason A |
The Atlanta Journal Constitution, Look twice, then again, at thesecomplex photos, Fri., 27 Nov., p.Q8, illus. (review: Fay Gold) | |||||||||
| Green, Frank |
Cleveland Free Press, Master Juggler: The Restless Experiments of Sarah Charlesworth, 16-22 Dec. | |||||||||
| Knight, Christopher |
The Los Angeles Times, An Artist Taking Pictures (Literally), 22 April,p.F-1,4, illus. (review: LaJolla) | |||||||||
| Goldberg, Vicki |
The New York Times, Messages in the media: varied perceptions offactuality, 31 July, p.B33 (review: Nat'l. Museum...) | |||||||||
| Linker, Kate |
Art in America, Sarah Charlesworth: Artifacts of Artifice, July, p.74-79, 106 + cover (feature) | |||||||||
| Pincus, Robert |
San Diego Union Tribune, Pool of images, pearles of truth, 5 April(review: LaJolla) | |||||||||
| Litt, Steven |
The Plain Dealer (Cleveland), Photography as a form of Contemplation:Charlesworth's Artistic Images a Rich and Compelling Presence, Sun.,22 Nov., p.4-I (review: CCA) | |||||||||
| Shaw-Eagle, Joanna |
Sunday Times, Exhibition of Shifting Realities, 12 July | |||||||||
| Smith, Roberta |
The New York Times, Art Review: Evocative Cells: Uptown, Downtown,All Around, 27 Nov. | |||||||||
| O'Sullivan, Michael |
The Washington Post, Charlesworth's truth in pictures, 17 July (review: Nat'l. Museum...) | |||||||||
| Morgan, Anne Barclay |
Camera Austria International (Graz), Sarah Charlesworth - A Retrospective, Vol.64, illus. (review) | |||||||||
| Morgan, Anne |
Art Papers, Peering through History: an interview with Sarah Charlesworth, May-June, p.17-21, illus. (feature) | |||||||||
| 1997 | Walker, Hollis |
Pasatiempo, The New Mexican, A Landscape of Images, 31 Oct.-6 Nov.,pp.32-33 (review: Site) | ||||||||
| MacNeil, William |
Albuquerque Journal, Celebrated Photographer Blurs Line between Fact,Fiction, 4 Nov., pp.1&3 (review: Site) | |||||||||
| Clemmer, David |
Santa Fe Reporter, Context, Content and the Vessel of the Miraculous, 12-18 Nov., p.27 (review: Site) | |||||||||
| 1996 | unsigned | The Sciences, Sept/ Oct, pg. 28, illus. | ||||||||
| unsigned | New Observations, Sarah Charlesworth: Text, Jan/ Feb, pg. 22, illus. | |||||||||
| unsigned | At The Museum (Los Angeles County Museum of Art), Some Grids, p.9 | |||||||||
| Johnson, Paul |
Cover, Sarah Charlesworth, March , p.53, illus. (review: J.G.M.A.) | |||||||||
| Goldstein, Laurence |
Michigan Quarterly Review, Introduction, Vol. XXXV, No.4, Fall, p.574, illus. | |||||||||
| 1995 | Hagen, Charles |
The New York Times, Sarah Charlesworth,17 Nov., p. C-30, (review: J.G.M.A.) | ||||||||
| Aletti, Vince |
The Village Voice, Choices: Sarah Charlesworth, 7 Nov.; supplementp. 8, illus. (review: J.G.M.A.) | |||||||||
| unsigned | Canadian Art, Fast Forward, Fall, illus. (preview: S. L. Simpson) | |||||||||
| Yablonsky, Linda |
Time Out / New York, Sarah Charlesworth: Doubleworld, 15-22 Nov.,p.25, illus. (review: J.G.M.A.) | |||||||||
| 1994 | unsigned | The New Theater Review, fall, #11,pg. 8, illus. + cover | ||||||||
| Hickey, Dave |
Parkett, A Matter of Time: On Flatness, Magic, Illusion, and Mortality,#40/41, Summer, (feature) | |||||||||
| 1993 | Hess, Elizabeth |
The Village Voice, Body Triple, 30 Nov., illus. (review: Drawing Center) | ||||||||
| Heartney, Eleanor |
Artnews, Sarah Charlesworth, Summer, illus. (review: J.G.M.A.) | |||||||||
| Romano, Gianni |
Zoom (Milan), Sarah Charlesworth, Nov.-Dec., illus. (feature) | |||||||||
| Hess, Elizabeth |
The Village Voice, Materialized Girls: Nancy Rubins, Lisa Hoke, MeganWilliams, Sarah Charlesworth, 20 April (review: J.G.M.A.) | |||||||||
| Mifflin, Margot |
Artnews, What do Artists Dream?, Oct. (editorial) | |||||||||
| 1992 | Campitelli, Maria |
Juliet (Trieste), Sarah Charlesworth, Feb.-March (review: J.G.M.A.) | ||||||||
| 1991 | Litt, Steven |
The Plain Dealer, (Cleveland) Using or Abusing a Powerful Symbol?, 8 Sept. | ||||||||
| Brenson, Michael |
The New York Times, Sarah Charlesworth: Shifted Images of theRenaissance, 22 March, illus. (review: JGMA) | |||||||||
| Dennis, Melvin |
Puchong Folios, Sarah Charlesworth, Spring (review: J.G.M.A.) | |||||||||
| Denson, G. Roger |
Bijutsu Techo, (Tokyo) Traces of Feminity: Sarah Charlesworth, JanGroover & Ida Applebroog, reprint / translation of What's in a Word, pgs.28-43, illus. + cover (feature) | |||||||||
| Durand, Regis |
Art Press (Paris), Fragments d'un Paysage d'images, #153, Dec.(feature) | |||||||||
| Lewis, James |
Artforum, Sarah Charlesworth, Summer, (review: J.G.M.A.) | |||||||||
| Gardner, Paul |
Artnews, What Artists Like About the Art They Like When They Didn't Know Why, Oct., illus. (questionnaire interview) | |||||||||
| Meuris, Jacques |
La Libre Belgique, (Brussels) Au temps de l'image: l'artiste américaine Sarah Charlesworth entend révéler ... froid les passions contemporaines...travers une imagerie omni-présente, 15 May, illus. (review:Hufkens) | |||||||||
| Stiwer, Pierre & Di Felice, Paul. |
Cafe-Creme, (Luxembourg), Sarah Charlesworth: L'immaculée conception, #15-Summer, pgs. 38-43, illus. + cover (interview) | |||||||||
| Thompson, Elspeth |
The Guardian (London), Portrait of a Friendship, 4 Dec., illus. (review:Interim Art) | |||||||||
| unsigned | Art and Man, Sept/ Oct, pg. 16, (feature) | |||||||||
| Van der Ploeg, Kees |
Flash Art, Sarah Charlesworth, Summer, illus. (review: J.G.M.A.) | |||||||||
| Weily, Susan |
Artnews, Sarah Charlesworth's Abracadabra, March, pgs. 116-121, illus. + cover (feature) | |||||||||
| O'Rourke, Meg |
Arts Magazine, Sarah Charlesworth, Summer, illus. (review: J.G.M.A.) | |||||||||
| 1990 | unsigned | The New Yorker, Goings On About Town: Art, July 23, (review: J.G.M.A.) | ||||||||
| unsigned | Interview Magazine, full page reproduction, Feb. | |||||||||
| Denson, G. Roger |
Tema Celeste, The New Metaphysical Art and It's Legacy, July-Oct., No. 25, p.37-42, illus. (editorial) | |||||||||
| Denson, G. Roger |
Contemporanea, Sarah Charlesworth: What's in a Word, Oct., pgs.70-75, illus. (feature) | |||||||||
| Charlesworth, Sarah |
Artforum, A Grammar of Essence: A Project for Artforum by Sarah Charlesworth, Feb., pp.123-125, illus. (project) | |||||||||
| New Observations, Issue.74, March 15-31, p.5 | ||||||||||
| 1989 | Heartney, Eleanor |
Artnews, Sarah Charlesworth, Sept., illus. (review: J.G.M.A.) | ||||||||
| Kent, Sarah |
Time Out / London, Sarah Charlesworth, May 10-17, illus. (review: Interim Art) | |||||||||
| Jones, Bill |
Arts Magazine, Born Again: Seeing the End of Photography, Oct.,pgs. 72- 77, illus. + cover (editorial) | |||||||||
| Smith, Roberta |
The New York Times, Charting Traditions of Non-traditional Photography, June 11, (review: National Museum) | |||||||||
| Grundberg, Andy |
The New York Times, Two Shows: One Works the Other Bogs Down,Sunday, Aug 13, illus., (review: I.C.P. & Metropolitan) | |||||||||
| Faber, Monika |
Camera Austria, (Graz) Vis a Vis der Kamera, #30, (review: Grita Insam) | |||||||||
| Caley, Shaun |
Flash Art, A Forest of Signs: One is Ushered into a Wonderland of Banality, Nov/Dec, (review: M.o.C.A.) | |||||||||
| Levin, Kim |
The Village Voice, April 25, (review:J.G.M.A.) | |||||||||
| Kimmelman, Michael |
The New York Times, At the Whitney, 100 Works From the Last 30Years, Nov 10, (editorial) | |||||||||
| unsigned | Corriere della Serra (Roma/Milano), Sarah Charlesworth, Aug 18 | |||||||||
| Mueller, Cookie |
Details Magazine, Art and About, Sept., illus. (review: B.A.M.) | |||||||||
| Princenthal, Nancy |
Barron's, More Positives Than Negatives: Collectors Bids Up ArtisticPhotographs, May 22, illus. (editorial) | |||||||||
| Scheuer, Daniel |
Center Quarterly: A Journal of Photography and Related Arts, 150th at f2Snapshots of Contemporary Art Photography, Vol. 11, #1 | |||||||||
| Silko, Leslie M. |
Artforum, The Fourth World, Summer, pgs.124-127, illus.: Madonna and Child, special project by Sarah Charlesworth (in special section designedby Robert Barry, pgs.124-135) | |||||||||
| Sussler, Betsy |
Bomb Magazine, Profile / Art: Sarah Charlesworth, Winter, pgs.30-33, illus. (feature) | |||||||||
| Phillipi, Desa |
Artforum, Shifting Focus, Nov., p.168 (review: Serpentine Gallery) | |||||||||
| Wise, Kelly |
The Boston Globe, Redefining the Language of Photography, Oct.17(review: Segal) | |||||||||
| Zampaglione, Arturo |
La Repubblica, Il Venerdi (Rome), p.92, Sept 8, (interview) | |||||||||
| 1988 | multiple authors | The Print Collector's Newsletter, Photographs and ProfessionalsIV , Vol.XIX, No.3, July/Aug, pgs.81-91+cover illus. (panel discussion) | ||||||||
| Glanzman, Judith |
Journal of Contemporary Art, Sarah Charlesworth, Spring, pg. 56 (interview) | |||||||||
| Kramer, Hilton |
New York Observer, Sexual Difference:, April 18, p.1&11 (review: Wallach Art Gallery) | |||||||||
| Smith, Roberta |
The New York Times, Galleries Paint a Brighter Picture for Women,April 14 (editorial w/review: J.G. M.A.) | |||||||||
| Saltz, Jerry |
Arts Magazine, The Implacable Distance: Sarah Charlesworth's "Unidentified Woman, Hotel Corona, Madrid (1979-1985)", March, pgs.24-25, illus. (feature) | |||||||||
| Sischy, Ingrid |
The New Yorker, Photography: Sarah Charlesworth, April 24, (review: J.G.M.A.) | |||||||||
| unsigned | Flash Art News, Supplement # 143, Nov/Dec | |||||||||
| 1987 | Selwyn, Marc |
L.A. Weekly, Sarah Charlesworth, May 8- 14, pg.44 (review: Leavin) | ||||||||
| Cameron, Dan |
Flash Art, Post-Feminism, Feb/Mar, pgs.80-83, illus. (editorial) | |||||||||
| Clarkson, David |
Parachute, (Montreal) Sarah Charlesworth: An Interview, Dec., pgs.12-15 (interview) | |||||||||
| Cohen, Ronny H |
The Print Collectors Newsletter, New Abstraction V, Mar/Apr., p.9-13, illus. | |||||||||
| Collins, Tricia & Milazzo, Richard |
New Observations, Oct. | |||||||||
| Gilbert-Rolfe, Jeremy |
Arts Magazine, Where Do Pictures Come From? Sarah Charlesworth and the Development of the Sign, Dec., pgs.58-60, illus. (feature) | |||||||||
| Cameron, Dan |
Flash Art, Art and Its Double, Summer | |||||||||
| Shottenkirk, Dena |
C Magazine, (Toronto) Sarah Charlesworth: Imaging the Other, Spring,pgs. 18- 23 + cover (feature) | |||||||||
| Stretch, Bonnie Barrett |
Art and Auction, Contemporary Photography, May, pgs.140-147, illus. | |||||||||
| Tuer, Dot |
Vanguard (Toronto), Sarah Charlesworth, Feb./Mar., illus. (review:S.L. Simpson) | |||||||||
| unsigned | Artnews, October issue, p.135 | |||||||||
| unsigned | Bomb, (Toronto), Issue CCI, Fall, cover | |||||||||
| Wilson, William |
Los Angeles Times, The Art Galleries: Joel Otterson / Sarah Charles-worth, May 1, (review: Margo Leavin) | |||||||||
| 1986 | unsigned | Effects Magazine, Winter 1986 (cover) | ||||||||
| Jones, Alan |
Galleries Magazine (Paris), Paravision: Une Interview avec TriciaCollins et Richard Milazzo, Aug./Sept., (interview) | |||||||||
| Indiana, Gary |
Village Voice, Liquid Memory, Solid Objects, April 1, illus. (review: Int'l with Monument) | |||||||||
| Collins, Tricia and Milazzo, Richard |
Kunstforum (Köln), New York: Tropical Codes, April/May, p.308 | |||||||||
| Collins, Tricia |
Kunstforum (Köln), Sarah Charlesworth: Natural Signs From Milazzo,Richard Structural Reformation to Iconic Abstraction, April/May, p.314-315 | |||||||||
| Brody, Jacky |
The Print Collectors Newsletter, (review: print portfolio by Sarah Charlesworth) | |||||||||
| Brenson, Michael |
The New York Times, Sunday July 13, (review: Venice Biennale) | |||||||||
| 1985 | Kohn, Michael |
Flash Art, Sarah Charlesworth, April/May, illus. (review: Int'l with Monument) | ||||||||
| Linker, Kate |
Artforum, Sarah Charlesworth, Summer, pg.105, illus. (review: Int'l with Monument) | |||||||||
| unsigned | Aperture, Sarah Charlesworth, No. 100, Fall | |||||||||
| Warren, Ron |
Arts, Sarah Charlesworth, May, (review: Int'l with Monument) | |||||||||
| 1984 | Indiana, Gary |
Art in America, Sarah Charlesworth, Sept., illus. (review: Clocktower) | ||||||||
| Bob, Paul |
The East Village Eye, Cutting Up Culture: Photo Artist Sarah Charlesworth is Pointing to..., June, pgs. 15 & 17, illus. (feature) | |||||||||
| Hathaway, Jane |
New York Beat, Photography: Sarah Charlesworth, 2 May, p.15,illus. (review: Clocktower) | |||||||||
| Deitcher, David |
After-Image, Questioning Authority: Sarah Charlesworth's Photographs,Summer, pgs. 14-17, illus. (feature) | |||||||||
| Linker, Kate |
Artforum, Eluding Definition | |||||||||
| Smith, Roberta |
The Village Voice, Chrysler's Wings of Fashion, April (review:Clocktower / Feldman / Castelli) | |||||||||
| unsigned | Contact Sheet #41, published by Light Work, Syracuse, NY | |||||||||
| unsigned | Esquire, Openings: Sarah Charlesworth, Feb., p.100 (preview: Clocktower) | |||||||||
| 1983 | unsigned | Afterimage, May | ||||||||
| Samore, Sam |
Exposure (pub. by the Society for Photographic Education), Playing it Again, Winter | |||||||||
| Grundberg, Andy |
The New York Times, Post-Modernists in the Mainstream, Nov. 20 | |||||||||
| 1982 | Hagen, Charles |
Artforum, Sarah Charlesworth, Dec., p.80, illus. (review: Gagosian) | ||||||||
| unsigned | Artistes, Fall (review) | |||||||||
| unsigned | Art in America Guide to Museums, Galleries, and Artists, Tabula Rasa, by Sarah Charlesworth, listed as an Outstanding Solo Show of1982) | |||||||||
| Scully, Julia |
Modern Photography, Seeing Pictures, June | |||||||||
| Owens, Craig |
Art in America, Sarah Charlesworth, May, (review: Gagosian) | |||||||||
| 1981 | Castle, Ted |
Flash Art, Verbal Art, Nov. | ||||||||
| Sussler, Betty |
Cover Magazine, Interview with Sarah Charlesworth, Spring / Summer (feature) | |||||||||
| 1980 | Frank, Elizabeth |
Art in America, Sarah Charlesworth, April, illus. (review: Shafrazi) | ||||||||
| GROUP EXHIBITION CATALOGUES AND BOOKS: | ||||||||||
| 2024 | Bigman, Alexander |
Pictures and the Past: Media, Memory and the Specter of Fascism in Postmodern Art | ||||||||
| Dickler, Shana; Rouse, Ylva |
A Walk on the Wild Side (Museum of Contemporary Art Jacksonville, FL) | |||||||||
| 2022 | Aubart, François |
L'Attitude de la Pictures Generation: Excès, passion et manipulation (Les Presses du réel, Paris) | ||||||||
| 2021 | de Bellis, Vicenzo and Galansino, Arturo |
American Art 1961-2001 (Palazzo Strozzi, Florence, Italy) | ||||||||
| 2019 | Fineman, Mia, et al. |
Apollo's Muse: The Moon in the Age of Photography, (Metropolitan Museum of Art, NY) | ||||||||
| Great Women Artists, (Phaidon, New York, NY) | ||||||||||
| 2018 | Jetzer, Gianni; Pires, Leah; Nickas, Bob |
Brand New: Art and Commodity in the 1980's, (Hirshhorn Museum and Rizzoli Electa, New York, NY) | ||||||||
| Ecklund, Douglas; Alteveer, Ian |
Everything is Connected: Art and Conspiracy, (The Metropolitan Museum of Art, NY) | |||||||||
| Beshty, Walead, ed. |
Picture Industry: A Provisional History of the Technical Image (1844-2018), (JRP|Ringier, New York) | |||||||||
| 2017 | Berry, Ian
Shear, Jack |
Borrowed Light: Selections from the Jack Shear Collection, (Delmonico - Prestel, New York, NY) | ||||||||
| Al-Khudhairi, Wassan |
Third Space: Shifting Conversations about Contemporary Art, (Birmingham Museum of Art, Birmingham, AL) | |||||||||
| 2016 | Hickey, Dave |
25 Women: Essays on Their Art, Published by The University of Chicago Press | ||||||||
| Crosby, Eric; Beard, Thomas; Relyea, Lane; Respoini, Eva |
Ordinary Pictures. (Walker Art Center, Minneapolis, MN) | |||||||||
| 2014 | Ebner, Florian
Greiff, Sophia et al. |
(Mis)Understanding Photography, Sarah Charlesworth, Special Project: Herald Tribune: September 1977, Edited by Museum Folkwang, Essen, Germany | ||||||||
| Migayrou, Frédéric |
Bernard Tschumi - Architecture: concept & notation, Special Project: Stills, Published by Centre Pompidou, Paris, France | |||||||||
| Le Bal / Éditions Textuel / Centre National des Arts Plastiques | La Persistance des Images | |||||||||
| 2012 | Colpitt, Frances |
Color Pictures. (The Art Galleries of TCU, Fort Worth, TX) | ||||||||
| Brodie, Judith |
Shock of the News. (National Gallery of Art, Washington, DC) | |||||||||
| 2011 | Ware, Katherine |
Earth Now: American Photographers and the Environment. (Museum of New Mexico Press, Sante Fe, NM) | ||||||||
| Princenthal, Nancy, McDonough, Tom, Pollock, Griselda, Posner, Helaine, |
The Deconstructive Impulse: Women Artists Reconfigure the Signs of Power, 1973-1991. (Prestel USA, New York, NY) | |||||||||
| Honold, Astrid |
Circa 1986. (Black Cat Publishing, Amsterdam) | |||||||||
| Hoffman, Felix |
The Uncanny Familiar – Images of Terror, (Buchhandlung Walther Konig, Koln) | |||||||||
| Eleey, Peter; Hoffman, Felix |
September 11. (MoMA PS1, Long Island City, NY) | |||||||||
| 2010 | Captured in Time: ART in Embassies Exhibition Paris, France. (ART in Embassies, Washington, DC) | |||||||||
| Modrak, Rebekah, Anthes, Bill |
Reframing Photography: Theory & Practice. (Routledge, London) | |||||||||
| Klein, Alex |
Words Without Pictures, Discussion Series curated by Charlotte Cotton and Alex Klein (LA County Museum, Los Angeles, CA; 2nd ed. Aperture Foundation, New York, NY, 2010) | |||||||||
| Doswald, Christoph |
Press Art: Sammlung Annette und Peter Nobel. (Stampfli Publikationen AG, Bern) | |||||||||
| Blessing, Jennifer, Trotman, Nat |
Haunted: Contemporary photography, video, performance. (Guggenheim Museum, New York) | |||||||||
| 2009 | Aupetitallot, Yves |
Images & (re)presentations: Les Annee 1980s, (Centre d'Art Contemporain, Grenoble, France) | ||||||||
| Eklund, Douglas |
The Pictures Generation, 1974 – 1984. (The Metropolitan Museum of Art, NY) | |||||||||
| 2008 | Congdon, Kristin
Hallmark, Kara Kelley |
Twentieth Century United States Photographers: A Student�s Guide, (Greenwood Press, Westport, CT) | ||||||||
| Jedermann Collection- Set 5 from the Fotomuseum Winterthur Collection, (Fotomuseum Winterthur, Switzerland) | ||||||||||
| 2007 | A New Reality: Black-and-White Photography in Contemporary Art. Jane Voorhees Zimmerli Art Museum, Rutgers. The State University of New Jersey, New Brunswick, NJ | |||||||||
| 2006 | Traub, Charles
Heller, Stephen Bell, Adam B. |
The Education of a Photographer, "Objects of Desire: An interview with Sarah Charlesworth" (Allworth Press and School of Visual Arts, NY) | ||||||||
| 2005 | Foster, Hal
Krauss, Rosalind Bois, Yve-Alain Buchloh, Benjamin |
Art Since 1900: Modernism, Antimodernism, Postmodernism (Thames & Hudson, New York, NY) | ||||||||
| 2004 | Witkovsky, Matthew S
Mariño, Melanie Trotman, Nat |
Speaking with Hands: Photographs from the Buhl Collection, (Solomon R. Guggenheim Museum, New York, NY) | ||||||||
| Fogle, Douglas |
The Last Picture Show: Artists Using Photography 1960-1982; (Walker Art Center, Minneapolis, MN) | |||||||||
| 2003 | Scott, Sue |
Constructed Realities: Contemporary Photography, (Orlando Museum,Orlando, FL) | ||||||||
| Off the Press: Recontextualizing the Newspaper in Contemporary Art,(Southwest Museum of Photography, Daytona, FL) | ||||||||||
| 2002 | Wolfe, Sylvia |
Visions from America: Photographs from the Whitney Museum of American Art, 1940-2001, (Whitney Museum of American Art, New York, NY) | ||||||||
| Warner, Mariana
Haworth-Booth, Mark |
Seeing Things: Photographing Objects, 1850-2001, (The Victoria and Albert Museum, London, UK) | |||||||||
| Decter, Josh |
Televisions, (Kunsthalle, Vienna, Austria) | |||||||||
| 2000 | (various) | Post Modernism, (Tate Gallery, London, UK) | ||||||||
| 1999 | Phillips, Lisa |
The American Century: Art & Culture 1950-2000, (Whitney Museum of American Art & Norton Publishers, New York, NY) | ||||||||
| 1998 | Bunnell, Peter C. |
Photography at Princeton, (Princeton University, Princeton, NJ) | ||||||||
| 1997 | Sobel, Dean |
Identity Crisis: Self Portraiture at the End of the Century, (Milwaukee Art Museum, Milwaukee, WI) | ||||||||
| Blaettler, James
Nieboer, Jan willem Steensma, Regnerus |
The One Chosen: Images of Christ in Recent New York Art, (ThomasWalsh Gallery, NY) | |||||||||
| 1996 | Tallman, Susan |
The Contemporary Print: From Pre-Pop to Postmodern (book) | ||||||||
| Pierce
Rosenberg, J. |
A Question of Balance: Artists and Writers on Motherhood, (Papier Mache, Watsonville, CA) | |||||||||
| Heiss, Alana
Streeter, Sabina |
Model Home, (The Clocktower Gallery, Institute of Contemporary Art, New York, NY) | |||||||||
| 1995 | Grigoteit, Ariane, et al. |
Tradition and Zeitgeist: Works from the Collection of Deutsche Bank North America, (DuMont Verlag, Köln, Germany) | ||||||||
| Denson, G. Roger |
Chasing Angels, (Christinerose Gallery, New York, NY) | |||||||||
| 1994 | Morgan, Dahlia |
American Art Today: Heads Only, (The Art Museum, Florida Int'l. University, Miami, FL) | ||||||||
| Felshin, Nina |
Empty Dress: Clothing as Surrogate in Recent Art, (Independent) | |||||||||
| Decter, Joshua |
Don't Look Now, (Thread Waxing Space, New York, NY) | |||||||||
| 1993 | Espy-Burns, Victoria |
Vivid: Intense Images by American Photographers, (Raab Galerie, Berlin, Germany) | ||||||||
| Schaffner, Ingrid |
The Return of the Cadavre Exquis, (The Drawing Center, New York, NY) | |||||||||
| Phillips, Lisa |
Photoplay: Works from the Chase Manhattan Collection, (The Chase Manhattan Corporation, New York, NY) | |||||||||
| Jacobson, Marjory |
Art for Work: The New Renaissance in Corporate Collecting, (HarvardBusiness School Press, Boston, MA) | |||||||||
| Hill-Perrell, Franklin |
Image Makers, (Nassau County Museum of Art, Roslyn Harbor, NY) | |||||||||
| Brunon, Bernard |
Autoportraits Contemporains: Here's Looking at Me, (Espace Lyonnais d'Art Contemporain, Lyon, France) | |||||||||
| anonymous | Sex Quake - Art After the Apocalypse, (1st Art- Genes Portable Museum) | |||||||||
| 1992 | Rosenberg, Barry A.
Leigh, Christian Straus, Marc J. |
Quotations: The Second History of Art, (The Aldrich Museum of Contemporary Art, Ridgefield, CT) | ||||||||
| Colpitt, Frances
Plous, Phyllis |
Knowledge: Aspects of Conceptual Art, (University Art Museum, Santa Barbara, CA) | |||||||||
| Bond, Anthony, et al. |
9th Biennale of Sydney: The Boundary Rider, (Art Gallery of New South Wales, Sydney, Australia) | |||||||||
| 1991 | Belli, Gabriella
Saltz, Jerry |
American Art of the 80's, (Electa, Milan, Italy) | ||||||||
| Rubin, David S. |
Cruciformed: Images of the Cross Since 1980, (Cleveland Center for Contemporary Art, Cleveland, OH) | |||||||||
| Reynolds, Jock &Sheldon, James |
Motion and Document - Sequence and Time: Eadweard Muybridge and Contemporary American Photography, (National Museum of American Art, Smithsonian Institution, Washington, DC) | |||||||||
| Morin, France, et al. |
The Interrupted Life, (New Museum of Contemporary Art, New York, NY) | |||||||||
| Liebmann, Lisa |
Southeast Bank Collects: A Corporation Views Contemporary Art, (Southeast Bank)(cat.) | |||||||||
| Gumpert, Lynn
Wallis, Brian |
Beyond the Frame: American Art 1960-1990, (Institute of Contemporary Art, Tokyo, Japan) | |||||||||
| 1990 | Graw, Isabella
Lanzinger, Pia |
Das Sibyllinische Auge: Fotokünstlerinnen aus dem Anglo-Amerikanischen Raum, (Foto e.V. München and Barbara Gross Gallery, Munich, Germany) | ||||||||
| Gandini, Manuela |
Taking the Picture: Photography and Appropriation, (Castelli, New York, NY and Gallery, Milan, Italy) | |||||||||
| Derrickson, Stephen |
Insect Politics, Body Horror/ Social Order, (Hallwalls Contemporary Art Center, Buffalo, NY) | |||||||||
| Cooke, Lynne |
Reorienting: Looking East, (Third Eye Centre, Glasgow, Scotland and Nicola Jacobs, London, UK) | |||||||||
| 1989 | Foresta, Merry A.
Smith, Joshua P. |
The Photography of Invention: American Pictures of the 1980's, (M.I.T.Press, Cambridge, MA) | ||||||||
| Goldstein, Ann
Jacob, Mary Jane |
A Forest of Signs: Art in the Crisis of Representation, (Museum of Contemporary Art, Los Angeles, CA and M.I.T. Press, Cambridge, MA) | |||||||||
| Subject:Object, (Nicola Jacobs Gallery, London, UK) | ||||||||||
| Ferguson, Bruce
Simon, Joan Smith, Roberta |
Contemporary Perspective I: Abstraction in Question, (The John and Mable Ringling Museum of Art, Sarasota, FL) | |||||||||
| Butler, Susan |
Bristol and Serpentine Gallery, London) | |||||||||
| Halpern-Brougher
Nora, Hopkins
Henry T.
Stein, Donna. |
Selected Works from the Frederick R. Weisman Foundation, (Wight Art Gallery, U.C.L.A.) | |||||||||
| Grundberg, Andy
Saltz, Jerry |
Abstraction in Contemporary Photography, (Emerson Gallery, Hamilton College and Anderson Gallery, Virginia Commonwealth University, Richmond, VA) | |||||||||
| Braulick, Nathan
Haworth, Dale K. Sowder, Lynne. |
What Does She Want: Current Feminist Art from the First Bank Collection, (First Bank System Division of Visual Arts) | |||||||||
| Hanhardt, John G.
Heiferman, Marvin Phillips, Lisa |
Image World: Art and Media Culture, (Whitney Museum of American Art, New York, NY) | |||||||||
| Rauch, Joseph |
Fictive Strategies: Actuality and Originality in Contemporary Photography, (The Squibb Gallery, Princeton, NJ) | |||||||||
| Stainback, Charles |
Culture Medium, (International Center of Photography, New York, NY) | |||||||||
| Rosenberg, Barry
Straus, Marc |
Selections from the Collection of Marc and Livia Straus (Aldrich Museum of Contemporary Art, Ridgefield, CT) | |||||||||
| Hoy, Anne |
Fabrications, Staged, Altered and Appropriated Photographs, (Abbeville Press, New York, NY) | |||||||||
| Misiano, Viktor
Wasow, Oliver, et al. |
Moskau - Wien - New York, (Wiener Fastwochen, Vienna, Austria) | |||||||||
| Kosuth, Joseph |
The Play of the Unsayable-Wittgenstein and the Art of the XXth Century, (Wiener Secession, Vienna, Austria) | |||||||||
| Jones, Ronald
Steinbach, Haim |
Avant 1989: Exposition con‡ue par Haim Steinbach, (Fonds Régional d'Art Contemporain, Rhônes-Alpes, France) | |||||||||
| 1988 | Godeau, Abigail Sol. |
Sexual Difference: Both Sides of the Camera, (Wallach Art Gallery, Columbia University, New York, NY) | ||||||||
| Collins, Tricia
Milazzo, Richard Indiana, Gary |
Hybrid Neutral: Modes of Abstraction and the Social, (Independent Curators Intl., New York, NY) | |||||||||
| Collins, Tricia
Milazzo, Richard |
Media Post Media, (Scott Hanson Gallery, New York, NY) | |||||||||
| Collins, Tricia
Milazzo, Richard |
Just Like a Woman, (Greenville County Museum of Art, SC) | |||||||||
| Collins, Tricia
Milazzo, Richard |
Art at the End of the Social, (Rooseum, Malmö, Sweden) | |||||||||
| Collins, Tricia |
||||||||||
| Carter, Curtis L. |
Photography On the Edge, (Haggerty Museum of Art, Marquette University, Milwaukee, WI) | |||||||||
| Liebmann, Lisa
Monforton, Mary-Ann |
Contemporary Art Auction to Benefit El Bohio. (Bohio Community and Cultural Center, New York, NY) | |||||||||
| 1987 | Brunon, Bernard |
Contemporary Photographic Portraiture, (Musee St. Pierre, Lyon, France) | ||||||||
| Denson, G. Roger |
Poetic Injury: The Surrealist Legacy in Postmodern Photography, (Alternative Museum, New York, NY) | |||||||||
| Cameron, Dan |
Art and Its Double: A New York Perspective, (Centre Cultural de la Fundacio Caixa de Pensions, Barcelona, Spain) | |||||||||
| Jacobs, Joseph |
This is not a Photograph: Twenty Years of Large Scale Photography; 1966-1986, (The John and Mable Ringling Museum of Art, Sarasota, FL) | |||||||||
| Feinstein, Roni |
Contemporary Diptychs: The New Shape of Content, (Whitney Museum of American Art, New York, NY) | |||||||||
| Saltz, Jerry |
Recent Tendencies in Black and White, (Sidney Janis Gallery, New York, NY) | |||||||||
| Halley, Peter
Saltz, Jerry Smith, Roberta |
Beyond Boundaries: New York's New Art, (Alfred van der Marck Editions, New York, NY) | |||||||||
| 1986 | Heiferman, Marvin |
The Big Picture, (The Queens Museum of Art, New York, NY) | ||||||||
| Collins, Tricia
Milazzo, Richard |
Ultrasurd, (S. L. Simpson Gallery, Toronto, ON) | |||||||||
| Collins, Tricia
Milazzo, Richard |
Spiritual America, (CEPA Gallery, Buffalo, NY) | |||||||||
| Heiferman, Marvin |
The Issue of Modern Art in Boston, (Institute of Contemporary Art, Boston, MA) | |||||||||
| Heller, Reinhold |
Dissent: The Issue of Modern Art in Boston, (Institute of Contemporary Art, Boston, MA) | |||||||||
| 1985 | various | 1985 Biennial Exhibition, (Whitney Museum of American Art, New York, NY) | ||||||||
| Olander, Bill |
The Art of Memory, The Loss of History, (New Museum of Contemporary Art, New York, NY) | |||||||||
| Lawson, Thomas
Nagy, Richard Robbins, David Trow, George W.S. |
Infotainment: 18 Artists from New York, (J. Berg Press, New York, NY) | |||||||||
| Jones, Richard |
Public Art, (Nexus Contemporary Art Center, Atlanta, GA) | |||||||||
| Collins, Tricia
Milazzo, Richard |
Cult and Decorum, (Tibor de Nagy Gallery, New York, NY) | |||||||||
| 1984 | Wallis, Brian |
Art After Modernism, Rethinking Representation, (The New Museum of Contemporary Art, New York, NY) | ||||||||
| Brooks, Rosetta |
Between Here and Nowhere: 9 New York Artists, (Riverside Studios, London, UK) | |||||||||
| 1983 | Olander, Bill |
Art and Social Change U.S.A., (Allen Memorial Art Museum, Oberlin College, Oberlin, OH) | ||||||||
| Solomon-Godeau, A. |
In Plato's Cave, (Marlborough Gallery, New York, NY) | |||||||||
| 1982 | Lawson, Tom |
Art and the Media: A Fatal Attraction, (The Renaissance Society, University of Chicago, Chicago, IL) | ||||||||
| 1979 | Lambert, Yvon |
Artemisia, (Paula Cooper Gallery, New York, NY) | ||||||||
| GRANTS: | ||||||||||
| 1995 | John Simon Guggenheim Fellowship Award, Visual Art | |||||||||
| 1983 | National Endowment for the Arts | |||||||||
| 1980 | National Endowment for the Arts | |||||||||
| 1977 | New York State Creative Artists Public Service | |||||||||
| 1976 | National Endowment for the Arts | |||||||||
| TEACHING: | ||||||||||
| 2012 | Princeton University, Princeton, NJ; Lecturer with Rank of Professor, Visual Arts in the Lewis Center | |||||||||
| 2000 - 2008 | Rhode Island School of Design, Providence, RI; Graduate Tutorial Masters in Photography (Spring/Fall) | |||||||||
| 1994 | Hartford University, Hartford Art School, Hartford, CT; adjunct faculty, Graduate Seminar and Critique, (Fall) | |||||||||
| 1993 | New York University, Department of Art and Art Education, New York, NY; graduate photography critique | |||||||||
| 1992 - 2013 | School of Visual Arts, New York, NY; Masters Program in Photography and Related Media, graduate faculty member, Masters Critique Seminar (1992-96) | |||||||||
| 1983- 1985 | New York University, Department of Art and Art Education, New York, NY; graduate faculty instructor, Advanced Photography: Critical Seminar and Workshop (1983-1984, 1984-1985) | |||||||||
| VISITING ARTIST / LECTURES / SEMINARS / RESIDENCIES: | ||||||||||
| 2011 | SUNY Purchase, Purchase, NY; Visiting artist/lecturer, March 17 | |||||||||
| Neuberger Museum of Art, Purchase, NY; “Panel Discussion: Feminism, Deconstruction, and Desire” with Sarah Charlesworth, Helaine Posner and Nancy Princenthal; March 17 | ||||||||||
| Guggenheim Museum Bilbao, Spain; Sarah Charlesworth Lecture in Conjunction with “Haunted: Contemporary Photography/Video/Performance”, January 27 | ||||||||||
| 2010 | Bard College, Annandale-on-Hudson, NY, Visiting artist/lecturer, Masters program in Fine Arts, September 20 | |||||||||
| The New Museum, New York, NY; “The Last Newspaper Artists in Conversation” Benjamin Godsill, Moderator, with Sarah Charlesworth, Nate Lowman, and Aleksandra Mir; October 9 | ||||||||||
| Solomon R. Guggenheim Museum, New York, NY; Sarah Charlesworth Lecture, “Conversations with Artists”, 4 May | ||||||||||
| 2009 | Art Institute of Boston, Boston, MA, Visting artist/lecturer, Masters program in Fine Arts, June 23 – June 24 | |||||||||
| 2008 | LACMA, Los Angeles, "Remembering and Forgetting Conceptual Art" 15 April | |||||||||
| School of Visual Arts, New York, Visiting Artist, Masters program in Fine Arts | ||||||||||
| 2007 | The Kitchen, New York, "Re-Take: A Panel on Art and Appropriation" Organized by Afterall. 27 Nov | |||||||||
| Parsons, The New School for Design, New York, Visiting Artist, Masters program in Photography | ||||||||||
| 2005 | Princeton University, Panel curated by Johanna Burton in conjunction with "For Presentation andDisplay: Some Art of the 80s" curated by Johanna Burton and Hal Foster; 14 April | |||||||||
| Bard College, Annandale-on-Hudson, NY, Visiting lecturer, Masters program in curatorial studies,15 March | ||||||||||
| Maine College of Art, Portland, ME, visiting artist and guest lecturer, 24 March | ||||||||||
| Bard College, Annandale-on-Hudson, NY, Visiting artist / lecturer, Masters program in Fine Arts.June | ||||||||||
| 2004 | Columbia University School of the Arts; Sarah Charlesworth: The Philosophical and Political Role of the Artist, New York, NY; 15 June | |||||||||
| Rhode Island School of Design; TC Colley Visiting Artist and Lecturer, April | ||||||||||
| 2003 | Orlando Museum of Art, Orlando, FL; A Conversation with Sarah Charlesworth, April 9 | |||||||||
| Maine College of Art, Portland, ME; lecturer, March | ||||||||||
| 2002 | Bard College, Annandale-on-Hudson, NY; lecturer, March | |||||||||
| 2000 | Rhode Island School of Design, Providence, RI; Public lecture & visiting artist / critic, May | |||||||||
| Brandeis University, Waltham, MA; Public lecture / interdisciplinary seminar, April | ||||||||||
| New York University, American Photography Institute, Guest Lecturer. | ||||||||||
| 1998-1999 | The Cleveland Center for Contemporary Art, Cleveland, OH; The Photography of Sarah Charlesworth: A Psychoanalytic Perspective (series of five thematic discussions) | |||||||||
| 1998 | Yale University, New Haven, CT; Masters Program in Photography, Oct. | |||||||||
| Museo Santa Maria della Scala, Siena, Italy; Visiting Artist in Residence, Aug. | ||||||||||
| 1997 | New York University, New York, NY; American Photography Institute, lecturer | |||||||||
| Bard College, Annandale-on-Hudson, NY; Lecturer, Visiting Artists and Masters program in theArts, July | ||||||||||
| 1995 | New York University, Tisch School of the Arts, New York, NY; artist / lecturer, Nov. | |||||||||
| Rutgers University, New Brunswick, N.J.; artist / lecturer , Oct. | ||||||||||
| Independent Curators Incorporated, New York, NY; artist / lecturer , March | ||||||||||
| 1994 | Tel Aviv Museum of Art, Tel Aviv, Israel; artist / lecturer , Oct. | |||||||||
| Camera Obscura School of Art, Tel Aviv, Israel; artist / lecturer - symposium Art andTechnology: 2009, Oct. | ||||||||||
| 1993 | University of Las Vegas, Las Vegas, NV; guest lecturer, March | |||||||||
| Culture Lab, University of Toronto, Toronto, Canada; guest lecturer | ||||||||||
| Museo de Arte Contemporaneo de Monterrey, Monterrey, Mexico; guest lecturer, panelist: Photoplay | ||||||||||
| 1990 | Art Center College of Design, Pasadena, CA; visiting artist, March | |||||||||
| La Jolla Museum of Contemporary Art, La Jolla, CA; guest lecturer, March | ||||||||||
| University of California, San Diego, CA; visiting artist / lecturer, March | ||||||||||
| New York University, New York, NY; panel/symposium with Jean Baudrillard, May | ||||||||||
| School of Visual Arts, New York, NY; panel Uses & Abuses of History, Peter Halley, moderator, March | ||||||||||
| California State University, Fullerton, CA; guest lecturer, May | ||||||||||
| New York University / International Center of Photography, New York, NY; graduateprogram visiting artist / critic, May | ||||||||||
| 1989 | Carleton College, Northfield, MN; symposium, What does she want? | |||||||||
| The Whitney Museum of American Art, panel discussion, Image World: Art and Media Culture, Nov. | ||||||||||
| S.U.N.Y. Purchase, Purchase, NY; guest lecturer, The Politics of Representation, Oct. | ||||||||||
| National Gallery of American Art, Washington, DC; panel discussion in conjunction with the exhibition Photography of Invention, April | ||||||||||
| 1988 | Nova Scotia College Art and Design, Halifax, Nova Scotia, Canada; visiting artist / lecturer, March | |||||||||
| 1987 | Tyler Gallery, Tyler School of Art, Temple University, Elkins Park, PA; guest lecturer, International Center of Photography, New York, NY; guest lecturer, May | |||||||||
| Public Collections: |
Addison Gallery of American Art, Phillips Academy, Andover, MA Allen Memorial Art Museum, Oberlin College, Oberlin, OH Art Gallery of Ontario, Toronto, Canada Art Institute of Chicago, Chicago, IL Baruch College, New York, NY Berkeley Art Museum, University of California, Berkeley, CA Birmingham Museum of Art, Birmingham, AL Centre Pompidou, Paris, Fance Cleveland Museum of Art, Cleveland, OH Fotomuseum Winterthur, Switzerland Harvard Business School, Boston, MA High Museum of Art, Atlanta, GA International Center of Photography, New York, NY Israel Museum, Jerusalem, Israel J. Paul Getty Museum, Los Angeles, CA Los Angeles County Museum of Art, CA Metropolitan Museum of Art, New York, NY Moderna Museet, Stockholm, Sweden Montclair Art Museum, Montclair, NJ Museum of Contemporary Art Chicago, IL Museum of Contemporary Art, Los Angeles, CA Museum of Contemporary Art, San Diego, CA Museum of Fine Arts, Boston, MA Museum of Fine Arts, Houston, TX Museum of Modern Art, New York, NY Museum of New Mexico, Santa Fe, NM Musée d’Art Moderne and d’Art Contemporaine, Nice, France National Museum of Women in the Arts, Washington DC New Britain Museum of American Art, New Britain, CT New York Public Library, New York, NY Orlando Museum of Art, Orlando, FL Philadelphia Museum of Art, Philadelphia, PA Princeton University Museum, Princeton, NJ Pérez Art Museum Miami, FL Rose Art Museum, Brandeis University, Waltham, MA San Francisco Museum of Modern Art, San Francisco, CA Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, NE Smith College Art Museum, Northampton, MA Smithsonian Institute, National Museum of American Art, Washington, DC Solomon R. Guggenheim Museum, New York, NY Stedelijk Van Abbemuseum, Eindhoven, Netherlands Tang Museum, Saratoga Springs, NY Vancouver Art Gallery, Vancouver, BC, Canada Victoria and Albert Museum, London, England Walker Art Center, Minneapolis, MN Whitney Museum of American Art, New York, NY Yale University Art Gallery, New Haven, CT Albright Knox Art Gallery, Buffalo, NY Norton Museum of Art, West Palm Beach, FL New Orleans Museum of Art, New Orleans, LA He Art Museum, Guangdong, China |
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